Material Selves
portes grátis
Material Selves
Object Biographies and Identities in Motion
Burchmore, Alex
Bloomsbury Publishing PLC
11/2024
256
Dura
Inglês
9781350416444
15 a 20 dias
Descrição não disponível.
Introduction, Alex Burchmore (Australian National University, Australia, Australia)
Part One: Biography and Narrative
1. The Entangled Lives of Still Life: Margaret Olley, Objects, Display, and Art, Chiara O'Reilly (University of Sydney, NSW, Australia)
2. Self Extension: Material Agency, Intimacy, and Chance in Sophie Calle's Object Relationships, Vanessa Berry (University of Sydney, NSW, Australia)
Part Two: Adornment and Ornament
3. Refashioning the Khila' in Safavid Persia and Early Modern Europe, Samantha Happe (University of Melbourne, Victoria, Australia)
4. Materiality, Self, and Portraiture: Charles LeBrun's Boite a Portrait of Louis XIV, Robert Wellington (Australian National University, Australia)
5. 'Furland': Global Fur and Empires of Fashion Materialities in 1930s London, Cheryl Roberts (University of the Arts, London, UK)
Part Three: Reclamation and Intervention
6. Upcycling Chaney: The Colonial Detritus of St. Croix, Jessica Priebe (National Art School, Sydney, Australia)
7. Chairman Mao's Good Soldier: Red Collecting, Lei Feng, and Revolutionary Selfhood in Contemporary China, Emily Williams (Xi'an Jiaotong-Liverpool University, China)
8. A Female Embodiment: Gendered Materiality in Chinese Contemporary Art Practices, Luise Guest (University of New South Wales, Australia)
Part Four: Subjects and Objects
9. Framing the Self in Early Modern Curatorial Strategies of Porcelain Display, Alex Burchmore (Australian National University, Australia)
10. Furnishings of Legal Lives, Jessie Hohmann (University of Technology Sydney, NSW, Australia) and Daniel Joyce (University of New South Wales, Australia)
Index
Part One: Biography and Narrative
1. The Entangled Lives of Still Life: Margaret Olley, Objects, Display, and Art, Chiara O'Reilly (University of Sydney, NSW, Australia)
2. Self Extension: Material Agency, Intimacy, and Chance in Sophie Calle's Object Relationships, Vanessa Berry (University of Sydney, NSW, Australia)
Part Two: Adornment and Ornament
3. Refashioning the Khila' in Safavid Persia and Early Modern Europe, Samantha Happe (University of Melbourne, Victoria, Australia)
4. Materiality, Self, and Portraiture: Charles LeBrun's Boite a Portrait of Louis XIV, Robert Wellington (Australian National University, Australia)
5. 'Furland': Global Fur and Empires of Fashion Materialities in 1930s London, Cheryl Roberts (University of the Arts, London, UK)
Part Three: Reclamation and Intervention
6. Upcycling Chaney: The Colonial Detritus of St. Croix, Jessica Priebe (National Art School, Sydney, Australia)
7. Chairman Mao's Good Soldier: Red Collecting, Lei Feng, and Revolutionary Selfhood in Contemporary China, Emily Williams (Xi'an Jiaotong-Liverpool University, China)
8. A Female Embodiment: Gendered Materiality in Chinese Contemporary Art Practices, Luise Guest (University of New South Wales, Australia)
Part Four: Subjects and Objects
9. Framing the Self in Early Modern Curatorial Strategies of Porcelain Display, Alex Burchmore (Australian National University, Australia)
10. Furnishings of Legal Lives, Jessie Hohmann (University of Technology Sydney, NSW, Australia) and Daniel Joyce (University of New South Wales, Australia)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Material Culture; Identity; The Body; Transcultural; Transhistorical; Art History; Material Self; Object Biography; Personhood; Race; Gender; Environment; Non-Human; Subjectivity; Rosi Braidotti; Anne Anlin Cheng; Lambros Malafouris; Anna Tsing; Margaret Olley; Sophie Calle; Safavid Persia; Charles LeBrun; St Croix; Carlos Villa; Chinese Contemporary Art; Porcelain
