Performing Social Change on the Island of Ireland
portes grátis
Performing Social Change on the Island of Ireland
From Republic to Pandemic
Murphy, Ciara L.
Taylor & Francis Ltd
10/2024
162
Mole
9781032078151
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Acknowledgements
Introduction: States of Change
Temporal Switch Points
The Politics of Naming Space
A Spectrum of Participation
Public Space as Performance Space
Structure and Design
Chapter Summaries
Chapter 1. Storytelling and Performance Post-Good Friday Agreement
A Marriage of Equals?
Troubled Spaces
Chapter 2. Tourism as Performance: Moving into a new Millennium
Papering Over the Cracks
The Trouble with Tourism
Performing the Legacy of the Past
Chapter 3. 'A Bevy of Beauties': Feminism, Double Jeopardy, and Charabanc Theatre Company
Creating Space for the Personal
A Feminist Approach to Creating Performance
Charabanc Theatre Company
Double Jeopardy: Women's Experience in the North of Ireland
Lay Up Your Ends (1983) and Gold in the Streets (1986)
Community Spaces
Chapter 4. 'Soujourned in Her Majesty's Prison': The Performative Actvism of Margaretta D'Arcy
The National Question
The Collision of Activism and Performance
Dirty Protest
Writing as Cultural Resistance
A 'Feminist Tour of Duty'
Chapter 5. Reclaiming Personal Histories Through Performance
A Volatile Nation
Radical Commemoration
Public and Embodied Sites of Practice
Moments of Communion
Chapter 6. A Dying Tiger: Performing Ireland's Housing Crisis
Neo-liberal Theatre Production
Critique as Commemoration
Hideously Inequitable Nation
Chapter 7. "Virtual Reroutings": Performing Ireland's Social Revolution
Pantigate
#WakingTheFeminists
Maser's Mural
Chapter 8. "Survival is Insufficient": Ireland's Pandemic Performance
#CovideoParty: Creating a Community Audience Online.
Dear Ireland (2020) - A Postcard from Pandemic Ireland
To be (or not to be) a Machine
Index
Introduction: States of Change
Temporal Switch Points
The Politics of Naming Space
A Spectrum of Participation
Public Space as Performance Space
Structure and Design
Chapter Summaries
Chapter 1. Storytelling and Performance Post-Good Friday Agreement
A Marriage of Equals?
Troubled Spaces
Chapter 2. Tourism as Performance: Moving into a new Millennium
Papering Over the Cracks
The Trouble with Tourism
Performing the Legacy of the Past
Chapter 3. 'A Bevy of Beauties': Feminism, Double Jeopardy, and Charabanc Theatre Company
Creating Space for the Personal
A Feminist Approach to Creating Performance
Charabanc Theatre Company
Double Jeopardy: Women's Experience in the North of Ireland
Lay Up Your Ends (1983) and Gold in the Streets (1986)
Community Spaces
Chapter 4. 'Soujourned in Her Majesty's Prison': The Performative Actvism of Margaretta D'Arcy
The National Question
The Collision of Activism and Performance
Dirty Protest
Writing as Cultural Resistance
A 'Feminist Tour of Duty'
Chapter 5. Reclaiming Personal Histories Through Performance
A Volatile Nation
Radical Commemoration
Public and Embodied Sites of Practice
Moments of Communion
Chapter 6. A Dying Tiger: Performing Ireland's Housing Crisis
Neo-liberal Theatre Production
Critique as Commemoration
Hideously Inequitable Nation
Chapter 7. "Virtual Reroutings": Performing Ireland's Social Revolution
Pantigate
#WakingTheFeminists
Maser's Mural
Chapter 8. "Survival is Insufficient": Ireland's Pandemic Performance
#CovideoParty: Creating a Community Audience Online.
Dear Ireland (2020) - A Postcard from Pandemic Ireland
To be (or not to be) a Machine
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Feminism;Pandemic;Social change;Ireland;Performance;Theatre;Young Man;Anu Production;Abbey Theatre;Armagh Gaol;Irish Women's Movement;Dublin Theatre Festival;Troubles Tourism;Ireland's National Theatre;Ireland's Theatre;Crumlin Road Gaol;Irish Theatre;Project Arts Centre;Iona Institute;Dark Tourism;post-Good Friday Agreement;West Belfast;Limerick City;Priory Hall;Foley Street;Anglo Irish Bank;Good Friday Agreement;Wedding Play;Irish Mainstream;Republican Women Prisoners;Political Tourism
Acknowledgements
Introduction: States of Change
Temporal Switch Points
The Politics of Naming Space
A Spectrum of Participation
Public Space as Performance Space
Structure and Design
Chapter Summaries
Chapter 1. Storytelling and Performance Post-Good Friday Agreement
A Marriage of Equals?
