Finding Caspicara
portes grátis
Finding Caspicara
Double Identities, Hidden Figures, and the Commerce of Sculpture in Colonial Quito
Webster, Susan Verdi
University of Texas Press
10/2024
272
Dura
9781477329726
15 a 20 dias
Descrição não disponível.
List of Illustrations
Preface
Acknowledgments
Introduction
1. Inventing Caspicara
2. Painted Sculpture: The Paragone and Division of Labor in Quito
3. Caspicara in the Taller
4. Bultos and Body Parts: The Production and Commerce of Quito Sculpture
5. Caspicara in the Archive
6. Tracking Caspicara in Popayan: Confraternities and Holy Week
7. Hidden Figures: Caspicara and Quito Sculpture
8. Subsidiary Figures: More Commissions from Quito
9. Mise en Scene: Sculptures in Motion
Conclusion: Seeing Caspicara Anew
Appendix A. Last Will and Testament of Juan Manuel Legarda (Excerpt), 1773
Appendix B. Inventory of the Confraternity of Saint Peter, Popayan, 1777
Appendix C. Artistic Commissions from Quito to Popayan, 1792-1802
Notes
Bibliography
Index
Preface
Acknowledgments
Introduction
1. Inventing Caspicara
2. Painted Sculpture: The Paragone and Division of Labor in Quito
3. Caspicara in the Taller
4. Bultos and Body Parts: The Production and Commerce of Quito Sculpture
5. Caspicara in the Archive
6. Tracking Caspicara in Popayan: Confraternities and Holy Week
7. Hidden Figures: Caspicara and Quito Sculpture
8. Subsidiary Figures: More Commissions from Quito
9. Mise en Scene: Sculptures in Motion
Conclusion: Seeing Caspicara Anew
Appendix A. Last Will and Testament of Juan Manuel Legarda (Excerpt), 1773
Appendix B. Inventory of the Confraternity of Saint Peter, Popayan, 1777
Appendix C. Artistic Commissions from Quito to Popayan, 1792-1802
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
colonial art; sculpture; authorship; Andean sculpture; colonial Quito; Ecuadorian art; Indigenous sculpture; Indigenous sculptors; College Art Association; Lettered Artists; fakes and forgeries; originals and copies; Holy Week; Andean studies; Andean art; eighteenth-century Andean art; Andean visual studies; early empire Quito; Margaret Arvey Award; materials and methods of art; processions and rituals
List of Illustrations
Preface
Acknowledgments
Introduction
1. Inventing Caspicara
2. Painted Sculpture: The Paragone and Division of Labor in Quito
3. Caspicara in the Taller
4. Bultos and Body Parts: The Production and Commerce of Quito Sculpture
5. Caspicara in the Archive
6. Tracking Caspicara in Popayan: Confraternities and Holy Week
7. Hidden Figures: Caspicara and Quito Sculpture
8. Subsidiary Figures: More Commissions from Quito
9. Mise en Scene: Sculptures in Motion
Conclusion: Seeing Caspicara Anew
Appendix A. Last Will and Testament of Juan Manuel Legarda (Excerpt), 1773
Appendix B. Inventory of the Confraternity of Saint Peter, Popayan, 1777
Appendix C. Artistic Commissions from Quito to Popayan, 1792-1802
Notes
Bibliography
Index
Preface
Acknowledgments
Introduction
1. Inventing Caspicara
2. Painted Sculpture: The Paragone and Division of Labor in Quito
3. Caspicara in the Taller
4. Bultos and Body Parts: The Production and Commerce of Quito Sculpture
5. Caspicara in the Archive
6. Tracking Caspicara in Popayan: Confraternities and Holy Week
7. Hidden Figures: Caspicara and Quito Sculpture
8. Subsidiary Figures: More Commissions from Quito
9. Mise en Scene: Sculptures in Motion
Conclusion: Seeing Caspicara Anew
Appendix A. Last Will and Testament of Juan Manuel Legarda (Excerpt), 1773
Appendix B. Inventory of the Confraternity of Saint Peter, Popayan, 1777
Appendix C. Artistic Commissions from Quito to Popayan, 1792-1802
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
colonial art; sculpture; authorship; Andean sculpture; colonial Quito; Ecuadorian art; Indigenous sculpture; Indigenous sculptors; College Art Association; Lettered Artists; fakes and forgeries; originals and copies; Holy Week; Andean studies; Andean art; eighteenth-century Andean art; Andean visual studies; early empire Quito; Margaret Arvey Award; materials and methods of art; processions and rituals