Landscape and the Moving Image
portes grátis
Landscape and the Moving Image
Elwes, Catherine
Intellect
06/2022
298
Dura
Inglês
9781789385687
15 a 20 dias
Descrição não disponível.
Acknowledgements
1. Introduction
- The semiotics of the view
- Eco-critical practices
- The indivisibility of the human subject and nature
- The text
- The parameters
- Author's note
2. The Terms of Engagement
- Landscape, space and place
- Inside and outside
- The ethnographic eye and documentary: Negotiations of the real
- The contested status of the real
- Taking a step back - crossing over
3. The Invention of Landscape
- Landscape, the antithesis of city life
- The sublime, the spiritual and the indifference of nature
- The picturesque and the pastoral
- The return of the picturesque and the romantic sublime
4. The Social Construction of Landscape
- National identity, society and history
- Framing trauma in the landscape
- Property, ownership, colonialism and class identity
5. Landscape Subjectivities
- Do you see what I see?
- The perceiving subject
- A template for seeing, touching, hearing and feeling
- Emotion, affect and sensation in nature
6. Painted Landscapes
- The tools of the trade
- Taking the eye for a walk - perspectives in painting
- The great outdoors
7. Frames and Sequences
- Photographing the view
- Slide-tape: Landscape in series
8. Talking Pictures: Narrative, Time, Colour and Sound
- 'Nature caught in the act'
- Narrative film: Background and foreground
- The time base
- Colour and black-and-white
- Sound and silence
9. Talking Pictures: Framing the View and the Spectator
- Framing the view
- Point of view: The restless eye
- The spectator
10. Artists' Moving Image
- 'Unmade Narratives': Experimental film
- Video: The travelling companion
- Digital media: No man's land
- Photogenie and the entanglement of matter
11. Weather-Blown Film
- River Yar (1971-72), William Raban and Chris Welsby
- Theory: Clouds and clocks
- Wind Vane (1972), Chris Welsby
- Feedback: Cybernetics
12. Being-With: Rocks, Sea and Sky
- La Region Centrale (1971), Michael Snow
- Aspect (2004), Emily Richardson
- Sea-changed film: R.V. Ramani and David Gatten
- This Is My Land (2006), Ben Rivers
- Dawn Burn (1975-76), Mary Lucier
- Interwoven Motion (2004), Chris Meigh-Andrews
- The wide blue yonder: Semiconductor, Susan Collins, James Turrell and James Benning
13. Getting the Shivers: Empathic Projection and the Elements
- Jack Lauder and Lloyd Branson, Zacharias Kunuk, Oscar Munoz, Bill Viola, Joan Jonas and William Raban
14. Anti-Terrain: Australasia and the 'Vexed' Question of Landscape
- Preconceptions
- The antipodean gaze
- Refiguring landscapes
- Imagining a future
15. Landscape and Identity Politics
- Signatures
- Slavery and the African Diaspora: The Black body in the landscape
- Mother Earth
- Queering the landscape
- Fault lines - masculinity
16. Performing the Landscape
- Acting out in Merrie England
- Performing matter
- Shifting the scenery
17. Animals
- A pantomime of animals
- Captive animals: A transaction of the gaze
- 'Companion animals'
- Cruelty to animals
- Discreet courtship
18. Postscript
References
Index
1. Introduction
- The semiotics of the view
- Eco-critical practices
- The indivisibility of the human subject and nature
- The text
- The parameters
- Author's note
2. The Terms of Engagement
- Landscape, space and place
- Inside and outside
- The ethnographic eye and documentary: Negotiations of the real
- The contested status of the real
- Taking a step back - crossing over
3. The Invention of Landscape
- Landscape, the antithesis of city life
- The sublime, the spiritual and the indifference of nature
- The picturesque and the pastoral
- The return of the picturesque and the romantic sublime
4. The Social Construction of Landscape
- National identity, society and history
- Framing trauma in the landscape
- Property, ownership, colonialism and class identity
5. Landscape Subjectivities
- Do you see what I see?