Troubled Spaces
Chapter 2. Tourism as Performance: Moving into a new Millennium
Papering Over the Cracks
The Trouble with Tourism
Performing the Legacy of the Past
Chapter 3. 'A Bevy of Beauties': Feminism, Double Jeopardy, and Charabanc Theatre Company
Creating Space for the Personal
A Feminist Approach to Creating Performance
Charabanc Theatre Company
Double Jeopardy: Women's Experience in the North of Ireland
Lay Up Your Ends (1983) and Gold in the Streets (1986)
Community Spaces
Chapter 4. 'Soujourned in Her Majesty's Prison': The Performative Actvism of Margaretta D'Arcy
The National Question
The Collision of Activism and Performance
Dirty Protest
Writing as Cultural Resistance
A 'Feminist Tour of Duty'
Chapter 5. Reclaiming Personal Histories Through Performance
A Volatile Nation
Radical Commemoration
Public and Embodied Sites of Practice
Moments of Communion
Chapter 6. A Dying Tiger: Performing Ireland's Housing Crisis
Neo-liberal Theatre Production
Critique as Commemoration
Hideously Inequitable Nation
Chapter 7. "Virtual Reroutings": Performing Ireland's Social Revolution
Pantigate
#WakingTheFeminists
Maser's Mural
Chapter 8. "Survival is Insufficient": Ireland's Pandemic Performance
#CovideoParty: Creating a Community Audience Online.
Dear Ireland (2020) - A Postcard from Pandemic Ireland
To be (or not to be) a Machine
Index
Introduction: States of Change
Temporal Switch Points
The Politics of Naming Space
A Spectrum of Participation
Public Space as Performance Space
Structure and Design
Chapter Summaries
Chapter 1. Storytelling and Performance Post-Good Friday Agreement
A Marriage of Equals?
Troubled Spaces
Chapter 2. Tourism as Performance: Moving into a new Millennium
Papering Over the Cracks
The Trouble with Tourism
Performing the Legacy of the Past
Chapter 3. 'A Bevy of Beauties': Feminism, Double Jeopardy, and Charabanc Theatre Company
Creating Space for the Personal
A Feminist Approach to Creating Performance
Charabanc Theatre Company
Double Jeopardy: Women's Experience in the North of Ireland
Lay Up Your Ends (1983) and Gold in the Streets (1986)
Community Spaces
Chapter 4. 'Soujourned in Her Majesty's Prison': The Performative Actvism of Margaretta D'Arcy
The National Question
The Collision of Activism and Performance
Dirty Protest
Writing as Cultural Resistance
A 'Feminist Tour of Duty'
Chapter 5. Reclaiming Personal Histories Through Performance
A Volatile Nation
Radical Commemoration
Public and Embodied Sites of Practice
Moments of Communion
Chapter 6. A Dying Tiger: Performing Ireland's Housing Crisis
Neo-liberal Theatre Production
Critique as Commemoration
Hideously Inequitable Nation
Chapter 7. "Virtual Reroutings": Performing Ireland's Social Revolution
Pantigate
#WakingTheFeminists
Maser's Mural
Chapter 8. "Survival is Insufficient": Ireland's Pandemic Performance
#CovideoParty: Creating a Community Audience Online.
Dear Ireland (2020) - A Postcard from Pandemic Ireland
To be (or not to be) a Machine
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Feminism;Pandemic;Social change;Ireland;Performance;Theatre;Young Man;Anu Production;Abbey Theatre;Armagh Gaol;Irish Women's Movement;Dublin Theatre Festival;Troubles Tourism;Ireland's National Theatre;Ireland's Theatre;Crumlin Road Gaol;Irish Theatre;Project Arts Centre;Iona Institute;Dark Tourism;post-Good Friday Agreement;West Belfast;Limerick City;Priory Hall;Foley Street;Anglo Irish Bank;Good Friday Agreement;Wedding Play;Irish Mainstream;Republican Women Prisoners;Political Tourism
