Curating Access
portes grátis
Curating Access
Disability Art Activism and Creative Accommodation
Cachia, Amanda
Taylor & Francis Ltd
09/2022
310
Dura
Inglês
9780367775230
15 a 20 dias
453
Descrição não disponível.
Introduction: Committed to Change-Ten Years of Creative Access; Part I: Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell": Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable: Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities: Staging Virtual Intercultural Collaboration during COVID-19; Part II: Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience through an Interdisciplinary and Socially Engaged Art Project; Chapter 8: Unseen Journeys Made Visible: Using Socially Engaged Art to Cross Boundaries and Create a Universally Enriching Experience; Chapter 9: Human Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter 11: On Brand: When Design Museums Discover Disability; Chapter 12: Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point? Addressing Accessibility Issues within Spatial Audio; Part IV: Collaboration & Conversation: Chapter 14: Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15: Desiring Disruption: Experimental Approaches to Audio Description; Chapter 16: Curating Together: A Tangled, Intergenerational, Interdependent Community of Practice; Chapter 17: Networks of Care: Collectivity as Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18: Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration; Chapter 19: "My Practice is Staying Alive": Critique and Care in the Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's Performance Art as an Accessible Practice; Chapter 21: Open Access: Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A Primer On Working With Disabled Group Members: For Feminist/Activist Groups and Organizations; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Dja Dja Wurrung;Playback;American Sign Language;Water Park;Young Men;Amanda Cachia;QR Code;Decolonial Lens;Audio Description;Asl Interpretation;Creative Access;Disabled Artists;Alt Text;Spatial Audio;Asl;Georgina Kleege;Inclusive Arts;Professional Development;Design Museum;Panic Symptom Severity;Public Engagement;Cochlear Implant;Tactile Model;Seventh Bienal;Access Questionnaire
Introduction: Committed to Change-Ten Years of Creative Access; Part I: Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell": Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable: Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities: Staging Virtual Intercultural Collaboration during COVID-19; Part II: Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience through an Interdisciplinary and Socially Engaged Art Project; Chapter 8: Unseen Journeys Made Visible: Using Socially Engaged Art to Cross Boundaries and Create a Universally Enriching Experience; Chapter 9: Human Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter 11: On Brand: When Design Museums Discover Disability; Chapter 12: Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point? Addressing Accessibility Issues within Spatial Audio; Part IV: Collaboration & Conversation: Chapter 14: Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15: Desiring Disruption: Experimental Approaches to Audio Description; Chapter 16: Curating Together: A Tangled, Intergenerational, Interdependent Community of Practice; Chapter 17: Networks of Care: Collectivity as Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18: Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration; Chapter 19: "My Practice is Staying Alive": Critique and Care in the Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's Performance Art as an Accessible Practice; Chapter 21: Open Access: Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A Primer On Working With Disabled Group Members: For Feminist/Activist Groups and Organizations; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Dja Dja Wurrung;Playback;American Sign Language;Water Park;Young Men;Amanda Cachia;QR Code;Decolonial Lens;Audio Description;Asl Interpretation;Creative Access;Disabled Artists;Alt Text;Spatial Audio;Asl;Georgina Kleege;Inclusive Arts;Professional Development;Design Museum;Panic Symptom Severity;Public Engagement;Cochlear Implant;Tactile Model;Seventh Bienal;Access Questionnaire
