Museums, History and the Intimate Experience of the Great War

Introduction: War, Emotion and the Museum; Part I. Emotions in Conflict: On the Battlefield and at Home; 1. Emotions and Memory in the Soundscapes of World War I; 2. Pompey Elliott, Australia's Emotional General; 3. For the Duration: Surviving World War I at Home; Part II. Bearing the Wounds of War; 4. A Familiar Face: Wartime Facial Wounds and William Kearsey; 5. War Disability and the Centenary of Family Caregiving; Part III. Emotions in Histories of World War I; 6. Searching for Hector Thomson: Telling Difficult Family War Histories; 7. "Gonzo" Historians and the Emotional Turn in Australian Military History; 8. Distance, Intimacy and Identification: Reflections on Writing a History of Trauma; Part IV. World War I in the Museum: Love and Sorrow at Museums Victoria; 9. After One Hundred Years: Exhibiting World War I; 10. "Sticky" Objects, Faces and Voices in the Museum: Love and Sorrow's use of Affective Interpretation Strategies to Challenge Masculinist Commemorations of World War I; 11. "The Stories are like Magnets": Love and Sorrow and the Engagement of On-Line Learning; Index

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• História Militar
• Primeira Guerra Mundial
• Colonialismo, imperialismo e
• História social e cultural
• Museus e museologia

Young Man;Anzac Legend;Museums Australia;Australian War Memorial;ANZACS;Bart Ziino;Memory Studies;AIF;Gallipoli;Anzac Day;Remembrance;Australian Imperial Force;advisory panel;Post-war;Museums Victoria's exhibition;Facial Wounds;War Time;Follow;War Disability;Anzac Memories;Queen's Hospital;Joy Damousi;Severe Facial Wounds;Battle Of The Somme;Gonzo;Shell Shock;Anzac Centenary;Zeppelin Bombing;Dim;Anniversary;Polygon Wood;Disabled Soldiers