Performing Left Populism
portes grátis
Performing Left Populism
Performance, Politics and the People
Hartl, Anja; Boles, William C.; Petrovic Lotina, Dr Goran; Aiolfi, Theo
Bloomsbury Publishing PLC
01/2025
228
Mole
9781350347083
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Theo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Theo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
Maria Esperanza Casullo (National University of Rio Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcik
Sam Cermak (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Theo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Theo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
Maria Esperanza Casullo (National University of Rio Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcik
Sam Cermak (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
political science; left-wing politics; populist politics; political theory; performance theory; interdisciplinary studies; politics and art; neoliberalism; civic performances; artistic performances; Evo Morales; Alejandro Toledo; Pedro Castillo; Donald Trump; Bernie Sanders; Podemos; Servant of the People; Pablo Iglesias; Volodymyr Zelensky; Ukraine; Eastern European politics; communism; totalitarianism; Alexander Mlynarcik; political activism; progressive movement; progressive politics; socialism; anti-fascism; contemporary art; nationalism; Yannis Stavrakakis
List of Illustrations
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Theo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Theo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
Maria Esperanza Casullo (National University of Rio Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcik
Sam Cermak (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Notes on Contributors
Acknowledgements
Introduction: Performance and Left Populism
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France) and Theo Aiolfi (University of Warwick, UK)
I. Performance and Populism Theories
1. The Stylistic Approach to Populism: From Early Definitions to Interdisciplinary Hybridization
Theo Aiolfi (University of Warwick, UK)
2. American Paranoia: Trump, Sanders, and Theoretical Reflections on Researching Populism as Performance
Reid Kleinberg (University of Essex, UK)
II. Performance and Populist Leadership
3. The Democratic Productivity of Populist Bodily Representation
Maria Esperanza Casullo (National University of Rio Negro, Argentina)
4. Performing the People: Discourses and Performances of Pablo Iglesias and Volodymyr Zelensky
Alina Mozolevska (Petro Mohyla Black Sea National University in Mykolaiv, Ukraine and UniGR-Center for Border Studies, Saarland University, Germany)
III. Performance, Populism and Artistic Practices
5. The Last Peronist Spectacle: The Argentina Pavilion at the Expo 2015 World's Fair
David M. K. Sheinin (Trent University, Canada)
6. Joyful Festivities: Happenings as a Populist Strategy in the Work of Alex Mlynarcik
Sam Cermak (Queen Mary University of London, UK)
7. Left Populism and the Revival of Demos Through Performance: Four Tasks for Practicing Democracy
Danae Theodoridou (Performance maker and researcher, Fontys University of Applied Sciences, the Netherlands)
IV. Further Perspectives on Performance and Populism
8. Populism and Populism Research. A Conversation with Yannis Stavrakakis
Goran Petrovic Lotina (University of Warwick, UK, and Sciences Po: The Paris Institute of Political Studies, France)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
political science; left-wing politics; populist politics; political theory; performance theory; interdisciplinary studies; politics and art; neoliberalism; civic performances; artistic performances; Evo Morales; Alejandro Toledo; Pedro Castillo; Donald Trump; Bernie Sanders; Podemos; Servant of the People; Pablo Iglesias; Volodymyr Zelensky; Ukraine; Eastern European politics; communism; totalitarianism; Alexander Mlynarcik; political activism; progressive movement; progressive politics; socialism; anti-fascism; contemporary art; nationalism; Yannis Stavrakakis