Hybrid Photography
portes grátis
Hybrid Photography
Intermedial Practices in Science and Humanities
Hillnhuetter, Sara; Klamm, Stefanie; Tietjen, Friedrich
Taylor & Francis Ltd
08/2024
200
Mole
9780367744441
15 a 20 dias
Descrição não disponível.
Introduction: Where Does Photography Start? And Where Does it End? A Hybrid Introduction
Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
Part 1: Hybrid Measurement
Sara Hillnhetter
1. Hybrid Photography in the History of Science: The Case of Astronomical Practice
Omar W. Nasim
2. The Map as a Photograph: Theodor Scheimpflug's Balloon Aerial Photogrammetry
Michael Kempf
3. Seen from Above: Wilhelm Halffter's Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit
Sigrid Schulze
4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German
Sara Hillnhetter
Part 2: Hybrid Materiality
Stefanie Klamm
5. "Imageability": Aligning Bodies and Imaging Technologies
Kathrin Friedrich
6. Beyond Retouching: Hans Virchow's Mixed Media and His X-ray Drawings of the Lotus Foot
Vera Duenkel
7. From Photography to Printing: the Chronophotography of Etienne-Jules Marey
Linda Bertelli
8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings
Alexander Streitberger
9. Reconfiguring the Use of Photography in Archaeology
Stefanie Klamm
Part 3: Hybrid Reproduction
Friedrich Tietjen
10. "The Camera That Takes a Face, Can Take a Page": Microfilm as a Scientific Aid
Estelle Blaschke
11. Stereo Atlases as Hybrid Knowledge
Kelley Wilder
12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900
Alexander Gall
13. "Offering Pleasures to the Eye." Max Semrau's Kunst des Altertums (1899), Its Illustrations, and Art History's Ignorance Towards Reproduction
Friedrich Tietjen
14. Fantasy of a World Without Humans
Jimena Canales
Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
Part 1: Hybrid Measurement
Sara Hillnhetter
1. Hybrid Photography in the History of Science: The Case of Astronomical Practice
Omar W. Nasim
2. The Map as a Photograph: Theodor Scheimpflug's Balloon Aerial Photogrammetry
Michael Kempf
3. Seen from Above: Wilhelm Halffter's Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit
Sigrid Schulze
4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German
Sara Hillnhetter
Part 2: Hybrid Materiality
Stefanie Klamm
5. "Imageability": Aligning Bodies and Imaging Technologies
Kathrin Friedrich
6. Beyond Retouching: Hans Virchow's Mixed Media and His X-ray Drawings of the Lotus Foot
Vera Duenkel
7. From Photography to Printing: the Chronophotography of Etienne-Jules Marey
Linda Bertelli
8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings
Alexander Streitberger
9. Reconfiguring the Use of Photography in Archaeology
Stefanie Klamm
Part 3: Hybrid Reproduction
Friedrich Tietjen
10. "The Camera That Takes a Face, Can Take a Page": Microfilm as a Scientific Aid
Estelle Blaschke
11. Stereo Atlases as Hybrid Knowledge
Kelley Wilder
12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900
Alexander Gall
13. "Offering Pleasures to the Eye." Max Semrau's Kunst des Altertums (1899), Its Illustrations, and Art History's Ignorance Towards Reproduction
Friedrich Tietjen
14. Fantasy of a World Without Humans
Jimena Canales
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Plaster Of Paris;Digital photography;Henry Fox;Visual culture;Vice Versa;Photographic science;Die Gartenlaube;Aerial photography;Salt Paper;Hybrid photography;Intermedial Practices;Salt Paper Print;Planetary Nebulae;Exposure Times;Orion Nebula;Wood Engravings;Hybrid Reproduction;Etienne Jules Marey;Carte De Visite;Animal Kingdom;National Libraries;Neue Untersuchungen;Stereo Viewing;Habitat Diorama;Stereo Cards;Stereo Images;Computer Tomographs;Farm Security Administration;Monte Rosa;Henry Fox Talbot
