Contemporary Marathi Cinema
portes grátis
Contemporary Marathi Cinema
Space, Marginality, and Aspiration
Ingle, Hrishikesh Sudhakar
Taylor & Francis Ltd
12/2024
198
Dura
9781032709994
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of Figures ix Preface x Acknowledgements xii List of Abbreviations xiv Introducing Contemporary Marathi Cinema 1 1 Childhood, Memory, and Pastness 31 Shwaas and Nostalgia for a Future 34 Killa and Shala: Memory, Space, and Trauma 39 Duniyadari: Retro, Pastiche, and Nostalgia 46 Harishchandrachi Factory: Return to Modernity 49 Bal Gandharva: A Nostalgic Figure 53 Notes 58 References 60 2 Mainstreaming Marginality 63 New Filmmaking and Vernacular Realism 64 Jogwa and Gabhricha Paus: Embodying Marginality 68 Fandry and Khwada: Structures of Marginality 74 Sairat: Mainstreaming Marginality 84 New Cinema and the Subjective Terrain 87 Notes 90 References 91 3 Aspiration and the Vernacular 100 Deool and Pune 52: Becoming Global 102 Valu: Mediating Spatial Shifts 112 Highway - Ek Selfie Aar Paar: Dispositions for the Global 115 Gandha: Sense of Space 119 Elizabeth Ekadashi: Vernacular Aspiration 124 Notes 127 References 1284 Border-Crossings 131 Invisible Exchanges: Jhing Chik Jhing and Tingya 133 Ventilator: Reunion across Territories 140 Lai Bhaari and the Regional Blockbuster 144 Trans-Nation and Trans-Local Connections 149 Notes 151 References 152 5 Experimental Traces in a Televisual Ecology 156 Time, Space, and Affect: Court, Kaul, and Trijya 157 Spatial Overlays in The Disciple 169 Televisual Cinema 176 Notes 178 References 178 Afterword 181 Notes 185 Filmography 187 Index 190
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Film studies
List of Figures ix Preface x Acknowledgements xii List of Abbreviations xiv Introducing Contemporary Marathi Cinema 1 1 Childhood, Memory, and Pastness 31 Shwaas and Nostalgia for a Future 34 Killa and Shala: Memory, Space, and Trauma 39 Duniyadari: Retro, Pastiche, and Nostalgia 46 Harishchandrachi Factory: Return to Modernity 49 Bal Gandharva: A Nostalgic Figure 53 Notes 58 References 60 2 Mainstreaming Marginality 63 New Filmmaking and Vernacular Realism 64 Jogwa and Gabhricha Paus: Embodying Marginality 68 Fandry and Khwada: Structures of Marginality 74 Sairat: Mainstreaming Marginality 84 New Cinema and the Subjective Terrain 87 Notes 90 References 91 3 Aspiration and the Vernacular 100 Deool and Pune 52: Becoming Global 102 Valu: Mediating Spatial Shifts 112 Highway - Ek Selfie Aar Paar: Dispositions for the Global 115 Gandha: Sense of Space 119 Elizabeth Ekadashi: Vernacular Aspiration 124 Notes 127 References 1284 Border-Crossings 131 Invisible Exchanges: Jhing Chik Jhing and Tingya 133 Ventilator: Reunion across Territories 140 Lai Bhaari and the Regional Blockbuster 144 Trans-Nation and Trans-Local Connections 149 Notes 151 References 152 5 Experimental Traces in a Televisual Ecology 156 Time, Space, and Affect: Court, Kaul, and Trijya 157 Spatial Overlays in The Disciple 169 Televisual Cinema 176 Notes 178 References 178 Afterword 181 Notes 185 Filmography 187 Index 190
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