Musical Entanglements between Germany and East Asia
portes grátis
Musical Entanglements between Germany and East Asia
Transnational Affinity in the 20th and 21st Centuries
Cho, Joanne Miyang
Springer Nature Switzerland AG
10/2022
303
Mole
Inglês
9783030782115
15 a 20 dias
Descrição não disponível.
Chapter 1: The Idea of Entanglement, Historiography, and Organization.- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students.- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer.- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong.- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945.- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors.- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot.- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Faecher.- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949.- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power.- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers.- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity.- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse fuer Neue Musik as Intercultural Agency.- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art.- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers
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Music History;German music;East Asian history;Music and Culture;World Music Studies;German composers;Sino-German relations;Japanese-German relations
Chapter 1: The Idea of Entanglement, Historiography, and Organization.- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students.- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer.- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong.- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945.- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors.- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot.- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Faecher.- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949.- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power.- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers.- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity.- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse fuer Neue Musik as Intercultural Agency.- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art.- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers
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