Democrazy in Spain: Cinema and New Forms of Social Life (1968-2008)
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Democrazy in Spain: Cinema and New Forms of Social Life (1968-2008)
Estrada, Isabel M.
Liverpool University Press
11/2024
160
Dura
9781835536896
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction
Acknowledgments
Chapter 1. The "d-generation" of Maria Canas: Spanish Cinema in the Era of Technological Reproducibility
Chapter 2. Cinematic Dialogues with the 1960s and 1970s: Ledo and Portabella, Canas and Bollain, and Lopez Carrasco and Zulueta
Chapter 3. Unearthing Amateur Footage from the 1960s and 1970s: Jose Luis Tirado, Ramiro Ledo, Isaki Lacuesta and Chema Mascarena
Chapter 4. The Cinema of Helena Lumbreras (1935-95) and the Political Practice of Responsibility
Chapter 5. Euphoria and Madness or Affect as a New Form of Social Life: Maria Ruido and Basilio Martin Patino
Chapter 6. From 2008 to the Dreadful 2020: Dystopia and Necropolitics in Maria Canas's Expo Lio 92 (2017) and Luis Lopez Carrasco's El ano del descubrimiento (2020)
Conclusion
Works Cited
Acknowledgments
Chapter 1. The "d-generation" of Maria Canas: Spanish Cinema in the Era of Technological Reproducibility
Chapter 2. Cinematic Dialogues with the 1960s and 1970s: Ledo and Portabella, Canas and Bollain, and Lopez Carrasco and Zulueta
Chapter 3. Unearthing Amateur Footage from the 1960s and 1970s: Jose Luis Tirado, Ramiro Ledo, Isaki Lacuesta and Chema Mascarena
Chapter 4. The Cinema of Helena Lumbreras (1935-95) and the Political Practice of Responsibility
Chapter 5. Euphoria and Madness or Affect as a New Form of Social Life: Maria Ruido and Basilio Martin Patino
Chapter 6. From 2008 to the Dreadful 2020: Dystopia and Necropolitics in Maria Canas's Expo Lio 92 (2017) and Luis Lopez Carrasco's El ano del descubrimiento (2020)
Conclusion
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Activist film;2008 financial crisis;Political responsibility;Affective affiliations;Horizontal, non-statocentric structures
Introduction
Acknowledgments
Chapter 1. The "d-generation" of Maria Canas: Spanish Cinema in the Era of Technological Reproducibility
Chapter 2. Cinematic Dialogues with the 1960s and 1970s: Ledo and Portabella, Canas and Bollain, and Lopez Carrasco and Zulueta
Chapter 3. Unearthing Amateur Footage from the 1960s and 1970s: Jose Luis Tirado, Ramiro Ledo, Isaki Lacuesta and Chema Mascarena
Chapter 4. The Cinema of Helena Lumbreras (1935-95) and the Political Practice of Responsibility
Chapter 5. Euphoria and Madness or Affect as a New Form of Social Life: Maria Ruido and Basilio Martin Patino
Chapter 6. From 2008 to the Dreadful 2020: Dystopia and Necropolitics in Maria Canas's Expo Lio 92 (2017) and Luis Lopez Carrasco's El ano del descubrimiento (2020)
Conclusion
Works Cited
Acknowledgments
Chapter 1. The "d-generation" of Maria Canas: Spanish Cinema in the Era of Technological Reproducibility
Chapter 2. Cinematic Dialogues with the 1960s and 1970s: Ledo and Portabella, Canas and Bollain, and Lopez Carrasco and Zulueta
Chapter 3. Unearthing Amateur Footage from the 1960s and 1970s: Jose Luis Tirado, Ramiro Ledo, Isaki Lacuesta and Chema Mascarena
Chapter 4. The Cinema of Helena Lumbreras (1935-95) and the Political Practice of Responsibility
Chapter 5. Euphoria and Madness or Affect as a New Form of Social Life: Maria Ruido and Basilio Martin Patino
Chapter 6. From 2008 to the Dreadful 2020: Dystopia and Necropolitics in Maria Canas's Expo Lio 92 (2017) and Luis Lopez Carrasco's El ano del descubrimiento (2020)
Conclusion
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
