Female-Voice Song and Women's Musical Agency in the Middle Ages
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Female-Voice Song and Women's Musical Agency in the Middle Ages
Colton, Lisa; Grau, Anna Kathryn
Brill
08/2022
512
Dura
Inglês
9789004429680
15 a 20 dias
1
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Acknowledgements
List of Figures, Tables and Music Examples
Notes on Contributors
Introduction: Female Authorship, Female Voice, and Female-Voice Song
?Anna Kathryn Grau and Lisa Colton
PART 1: Ritual Discourse
1 The Feminine Voice in the Early Islamicate Courts (661-1000)
?Lisa Nielson
2 Music, Liturgy, and the Discursive Construction of Gender in a Thirteenth-Century Double Monastery
?Lauren Purcell-Joiner
3 A Female-Voice Ceremonial from Medieval Castile
?David Catalunya
4 Religious Reform and Liturgical Change in the Fifteenth Century: Chant as Women's Protest Music
?Claire Taylor Jones
PART 2: Materiality
5 Beyond this Mist: Uncovering Material Multiplicities in Amis, amis
?Rachel May Golden
6 Transmission of Female-Voice Motets in Late Thirteenth-Century Manuscripts
?Anna Kathryn Grau
7 Chants for the Holy Trinity of Barking Abbey: Ethelburg, Hildelith, and Wulfhild
?Anne Bagnall Yardley
PART 3: Subjectivity and Emotion
8 Handmade Women: The Manufacture of Femininity in the Chansons de femme
?Helen Dell
9 The Voice of Emotion: Constructing an Identity for the Comtessa de Dia in Performance
?Leah Stuttard
10 "Going all the Way with Marot": Empowerment in the Pastourelle Motet L'autrier m'esbatoie/Demenant grant joie/MANERE
?Lisa Colton
11 Sexuality, Pedagogy, and Women's Emotions in Middle English Songs
?Carissa M. Harris
12 "Who cannot wepe come lerne at me": Voicing Refrains in Late Medieval Passion Lyric
?Melissa Tu
PART 4: Representation
13 A Song from the Mound: The Female Voice as a Repository for Genealogical Knowledge in Hyndluljo?
?Annemari Ferreira
14 Eye, Mouth, and Heart: The Female-Voiced Contrafacta of Can vei la lauzeta mover
?Meghan Quinlan
15 A Musical Letter from Eleanor of Provence to Margaret of Scotland: Patronage as Authorship in the Sequence Ex te lux oritur
?Gillian L. Gower
16 Female Voice in the Trecento Song
?Angelica Vomera
17 Saints and Sinners: The Representation of Women in Late-Medieval English Carols
?Louise McInnes
Index
List of Figures, Tables and Music Examples
Notes on Contributors
Introduction: Female Authorship, Female Voice, and Female-Voice Song
?Anna Kathryn Grau and Lisa Colton
PART 1: Ritual Discourse
1 The Feminine Voice in the Early Islamicate Courts (661-1000)
?Lisa Nielson
2 Music, Liturgy, and the Discursive Construction of Gender in a Thirteenth-Century Double Monastery
?Lauren Purcell-Joiner
3 A Female-Voice Ceremonial from Medieval Castile
?David Catalunya
4 Religious Reform and Liturgical Change in the Fifteenth Century: Chant as Women's Protest Music
?Claire Taylor Jones
PART 2: Materiality
5 Beyond this Mist: Uncovering Material Multiplicities in Amis, amis
?Rachel May Golden
6 Transmission of Female-Voice Motets in Late Thirteenth-Century Manuscripts
?Anna Kathryn Grau
7 Chants for the Holy Trinity of Barking Abbey: Ethelburg, Hildelith, and Wulfhild
?Anne Bagnall Yardley
PART 3: Subjectivity and Emotion
8 Handmade Women: The Manufacture of Femininity in the Chansons de femme
?Helen Dell
9 The Voice of Emotion: Constructing an Identity for the Comtessa de Dia in Performance
?Leah Stuttard
10 "Going all the Way with Marot": Empowerment in the Pastourelle Motet L'autrier m'esbatoie/Demenant grant joie/MANERE
?Lisa Colton
11 Sexuality, Pedagogy, and Women's Emotions in Middle English Songs
?Carissa M. Harris
12 "Who cannot wepe come lerne at me": Voicing Refrains in Late Medieval Passion Lyric