- The perceiving subject
- A template for seeing, touching, hearing and feeling
- Emotion, affect and sensation in nature
6. Painted Landscapes
- The tools of the trade
- Taking the eye for a walk - perspectives in painting
- The great outdoors
7. Frames and Sequences
- Photographing the view
- Slide-tape: Landscape in series
8. Talking Pictures: Narrative, Time, Colour and Sound
- 'Nature caught in the act'
- Narrative film: Background and foreground
- The time base
- Colour and black-and-white
- Sound and silence
9. Talking Pictures: Framing the View and the Spectator
- Framing the view
- Point of view: The restless eye
- The spectator
10. Artists' Moving Image
- 'Unmade Narratives': Experimental film
- Video: The travelling companion
- Digital media: No man's land
- Photogenie and the entanglement of matter
11. Weather-Blown Film
- River Yar (1971-72), William Raban and Chris Welsby
- Theory: Clouds and clocks
- Wind Vane (1972), Chris Welsby
- Feedback: Cybernetics
12. Being-With: Rocks, Sea and Sky
- La Region Centrale (1971), Michael Snow
- Aspect (2004), Emily Richardson
- Sea-changed film: R.V. Ramani and David Gatten
- This Is My Land (2006), Ben Rivers
- Dawn Burn (1975-76), Mary Lucier
- Interwoven Motion (2004), Chris Meigh-Andrews
- The wide blue yonder: Semiconductor, Susan Collins, James Turrell and James Benning
13. Getting the Shivers: Empathic Projection and the Elements
- Jack Lauder and Lloyd Branson, Zacharias Kunuk, Oscar Munoz, Bill Viola, Joan Jonas and William Raban
14. Anti-Terrain: Australasia and the 'Vexed' Question of Landscape
- Preconceptions
- The antipodean gaze
- Refiguring landscapes
- Imagining a future
15. Landscape and Identity Politics
- Signatures
- Slavery and the African Diaspora: The Black body in the landscape
- Mother Earth
- Queering the landscape
- Fault lines - masculinity
16. Performing the Landscape
- Acting out in Merrie England
- Performing matter
- Shifting the scenery
17. Animals
- A pantomime of animals
- Captive animals: A transaction of the gaze
- 'Companion animals'
- Cruelty to animals
- Discreet courtship
18. Postscript
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
colonialism; ecology; conflict; practitioners; film and video; animals; performativity; race; gender; artist; landscape; environmentalism; environment; film; moving image; art
Acknowledgements
1. Introduction
- The semiotics of the view
- Eco-critical practices
- The indivisibility of the human subject and nature
- The text
- The parameters
- Author's note
2. The Terms of Engagement
- Landscape, space and place
- Inside and outside
- The ethnographic eye and documentary: Negotiations of the real
- The contested status of the real
- Taking a step back - crossing over
3. The Invention of Landscape
- Landscape, the antithesis of city life
- The sublime, the spiritual and the indifference of nature
- The picturesque and the pastoral
- The return of the picturesque and the romantic sublime
4. The Social Construction of Landscape
- National identity, society and history
- Framing trauma in the landscape
- Property, ownership, colonialism and class identity
5. Landscape Subjectivities
- Do you see what I see?
