Lockdown Shakespeare
portes grátis
Lockdown Shakespeare
New Evolutions in Performance and Adaptation
Sullivan, Dr Erin; Burnett, Professor Mark Thornton; Broadribb, Benjamin; Allred, Gemma Kate
Bloomsbury Publishing PLC
07/2022
296
Dura
Inglês
9781350247802
15 a 20 dias
Descrição não disponível.
Introduction: Cultural Cartography of The Digital Lockdown Landscape
Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
Part One: Analyses
1. The Screen Language of Lockdown: Connection and Choice in Split-Screen Performance John Wyver (University of Westminster, London, UK)
2. Lockdown Shakespeare and the Metamodern Sensibility Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
3. Notions of Liveness in Lockdown Performance Gemma Kate Allred (Universite de Neuchatel, Switzerland)
4. Creation Theatre and Big Telly's The Tempest: Digital Theatre and the Performing Audience Pascale Aebischer and Rachael Nicholas (University of Exeter, UK)
5. Immersion in a Time of Distraction: 'The Under Presents: Tempest' Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
6. What You Will in the Time of COVID-19: Exploring the Digital Arts, Race and Flexible Resistance David Sterling Brown (Trinity College, Connecticut, USA ) and Ben Crystal (The Shakespeare Ensemble, Global)
Part Two: Case Studies
7. 'Shakespeare for Everyone' The Show Must Go Online in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
8. Ricardo II: una produccion bilinguee de Merced Shakespearefest William Wolfgang (University of Warwick, UK) and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
9. 'Your play needs no excuse' CtrlAltRepeat in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
10. 'Are we all met?': Responding to Shakespeare's Canon through Online Community Performance Jennifer Moss Waghorn, Katrin Bauer, Sarah Hodgson, Diane Lowman, Kathryn Twigg and Martin Wiggins (Shakespeare Institute, Stratford-upon-Avon, UK)
11. 'Present fears are less than horrible imaginings' Big Telly Theatre Company in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
12. Teaching Shakespearean Performance in Lockdown Andrew James Hartley (University of North Carolina at Charlotte, USA), Sarah Hatchuel (Universite Paul-Valery, Montpellier, France) and Yu Umemiya (Waseda University, Tokyo, Japan) in conversation with Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Part Three:
Lockdown Digital Arts: An Extended Year in Review
Gemma Kate Allred (Universite de Neuchatel, Switzerland), Benjamin Broadribb and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
I. Spring
II. Summer
III. Autumn
IV. Winter / Spring
Conclusion: Shakespeare after Lockdown
Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Notes
Index
Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
Part One: Analyses
1. The Screen Language of Lockdown: Connection and Choice in Split-Screen Performance John Wyver (University of Westminster, London, UK)
2. Lockdown Shakespeare and the Metamodern Sensibility Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
3. Notions of Liveness in Lockdown Performance Gemma Kate Allred (Universite de Neuchatel, Switzerland)
4. Creation Theatre and Big Telly's The Tempest: Digital Theatre and the Performing Audience Pascale Aebischer and Rachael Nicholas (University of Exeter, UK)
5. Immersion in a Time of Distraction: 'The Under Presents: Tempest' Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
6. What You Will in the Time of COVID-19: Exploring the Digital Arts, Race and Flexible Resistance David Sterling Brown (Trinity College, Connecticut, USA ) and Ben Crystal (The Shakespeare Ensemble, Global)
Part Two: Case Studies
7. 'Shakespeare for Everyone' The Show Must Go Online in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
8. Ricardo II: una produccion bilinguee de Merced Shakespearefest William Wolfgang (University of Warwick, UK) and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
9. 'Your play needs no excuse' CtrlAltRepeat in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
10. 'Are we all met?': Responding to Shakespeare's Canon through Online Community Performance Jennifer Moss Waghorn, Katrin Bauer, Sarah Hodgson, Diane Lowman, Kathryn Twigg and Martin Wiggins (Shakespeare Institute, Stratford-upon-Avon, UK)
11. 'Present fears are less than horrible imaginings' Big Telly Theatre Company in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
12. Teaching Shakespearean Performance in Lockdown Andrew James Hartley (University of North Carolina at Charlotte, USA), Sarah Hatchuel (Universite Paul-Valery, Montpellier, France) and Yu Umemiya (Waseda University, Tokyo, Japan) in conversation with Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Part Three:
Lockdown Digital Arts: An Extended Year in Review
Gemma Kate Allred (Universite de Neuchatel, Switzerland), Benjamin Broadribb and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
I. Spring
II. Summer
III. Autumn
IV. Winter / Spring
Conclusion: Shakespeare after Lockdown
Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Lockdown; virtual theatre; COVID 19; CtrlAlt_Repeat; Big Telly Theatre Company; The Show Must Go Online; Creation Theatre; pandemic; Shakespeare; A Midsummer Night's Dream; The Tempest; The Winter's Tale; immersive theatre.