?Melissa Tu
PART 4: Representation
13 A Song from the Mound: The Female Voice as a Repository for Genealogical Knowledge in Hyndluljo?
?Annemari Ferreira
14 Eye, Mouth, and Heart: The Female-Voiced Contrafacta of Can vei la lauzeta mover
?Meghan Quinlan
15 A Musical Letter from Eleanor of Provence to Margaret of Scotland: Patronage as Authorship in the Sequence Ex te lux oritur
?Gillian L. Gower
16 Female Voice in the Trecento Song
?Angelica Vomera
17 Saints and Sinners: The Representation of Women in Late-Medieval English Carols
?Louise McInnes
Index
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authorship; carols; gender; lyric; medieval culture; medieval history; medieval poetry; middle ages; motets; music; nuns; patronage; sexuality; song; women; women's music
Acknowledgements
List of Figures, Tables and Music Examples
Notes on Contributors
Introduction: Female Authorship, Female Voice, and Female-Voice Song
?Anna Kathryn Grau and Lisa Colton
PART 1: Ritual Discourse
1 The Feminine Voice in the Early Islamicate Courts (661-1000)
?Lisa Nielson
2 Music, Liturgy, and the Discursive Construction of Gender in a Thirteenth-Century Double Monastery
?Lauren Purcell-Joiner
3 A Female-Voice Ceremonial from Medieval Castile
?David Catalunya
4 Religious Reform and Liturgical Change in the Fifteenth Century: Chant as Women's Protest Music
?Claire Taylor Jones
PART 2: Materiality
5 Beyond this Mist: Uncovering Material Multiplicities in Amis, amis
?Rachel May Golden
6 Transmission of Female-Voice Motets in Late Thirteenth-Century Manuscripts
?Anna Kathryn Grau
7 Chants for the Holy Trinity of Barking Abbey: Ethelburg, Hildelith, and Wulfhild
?Anne Bagnall Yardley
PART 3: Subjectivity and Emotion
8 Handmade Women: The Manufacture of Femininity in the Chansons de femme
?Helen Dell
9 The Voice of Emotion: Constructing an Identity for the Comtessa de Dia in Performance
?Leah Stuttard
10 "Going all the Way with Marot": Empowerment in the Pastourelle Motet L'autrier m'esbatoie/Demenant grant joie/MANERE
?Lisa Colton
11 Sexuality, Pedagogy, and Women's Emotions in Middle English Songs
?Carissa M. Harris
12 "Who cannot wepe come lerne at me": Voicing Refrains in Late Medieval Passion Lyric
?Melissa Tu
PART 4: Representation
13 A Song from the Mound: The Female Voice as a Repository for Genealogical Knowledge in Hyndluljo?
?Annemari Ferreira
14 Eye, Mouth, and Heart: The Female-Voiced Contrafacta of Can vei la lauzeta mover
?Meghan Quinlan
15 A Musical Letter from Eleanor of Provence to Margaret of Scotland: Patronage as Authorship in the Sequence Ex te lux oritur
?Gillian L. Gower
16 Female Voice in the Trecento Song
?Angelica Vomera
17 Saints and Sinners: The Representation of Women in Late-Medieval English Carols
?Louise McInnes
Index
List of Figures, Tables and Music Examples
Notes on Contributors
Introduction: Female Authorship, Female Voice, and Female-Voice Song
?Anna Kathryn Grau and Lisa Colton
PART 1: Ritual Discourse
1 The Feminine Voice in the Early Islamicate Courts (661-1000)
?Lisa Nielson
2 Music, Liturgy, and the Discursive Construction of Gender in a Thirteenth-Century Double Monastery
?Lauren Purcell-Joiner
3 A Female-Voice Ceremonial from Medieval Castile
?David Catalunya
4 Religious Reform and Liturgical Change in the Fifteenth Century: Chant as Women's Protest Music
?Claire Taylor Jones
PART 2: Materiality
5 Beyond this Mist: Uncovering Material Multiplicities in Amis, amis
?Rachel May Golden
6 Transmission of Female-Voice Motets in Late Thirteenth-Century Manuscripts
?Anna Kathryn Grau
7 Chants for the Holy Trinity of Barking Abbey: Ethelburg, Hildelith, and Wulfhild
?Anne Bagnall Yardley
PART 3: Subjectivity and Emotion
8 Handmade Women: The Manufacture of Femininity in the Chansons de femme
?Helen Dell
9 The Voice of Emotion: Constructing an Identity for the Comtessa de Dia in Performance
?Leah Stuttard
10 "Going all the Way with Marot": Empowerment in the Pastourelle Motet L'autrier m'esbatoie/Demenant grant joie/MANERE
?Lisa Colton
11 Sexuality, Pedagogy, and Women's Emotions in Middle English Songs
?Carissa M. Harris
12 "Who cannot wepe come lerne at me": Voicing Refrains in Late Medieval Passion Lyric
?Melissa Tu
PART 4: Representation
13 A Song from the Mound: The Female Voice as a Repository for Genealogical Knowledge in Hyndluljo?
?Annemari Ferreira
14 Eye, Mouth, and Heart: The Female-Voiced Contrafacta of Can vei la lauzeta mover
?Meghan Quinlan
15 A Musical Letter from Eleanor of Provence to Margaret of Scotland: Patronage as Authorship in the Sequence Ex te lux oritur
?Gillian L. Gower
16 Female Voice in the Trecento Song
?Angelica Vomera
17 Saints and Sinners: The Representation of Women in Late-Medieval English Carols
?Louise McInnes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
