Narrative Projections of a Black British History

Part I: Black Britain's Historical Culture: Setting the Scene
1. Introduction and Conceptual Reflections
2. Representations of a Black History in Britain: An Overview of 'Factual' and 'Fictional' Genres
Part II: Engaging with the Historical Culture: Reactions
3. Two Black British Lives: Charlotte Williams's Sugar and Slate and Mike Phillips's London Crossings4. Writing War - Writing Windrush: Andrea Levy's Novel Small Island5. Artistic Historiographies between the Black Atlantic and Black Britain: Caryl Phillips's The Atlantic Sound and Foreigners
6. Narratives Beyond Texts
Conclusion and Outlook

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• História: teoria e métodos
• História inglesa e irlandesa
• Estudos cultirais
• História social e cultural
• História do século 20: c 1900 a c 2000

Historical Culture;Discourse Analysis;Cultural Studies;Collective Identities;Cultural Memory;Historiography;Black British History;Young Men;David Oluwale;Infi Nite Loop;Black Audio Film Collective;Yinka Shonibare;Atlantic Sound;Lubaina Himid;Zadie Smith's White Teeth;Functional Memory;Conceptual Refl Ections;Non-fi Ction;Black British;Fi Lmic Product;Wood Green;Homodiegetic Narrator;Handsworth Songs;Black Atlantic;Historical Fi Ction;Nonfi Ction;Royal Air Force;RAF;London Crossings;Francis Barber;Williams's Account