Collaboration, Engagement, and Tradition in Contemporary and Electronic Music

PART 1 Collaboration 1 Electronics as a Member of the Ensemble; 2 Composing with Instruments and Live Electronics; 3 Forty Years of Live Electroacoustic Music: Reflections on a Continuing Partnership; 4 Music in Vision: Visual Music Instruments in Practice; 5 Autonomous Music Systems with Agency; PART 2 Engagement 6 Formuls: An Electronic Musical Instrument for Synthesis-Based Composition and Performance; 7 Overtone Music; 8 Spatial Sonorous Objects and Their Creative Use: A Framework for the Analysis of Spatialisation; 9 Sound as a Method: Creative Textual Practices as Critical Re-Writings; PART 3 Tradition 10 Scratching, Past and Future: Cataloguing the Scholarship on Turntablism and Controllerism, and an Introduction to Their Emerging Affiliated Practices and Communities; 11 Composing with Ambisonics: An Electroacoustic Practitioner's Guide; 12 Audiovisualisation: Reviving the Spectre of Optical Sound and Structural/Materialist Film; 13 Events and Continuums: The Audiovisual Composition 'Estuaries 4'; 14 From Stochastic Music to Quantum Music; 15 Exploring the Musical Potential and Non-Hierarchical Signal-Noise Relationships in MP3 Compression Technologies Using Musical Composition; 16 Motion Capture for Musical Expression

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• Processamento áudio
• Música eletrônica
• Teoria da música e musicologia

NoiseFloor;contemporary music;composer;audiovisual;composition