Introduction: Cultural Cartography of The Digital Lockdown Landscape
Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
Part One: Analyses
1. The Screen Language of Lockdown: Connection and Choice in Split-Screen Performance John Wyver (University of Westminster, London, UK)
2. Lockdown Shakespeare and the Metamodern Sensibility Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
3. Notions of Liveness in Lockdown Performance Gemma Kate Allred (Universite de Neuchatel, Switzerland)
4. Creation Theatre and Big Telly's The Tempest: Digital Theatre and the Performing Audience Pascale Aebischer and Rachael Nicholas (University of Exeter, UK)
5. Immersion in a Time of Distraction: 'The Under Presents: Tempest' Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
6. What You Will in the Time of COVID-19: Exploring the Digital Arts, Race and Flexible Resistance David Sterling Brown (Trinity College, Connecticut, USA ) and Ben Crystal (The Shakespeare Ensemble, Global)
Part Two: Case Studies
7. 'Shakespeare for Everyone' The Show Must Go Online in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
8. Ricardo II: una produccion bilinguee de Merced Shakespearefest William Wolfgang (University of Warwick, UK) and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
9. 'Your play needs no excuse' CtrlAltRepeat in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
10. 'Are we all met?': Responding to Shakespeare's Canon through Online Community Performance Jennifer Moss Waghorn, Katrin Bauer, Sarah Hodgson, Diane Lowman, Kathryn Twigg and Martin Wiggins (Shakespeare Institute, Stratford-upon-Avon, UK)
11. 'Present fears are less than horrible imaginings' Big Telly Theatre Company in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
12. Teaching Shakespearean Performance in Lockdown Andrew James Hartley (University of North Carolina at Charlotte, USA), Sarah Hatchuel (Universite Paul-Valery, Montpellier, France) and Yu Umemiya (Waseda University, Tokyo, Japan) in conversation with Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Part Three:
Lockdown Digital Arts: An Extended Year in Review
Gemma Kate Allred (Universite de Neuchatel, Switzerland), Benjamin Broadribb and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
I. Spring
II. Summer
III. Autumn
IV. Winter / Spring
Conclusion: Shakespeare after Lockdown
Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Notes
Index
Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
Part One: Analyses
1. The Screen Language of Lockdown: Connection and Choice in Split-Screen Performance John Wyver (University of Westminster, London, UK)
2. Lockdown Shakespeare and the Metamodern Sensibility Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
3. Notions of Liveness in Lockdown Performance Gemma Kate Allred (Universite de Neuchatel, Switzerland)
4. Creation Theatre and Big Telly's The Tempest: Digital Theatre and the Performing Audience Pascale Aebischer and Rachael Nicholas (University of Exeter, UK)
5. Immersion in a Time of Distraction: 'The Under Presents: Tempest' Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
6. What You Will in the Time of COVID-19: Exploring the Digital Arts, Race and Flexible Resistance David Sterling Brown (Trinity College, Connecticut, USA ) and Ben Crystal (The Shakespeare Ensemble, Global)
Part Two: Case Studies
7. 'Shakespeare for Everyone' The Show Must Go Online in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
8. Ricardo II: una produccion bilinguee de Merced Shakespearefest William Wolfgang (University of Warwick, UK) and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
9. 'Your play needs no excuse' CtrlAltRepeat in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
10. 'Are we all met?': Responding to Shakespeare's Canon through Online Community Performance Jennifer Moss Waghorn, Katrin Bauer, Sarah Hodgson, Diane Lowman, Kathryn Twigg and Martin Wiggins (Shakespeare Institute, Stratford-upon-Avon, UK)
11. 'Present fears are less than horrible imaginings' Big Telly Theatre Company in conversation with Gemma Kate Allred (Universite de Neuchatel, Switzerland) and Benjamin Broadribb (Shakespeare Institute, Stratford-upon-Avon, UK)
12. Teaching Shakespearean Performance in Lockdown Andrew James Hartley (University of North Carolina at Charlotte, USA), Sarah Hatchuel (Universite Paul-Valery, Montpellier, France) and Yu Umemiya (Waseda University, Tokyo, Japan) in conversation with Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Part Three:
Lockdown Digital Arts: An Extended Year in Review
Gemma Kate Allred (Universite de Neuchatel, Switzerland), Benjamin Broadribb and Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
I. Spring
II. Summer
III. Autumn
IV. Winter / Spring
Conclusion: Shakespeare after Lockdown
Erin Sullivan (Shakespeare Institute, Stratford-upon-Avon, UK)
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.