- The perceiving subject
- A template for seeing, touching, hearing and feeling
- Emotion, affect and sensation in nature
6. Painted Landscapes
- The tools of the trade
- Taking the eye for a walk - perspectives in painting
- The great outdoors
7. Frames and Sequences
- Photographing the view
- Slide-tape: Landscape in series
8. Talking Pictures: Narrative, Time, Colour and Sound
- 'Nature caught in the act'
- Narrative film: Background and foreground
- The time base
- Colour and black-and-white
- Sound and silence
9. Talking Pictures: Framing the View and the Spectator
- Framing the view
- Point of view: The restless eye
- The spectator
10. Artists' Moving Image
- 'Unmade Narratives': Experimental film
- Video: The travelling companion
- Digital media: No man's land
- Photogenie and the entanglement of matter
11. Weather-Blown Film
- River Yar (1971-72), William Raban and Chris Welsby
- Theory: Clouds and clocks
- Wind Vane (1972), Chris Welsby
- Feedback: Cybernetics
12. Being-With: Rocks, Sea and Sky
- La Region Centrale (1971), Michael Snow
- Aspect (2004), Emily Richardson
- Sea-changed film: R.V. Ramani and David Gatten
- This Is My Land (2006), Ben Rivers
- Dawn Burn (1975-76), Mary Lucier
- Interwoven Motion (2004), Chris Meigh-Andrews
- The wide blue yonder: Semiconductor, Susan Collins, James Turrell and James Benning
13. Getting the Shivers: Empathic Projection and the Elements
- Jack Lauder and Lloyd Branson, Zacharias Kunuk, Oscar Munoz, Bill Viola, Joan Jonas and William Raban
14. Anti-Terrain: Australasia and the 'Vexed' Question of Landscape
- Preconceptions
- The antipodean gaze
- Refiguring landscapes
- Imagining a future
15. Landscape and Identity Politics
- Signatures
- Slavery and the African Diaspora: The Black body in the landscape
- Mother Earth
- Queering the landscape
- Fault lines - masculinity
16. Performing the Landscape
- Acting out in Merrie England
- Performing matter
- Shifting the scenery
17. Animals
- A pantomime of animals
- Captive animals: A transaction of the gaze
- 'Companion animals'
- Cruelty to animals
- Discreet courtship
18. Postscript
References
Index
1. Introduction
- The semiotics of the view
- Eco-critical practices
- The indivisibility of the human subject and nature
- The text
- The parameters
- Author's note
2. The Terms of Engagement
- Landscape, space and place
- Inside and outside
- The ethnographic eye and documentary: Negotiations of the real
- The contested status of the real
- Taking a step back - crossing over
3. The Invention of Landscape
- Landscape, the antithesis of city life
- The sublime, the spiritual and the indifference of nature
- The picturesque and the pastoral
- The return of the picturesque and the romantic sublime
4. The Social Construction of Landscape
- National identity, society and history
- Framing trauma in the landscape
- Property, ownership, colonialism and class identity
5. Landscape Subjectivities
- Do you see what I see?
- The perceiving subject
- A template for seeing, touching, hearing and feeling
- Emotion, affect and sensation in nature
6. Painted Landscapes
- The tools of the trade
- Taking the eye for a walk - perspectives in painting
- The great outdoors
7. Frames and Sequences
- Photographing the view
- Slide-tape: Landscape in series
8. Talking Pictures: Narrative, Time, Colour and Sound
- 'Nature caught in the act'
- Narrative film: Background and foreground
- The time base
- Colour and black-and-white
- Sound and silence
9. Talking Pictures: Framing the View and the Spectator
- Framing the view
- Point of view: The restless eye
- The spectator
10. Artists' Moving Image
- 'Unmade Narratives': Experimental film
- Video: The travelling companion
- Digital media: No man's land
- Photogenie and the entanglement of matter
11. Weather-Blown Film
- River Yar (1971-72), William Raban and Chris Welsby
- Theory: Clouds and clocks
- Wind Vane (1972), Chris Welsby
- Feedback: Cybernetics
12. Being-With: Rocks, Sea and Sky
- La Region Centrale (1971), Michael Snow
- Aspect (2004), Emily Richardson
- Sea-changed film: R.V. Ramani and David Gatten
- This Is My Land (2006), Ben Rivers
- Dawn Burn (1975-76), Mary Lucier
- Interwoven Motion (2004), Chris Meigh-Andrews
- The wide blue yonder: Semiconductor, Susan Collins, James Turrell and James Benning
13. Getting the Shivers: Empathic Projection and the Elements
- Jack Lauder and Lloyd Branson, Zacharias Kunuk, Oscar Munoz, Bill Viola, Joan Jonas and William Raban
14. Anti-Terrain: Australasia and the 'Vexed' Question of Landscape
- Preconceptions
- The antipodean gaze
- Refiguring landscapes
- Imagining a future
15. Landscape and Identity Politics
- Signatures
- Slavery and the African Diaspora: The Black body in the landscape
- Mother Earth
- Queering the landscape
- Fault lines - masculinity
16. Performing the Landscape
- Acting out in Merrie England
- Performing matter
- Shifting the scenery
17. Animals
- A pantomime of animals
- Captive animals: A transaction of the gaze
- 'Companion animals'
- Cruelty to animals
- Discreet courtship
18. Postscript
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
