Ibsen in the Decolonised South Asian Theatre

Introduction

SABIHA HUQ AND SRIDEEP MUKHERJEE

1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical Overview

ASGHAR NADEEM SYED

2 Intercultural Assimilation of Contraries in Postcolonial South Asia: Fluctuating Movement of Ibsen's Corpus

KAMALUDDIN NILU

3 Constructing a New Identity Space for Women in Post-Colony: Sambhu Mitra's Production of A Doll's House

AHMED AHSANUZZAMAN

4 Women's Movement in Pakistan: Tehrik-e-Niswan's A Doll's House in Urdu

ISHRAT LINDBLAD

5 Nora and the Politics of Gender in the Postcolonial Performance Space in Sri Lanka

KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN

6 Has the Indian "Doll" Really Evolved?: A Doll's House on Decolonised Indian Stage(s)

SRIDEEP MUKHERJEE

7 Middle-Class Liberal Values and the Bangladeshi National Imaginary: Ibsen's Ghosts Reconfigured

MANOSH CHOWDHURY

8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition India and Bangladesh

SABIHA HUQ

9 Kamaluddin Nilu's Three "Peers": Relocating Henrik Ibsen's Peer Gynt in South Asian Contemporaneity

IMRAN KAMAL

10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of the People and The Pillars of Society

TAPATI GUPTA

11 A Doll's House in Nepal: Rationalising the Appropriation of Putaliko Ghar

MENUKA GURUNG

12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and Appropriation

ASTRI GHOSH

Index

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• Estudos literários: peças e dramaturgos
• Artes de representação (performativas)
• Técnicas de representação
• Libertação nacional e independência, pós-colonialismo
• Sociologia
• Estudos étnicos
• Guias de escrita e redacção
• Colonialismo, imperialismo e
• História da Ásia

Theatre;Performance;Isben;South Asian