Entangled Performance Histories

List of Figures

List of Contributors

Acknowledgments

Introduction: Entangled Performance Histories: New Approaches to Theater Historiography

PART I: Methodological Reflections

1 Interweaving Stories, Altering Discourses

2 Writing Entangled Theater/Performance Histories in the Arab World

PART II: Hidden Histories-Forgetting and Remembering

3 William Kentridge's The Head & The Load: Theatrical Collage and the Color of Memory

4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970: Multiple Historiographies of a Lost Performance

PART III: Entanglements between Drama, Theater and Colonial Historiographies

5 Disentangling Colonial Archives: The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore

6 The Thorny Entanglements of Theater and Colonial Historiography in the Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff 's Play Jan Pieterszoon Coen (1931)

PART IV: Emergence and Transformation of Genres

7 Reversibility as Historiographical Method: Japanese Theater and Its Doubles

8 Plumbing the Past to Project into the Future: The Entangled Trajectories of Flamenco's Twenty-First-Century Avant-Garde

PART V: National Theater Histories-Entanglements and Disentanglements

9 The Interwoven Performance Culture of Algeria

10 Writing History as Disentanglement: Toward a Historiography of Modern Greek Theater

Coda: The Whirligig of Tech: Theater as Media Archaeology

Index

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• Estudos regionais
• Antropologia
• Estudos teatrais
• Artes: temas gerais
• Geografia regional
• Historiografia
• Sociedade e cultura: geral
• Artes de representação (performativas)
• História inglesa e irlandesa

Performance Historiography;Interwoven Performance Culture;Theater Historiography;Moliere;Osaka Exposition;Wooster Group;Media Archaeology;Town Hall;Algerian Theater;Follow;Byzantium;Entangled History;Mignolo's Terms;Colonial Administration;Gitano Community;Expo Land;Kateb Yacine;Tizi Ouzou;North Bridge Road;East Indies;Hijikata Tatsumi;Moving Image Media;Modern Greek;Double Critique;Modern Greek Identity