Great North American Stage Directors Volume 1
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Great North American Stage Directors Volume 1
David Belasco, Arthur Hopkins, Margaret Webster
Black, Cheryl; Peck, Professor James
Bloomsbury Publishing PLC
01/2025
280
Mole
9781350525917
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of Figures
Series Introductions, James Peck (Muhlenberg College, USA)
Acknowledgments
Introduction. Forerunners and Groundbreakers in the Art of Theatrical Directing, Cheryl Black (University of Missouri, USA)
David Belasco
1. The Belasco Brand: Directing the Modern Theatrical Experience, Christin Essin (Vanderbilt University, USA)
2. The Cultural Imaginings of a Theatrical Impresario: David Belasco in Context, Cheryl Black (University of Missouri, USA)
Arthur Hopkins
3. Arthur Hopkins's First Act: Before the Crash (1913-29), Arthur Feinsod (Indiana State University, USA)
4. Arthur Hopkins's Second Act: After the Crash (1928-48), Ronald Wainscott (Indiana University, USA)
Margaret Webster
5. "She Must Be Fierce": Margaret Webster's Groundbreaking Broadway Career, Wendy Vierow (New York University, USA)
6. Not the Moor, but the Figure of the Moor: A Case Study of the Racial, Political, and Personal Stakes of Margaret Webster's Othello (1943) and The Tempest (1945), Lisa Jackson-Schebetta (Skidmore College, USA)
Notes
Notes on Contributors
Index
Series Introductions, James Peck (Muhlenberg College, USA)
Acknowledgments
Introduction. Forerunners and Groundbreakers in the Art of Theatrical Directing, Cheryl Black (University of Missouri, USA)
David Belasco
1. The Belasco Brand: Directing the Modern Theatrical Experience, Christin Essin (Vanderbilt University, USA)
2. The Cultural Imaginings of a Theatrical Impresario: David Belasco in Context, Cheryl Black (University of Missouri, USA)
Arthur Hopkins
3. Arthur Hopkins's First Act: Before the Crash (1913-29), Arthur Feinsod (Indiana State University, USA)
4. Arthur Hopkins's Second Act: After the Crash (1928-48), Ronald Wainscott (Indiana University, USA)
Margaret Webster
5. "She Must Be Fierce": Margaret Webster's Groundbreaking Broadway Career, Wendy Vierow (New York University, USA)
6. Not the Moor, but the Figure of the Moor: A Case Study of the Racial, Political, and Personal Stakes of Margaret Webster's Othello (1943) and The Tempest (1945), Lisa Jackson-Schebetta (Skidmore College, USA)
Notes
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
theatre studies; theatre direction; David Belasco; Arthur Hopkins; Margaret Webster; Directors; North America; United States; plays; theatre history
List of Figures
Series Introductions, James Peck (Muhlenberg College, USA)
Acknowledgments
Introduction. Forerunners and Groundbreakers in the Art of Theatrical Directing, Cheryl Black (University of Missouri, USA)
David Belasco
1. The Belasco Brand: Directing the Modern Theatrical Experience, Christin Essin (Vanderbilt University, USA)
2. The Cultural Imaginings of a Theatrical Impresario: David Belasco in Context, Cheryl Black (University of Missouri, USA)
Arthur Hopkins
3. Arthur Hopkins's First Act: Before the Crash (1913-29), Arthur Feinsod (Indiana State University, USA)
4. Arthur Hopkins's Second Act: After the Crash (1928-48), Ronald Wainscott (Indiana University, USA)
Margaret Webster
5. "She Must Be Fierce": Margaret Webster's Groundbreaking Broadway Career, Wendy Vierow (New York University, USA)
6. Not the Moor, but the Figure of the Moor: A Case Study of the Racial, Political, and Personal Stakes of Margaret Webster's Othello (1943) and The Tempest (1945), Lisa Jackson-Schebetta (Skidmore College, USA)
Notes
Notes on Contributors
Index
Series Introductions, James Peck (Muhlenberg College, USA)
Acknowledgments
Introduction. Forerunners and Groundbreakers in the Art of Theatrical Directing, Cheryl Black (University of Missouri, USA)
David Belasco
1. The Belasco Brand: Directing the Modern Theatrical Experience, Christin Essin (Vanderbilt University, USA)
2. The Cultural Imaginings of a Theatrical Impresario: David Belasco in Context, Cheryl Black (University of Missouri, USA)
Arthur Hopkins
3. Arthur Hopkins's First Act: Before the Crash (1913-29), Arthur Feinsod (Indiana State University, USA)
4. Arthur Hopkins's Second Act: After the Crash (1928-48), Ronald Wainscott (Indiana University, USA)
Margaret Webster
5. "She Must Be Fierce": Margaret Webster's Groundbreaking Broadway Career, Wendy Vierow (New York University, USA)
6. Not the Moor, but the Figure of the Moor: A Case Study of the Racial, Political, and Personal Stakes of Margaret Webster's Othello (1943) and The Tempest (1945), Lisa Jackson-Schebetta (Skidmore College, USA)
Notes
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