Introduction, Alex Burchmore (Australian National University, Australia, Australia)
Part One: Biography and Narrative
1. The Entangled Lives of Still Life: Margaret Olley, Objects, Display, and Art, Chiara O'Reilly (University of Sydney, NSW, Australia)
2. Self Extension: Material Agency, Intimacy, and Chance in Sophie Calle's Object Relationships, Vanessa Berry (University of Sydney, NSW, Australia)
Part Two: Adornment and Ornament
3. Refashioning the Khila' in Safavid Persia and Early Modern Europe, Samantha Happe (University of Melbourne, Victoria, Australia)
4. Materiality, Self, and Portraiture: Charles LeBrun's Boite a Portrait of Louis XIV, Robert Wellington (Australian National University, Australia)
5. 'Furland': Global Fur and Empires of Fashion Materialities in 1930s London, Cheryl Roberts (University of the Arts, London, UK)
Part Three: Reclamation and Intervention
6. Upcycling Chaney: The Colonial Detritus of St. Croix, Jessica Priebe (National Art School, Sydney, Australia)
7. Chairman Mao's Good Soldier: Red Collecting, Lei Feng, and Revolutionary Selfhood in Contemporary China, Emily Williams (Xi'an Jiaotong-Liverpool University, China)
8. A Female Embodiment: Gendered Materiality in Chinese Contemporary Art Practices, Luise Guest (University of New South Wales, Australia)
Part Four: Subjects and Objects
9. Framing the Self in Early Modern Curatorial Strategies of Porcelain Display, Alex Burchmore (Australian National University, Australia)
10. Furnishings of Legal Lives, Jessie Hohmann (University of Technology Sydney, NSW, Australia) and Daniel Joyce (University of New South Wales, Australia)
Index
Part One: Biography and Narrative
1. The Entangled Lives of Still Life: Margaret Olley, Objects, Display, and Art, Chiara O'Reilly (University of Sydney, NSW, Australia)
2. Self Extension: Material Agency, Intimacy, and Chance in Sophie Calle's Object Relationships, Vanessa Berry (University of Sydney, NSW, Australia)
Part Two: Adornment and Ornament
3. Refashioning the Khila' in Safavid Persia and Early Modern Europe, Samantha Happe (University of Melbourne, Victoria, Australia)
4. Materiality, Self, and Portraiture: Charles LeBrun's Boite a Portrait of Louis XIV, Robert Wellington (Australian National University, Australia)
5. 'Furland': Global Fur and Empires of Fashion Materialities in 1930s London, Cheryl Roberts (University of the Arts, London, UK)
Part Three: Reclamation and Intervention
6. Upcycling Chaney: The Colonial Detritus of St. Croix, Jessica Priebe (National Art School, Sydney, Australia)
7. Chairman Mao's Good Soldier: Red Collecting, Lei Feng, and Revolutionary Selfhood in Contemporary China, Emily Williams (Xi'an Jiaotong-Liverpool University, China)
8. A Female Embodiment: Gendered Materiality in Chinese Contemporary Art Practices, Luise Guest (University of New South Wales, Australia)
Part Four: Subjects and Objects
9. Framing the Self in Early Modern Curatorial Strategies of Porcelain Display, Alex Burchmore (Australian National University, Australia)
10. Furnishings of Legal Lives, Jessie Hohmann (University of Technology Sydney, NSW, Australia) and Daniel Joyce (University of New South Wales, Australia)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Material Culture; Identity; The Body; Transcultural; Transhistorical; Art History; Material Self; Object Biography; Personhood; Race; Gender; Environment; Non-Human; Subjectivity; Rosi Braidotti; Anne Anlin Cheng; Lambros Malafouris; Anna Tsing; Margaret Olley; Sophie Calle; Safavid Persia; Charles LeBrun; St Croix; Carlos Villa; Chinese Contemporary Art; Porcelain