Introduction: Where Does Photography Start? And Where Does it End? A Hybrid Introduction
Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
Part 1: Hybrid Measurement
Sara Hillnhetter
1. Hybrid Photography in the History of Science: The Case of Astronomical Practice
Omar W. Nasim
2. The Map as a Photograph: Theodor Scheimpflug's Balloon Aerial Photogrammetry
Michael Kempf
3. Seen from Above: Wilhelm Halffter's Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit
Sigrid Schulze
4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German
Sara Hillnhetter
Part 2: Hybrid Materiality
Stefanie Klamm
5. "Imageability": Aligning Bodies and Imaging Technologies
Kathrin Friedrich
6. Beyond Retouching: Hans Virchow's Mixed Media and His X-ray Drawings of the Lotus Foot
Vera Duenkel
7. From Photography to Printing: the Chronophotography of Etienne-Jules Marey
Linda Bertelli
8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings
Alexander Streitberger
9. Reconfiguring the Use of Photography in Archaeology
Stefanie Klamm
Part 3: Hybrid Reproduction
Friedrich Tietjen
10. "The Camera That Takes a Face, Can Take a Page": Microfilm as a Scientific Aid
Estelle Blaschke
11. Stereo Atlases as Hybrid Knowledge
Kelley Wilder
12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900
Alexander Gall
13. "Offering Pleasures to the Eye." Max Semrau's Kunst des Altertums (1899), Its Illustrations, and Art History's Ignorance Towards Reproduction
Friedrich Tietjen
14. Fantasy of a World Without Humans
Jimena Canales
Sara Hillnhuetter, Stefanie Klamm, Friedrich Tietjen
Part 1: Hybrid Measurement
Sara Hillnhetter
1. Hybrid Photography in the History of Science: The Case of Astronomical Practice
Omar W. Nasim
2. The Map as a Photograph: Theodor Scheimpflug's Balloon Aerial Photogrammetry
Michael Kempf
3. Seen from Above: Wilhelm Halffter's Photographs of 1854, Depicting the Terrain Models of Hermann and Adolph Schlagintweit
Sigrid Schulze
4. In Order of Disappearance: Photography, Measurement and Art Historical Practice in Nineteenth-Century German
Sara Hillnhetter
Part 2: Hybrid Materiality
Stefanie Klamm
5. "Imageability": Aligning Bodies and Imaging Technologies
Kathrin Friedrich
6. Beyond Retouching: Hans Virchow's Mixed Media and His X-ray Drawings of the Lotus Foot
Vera Duenkel
7. From Photography to Printing: the Chronophotography of Etienne-Jules Marey
Linda Bertelli
8. Entangled Environments: Diorama, Photography, and the Staging of Natural Surroundings
Alexander Streitberger
9. Reconfiguring the Use of Photography in Archaeology
Stefanie Klamm
Part 3: Hybrid Reproduction
Friedrich Tietjen
10. "The Camera That Takes a Face, Can Take a Page": Microfilm as a Scientific Aid
Estelle Blaschke
11. Stereo Atlases as Hybrid Knowledge
Kelley Wilder
12. Retouching, Staging, and Authenticity: Early Animal Photography and the Tradition of Popular Zoological Illustration around 1900
Alexander Gall
13. "Offering Pleasures to the Eye." Max Semrau's Kunst des Altertums (1899), Its Illustrations, and Art History's Ignorance Towards Reproduction
Friedrich Tietjen
14. Fantasy of a World Without Humans
Jimena Canales
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Plaster Of Paris;Digital photography;Henry Fox;Visual culture;Vice Versa;Photographic science;Die Gartenlaube;Aerial photography;Salt Paper;Hybrid photography;Intermedial Practices;Salt Paper Print;Planetary Nebulae;Exposure Times;Orion Nebula;Wood Engravings;Hybrid Reproduction;Etienne Jules Marey;Carte De Visite;Animal Kingdom;National Libraries;Neue Untersuchungen;Stereo Viewing;Habitat Diorama;Stereo Cards;Stereo Images;Computer Tomographs;Farm Security Administration;Monte Rosa;Henry Fox Talbot