Musical Collaboration Between Indigenous and Non-Indigenous People in Australia

Introduction
KATELYN BARNEY

1 Black fulla, White fulla: Can there be a truly balanced collaboration?
LOU BENNETT

2 Rock band: A third, brave space for Indigenous language
CLINT BRACKNELL

3 Theorising ganma: Yothu Yindi and third-space musical collaborations
AARON CORN

4 Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities
CANDACE KRUGER

5 One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales
ROBIN RYAN CRUSE AND UNCLE OSSIE CRUSE

6 Indigenous music and cultural engagement: Listening with our ears and hearts
DAWN JOSEPH AND YIN PARADIES

7 Finding solid ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools
THOMAS FIENBERG AND DEBBIE HIGGISON

8 Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier?
KARL NEUENFELDT

9 In the borders and borderlands of coloniality with Helene Cixous and Gloria Anzaldua: An ethnomusicological theory-story of intercultural music-making
ELIZABETH MACKINLA

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• Música não-ocidental: tradicional e "clássica"

Dja Dja Wurrung;Yothu Yindi;Brave Space;Warumpi Band;Torres Strait Islander;Yorta Yorta;Torres Strait Islander Artists;Torres Strait Islander Students;Torres Strait Islander Histories;South East Arts;Australian National University;Initial Teacher Education Programs;Northern Land Council;non-Indigenous People;Southeast Queensland;Sydney Language;Gove Peninsula;Torres Strait Region;ITE Student;Central Australian Aboriginal Media Association;Intercultural Collaboration;Musical Collaboration;Mob Dreaming;Central Land Council;Torres Strait Creole