Early Modern Architecture and Whiteness

Introduction, PART ONE | Constructing the Racialized Body, Chapter 1 | St. Francis/San Francesco: White, Incorrupt, Divine, Chapter 2 | The Man of Swarthy Complexion: From Bernini's Biographies to the (De)construction of Color, Chapter 3 | "The dead body of a Moor": Michelangelo, Disegno, and Racecraft in Sixteenth-century Rome, Chapter 4 | "To blanch an Aethiop:" Inigo Jones, Queen Anna, and the Staging of Whiteness, PART TWO | Constructing the Racialized Body-Politic, Chapter 5 | Whitewashing Legibility: Property Surveys and The Logic of Colonial Whiteness in Eighteenth-Century Senegal, Chapter 6 | Muiscas and Moriscos within the Spanish Grid. Privileged mixed-blood settlers in the foundational records of Villa de Leyva (Colombia, 1572-1582) and Campillo de Arenas (Spain, 1508-1539), Chapter 7 | The Appropriation of Mexican Indigenous Material Culture: Architecture, Urban Design, and Antiquarianism in Eighteenth-Century Mexico, Spain, and Italy, Chapter 8 | The Whiteness of Antiquity and Salvation. Tullio Lombardo, Gianmaria Falconetto and the Saint Anthony Chapel in Padua

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Colonialismo, imperialismo e
• Escravidão e abolição da escravatura
• História da arquitetura
• Antropologia social e cultural
• Artes: temas gerais
• Engenahria civil, levantamentos e construção
• Historia da arte / estilos de arte e design
• Início da história moderna: c 1450/1500 a c 1700
• Estudos étnicos
• Teoria da Arquitectura

race;architectural history;art history;culture;aesthetics;ethics;theory;race-making;religion;Christianity;morisco;mestizo;colonialism;urbanism;settlers;archaeology;indigenous;theater;sculpture;slavery;Tullio Lombardo