Cinematic Intermediality
portes grátis
Cinematic Intermediality
Theory and Practice
Schmid, Marion; Knowles, Kim
Edinburgh University Press
08/2022
224
Mole
Inglês
9781474446358
15 a 20 dias
318
Descrição não disponível.
List of Illustrations
Acknowledgements
Contributors?
Introduction - Kim Knowles and Marion Schmid
PART 1: MAPPING THE INTERZONE
1. 'Film and Performance: Intermedial Intersections' - Stephen Barber
2. 'Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)' - Steven Jacobs
3. 'The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema' - Agnes Petho
4. 'Dream Screen:?On Cinema and Painting, Blur and Absorption' - Martine Beugnet
PART 2: THE INTERMEDIAL AVANT-GARDES
5. 'From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015' - Christopher Townsend
6. The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings' - Lucy Reynolds
7. 'The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G' - Barnaby Dicker
PART 3: TECHNOLOGY, APPARATUS, AFFECT
8. 'Intermediality and the Origins of Cinema' - Boris Wiseman
9. 'Cinematography's Blind Spots: Artistic Exploitations of the Film Frame' - Gabriele Jutz
10. 'Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eugene Green, Le Fils de Joseph' - Marion Schmid
PART 4: INTERMEDIAL CREATION
11. 'What Does a Dance Filmmaker See?' - Adam Roberts
12. 'Performance, Moving Image, Installation: the Making of Body of War and Faith' - Isabel Rocamora
13. 'Muybridge's Disobedient Horses: Non-Stop Stop-Motion' - Anna Vasof
14. 'A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror' - Sarah Pucill
Index
Acknowledgements
Contributors?
Introduction - Kim Knowles and Marion Schmid
PART 1: MAPPING THE INTERZONE
1. 'Film and Performance: Intermedial Intersections' - Stephen Barber
2. 'Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)' - Steven Jacobs
3. 'The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema' - Agnes Petho
4. 'Dream Screen:?On Cinema and Painting, Blur and Absorption' - Martine Beugnet
PART 2: THE INTERMEDIAL AVANT-GARDES
5. 'From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015' - Christopher Townsend
6. The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings' - Lucy Reynolds
7. 'The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G' - Barnaby Dicker
PART 3: TECHNOLOGY, APPARATUS, AFFECT
8. 'Intermediality and the Origins of Cinema' - Boris Wiseman
9. 'Cinematography's Blind Spots: Artistic Exploitations of the Film Frame' - Gabriele Jutz
10. 'Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eugene Green, Le Fils de Joseph' - Marion Schmid
PART 4: INTERMEDIAL CREATION
11. 'What Does a Dance Filmmaker See?' - Adam Roberts
12. 'Performance, Moving Image, Installation: the Making of Body of War and Faith' - Isabel Rocamora
13. 'Muybridge's Disobedient Horses: Non-Stop Stop-Motion' - Anna Vasof
14. 'A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror' - Sarah Pucill
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
avant-garde and experimental cinema; cinematic intermediality; film and the other arts; film theory; intermediality; the moving image
List of Illustrations
Acknowledgements
Contributors?
Introduction - Kim Knowles and Marion Schmid
PART 1: MAPPING THE INTERZONE
1. 'Film and Performance: Intermedial Intersections' - Stephen Barber
2. 'Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)' - Steven Jacobs
3. 'The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema' - Agnes Petho
4. 'Dream Screen:?On Cinema and Painting, Blur and Absorption' - Martine Beugnet
PART 2: THE INTERMEDIAL AVANT-GARDES
5. 'From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015' - Christopher Townsend
6. The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings' - Lucy Reynolds
7. 'The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G' - Barnaby Dicker
PART 3: TECHNOLOGY, APPARATUS, AFFECT
8. 'Intermediality and the Origins of Cinema' - Boris Wiseman
9. 'Cinematography's Blind Spots: Artistic Exploitations of the Film Frame' - Gabriele Jutz
10. 'Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eugene Green, Le Fils de Joseph' - Marion Schmid
PART 4: INTERMEDIAL CREATION
11. 'What Does a Dance Filmmaker See?' - Adam Roberts
12. 'Performance, Moving Image, Installation: the Making of Body of War and Faith' - Isabel Rocamora
13. 'Muybridge's Disobedient Horses: Non-Stop Stop-Motion' - Anna Vasof
14. 'A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror' - Sarah Pucill
Index
Acknowledgements
Contributors?
Introduction - Kim Knowles and Marion Schmid
PART 1: MAPPING THE INTERZONE
1. 'Film and Performance: Intermedial Intersections' - Stephen Barber
2. 'Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)' - Steven Jacobs
3. 'The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema' - Agnes Petho
4. 'Dream Screen:?On Cinema and Painting, Blur and Absorption' - Martine Beugnet
PART 2: THE INTERMEDIAL AVANT-GARDES
5. 'From the Periphery to the Interstices: Avant-Garde Film, Medium Specificity and Intermediality, 1970-2015' - Christopher Townsend
6. The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings' - Lucy Reynolds
7. 'The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G' - Barnaby Dicker
PART 3: TECHNOLOGY, APPARATUS, AFFECT
8. 'Intermediality and the Origins of Cinema' - Boris Wiseman
9. 'Cinematography's Blind Spots: Artistic Exploitations of the Film Frame' - Gabriele Jutz
10. 'Filming and Feeling between the Arts: Pascale Breton, Suite Armoricaine and Eugene Green, Le Fils de Joseph' - Marion Schmid
PART 4: INTERMEDIAL CREATION
11. 'What Does a Dance Filmmaker See?' - Adam Roberts
12. 'Performance, Moving Image, Installation: the Making of Body of War and Faith' - Isabel Rocamora
13. 'Muybridge's Disobedient Horses: Non-Stop Stop-Motion' - Anna Vasof
14. 'A Dialogue With Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror' - Sarah Pucill
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
