Ekphrasis, Memory and Narrative after Proust
portes grátis
Ekphrasis, Memory and Narrative after Proust
Prose Pictures and Fictional Recollection
Bilmes, Leonid
Bloomsbury Publishing PLC
01/2023
256
Dura
Inglês
9781350336834
15 a 20 dias
Descrição não disponível.
List of Illustrations
Acknowledgements
Introduction: On seeing prose pictures
1 Proust's way: Ekphrasis, memory, narrative
2 After Proust: By way of ironized nostalgia
3 Description and narration in Vladimir Nabokov's Ada or Ardor
4 Narration's looming of the archive in W.G. Sebald's Austerlitz
5 Retrospect, prospect and the fiction of the face in
Ben Lerner's 10:04
6 Commemoration via intermedial lamination in Ali Smith's
How to be both
7 Writing forgetting in Lydia Davis's The End of the Story
Conclusion
Works Cited
Index
Acknowledgements
Introduction: On seeing prose pictures
1 Proust's way: Ekphrasis, memory, narrative
2 After Proust: By way of ironized nostalgia
3 Description and narration in Vladimir Nabokov's Ada or Ardor
4 Narration's looming of the archive in W.G. Sebald's Austerlitz
5 Retrospect, prospect and the fiction of the face in
Ben Lerner's 10:04
6 Commemoration via intermedial lamination in Ali Smith's
How to be both
7 Writing forgetting in Lydia Davis's The End of the Story
Conclusion
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
visual culture; Marcel Proust; Samuel Beckett; Vladimir Nabokov; W.G. Sebald; Lydia Davis; Ali Smith; Ben Lerner; description; narration; Ada or Ardor; Austerlitz; 10:04; How to be Both; The End of the Story
List of Illustrations
Acknowledgements
Introduction: On seeing prose pictures
1 Proust's way: Ekphrasis, memory, narrative
2 After Proust: By way of ironized nostalgia
3 Description and narration in Vladimir Nabokov's Ada or Ardor
4 Narration's looming of the archive in W.G. Sebald's Austerlitz
5 Retrospect, prospect and the fiction of the face in
Ben Lerner's 10:04
6 Commemoration via intermedial lamination in Ali Smith's
How to be both
7 Writing forgetting in Lydia Davis's The End of the Story
Conclusion
Works Cited
Index
Acknowledgements
Introduction: On seeing prose pictures
1 Proust's way: Ekphrasis, memory, narrative
2 After Proust: By way of ironized nostalgia
3 Description and narration in Vladimir Nabokov's Ada or Ardor
4 Narration's looming of the archive in W.G. Sebald's Austerlitz
5 Retrospect, prospect and the fiction of the face in
Ben Lerner's 10:04
6 Commemoration via intermedial lamination in Ali Smith's
How to be both
7 Writing forgetting in Lydia Davis's The End of the Story
Conclusion
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.