Authoring Female Identities in Spanish and Latin American Art and Media

Chapter 1: Editors' Introduction.- Part: one.- Chapter 2: Collective Labour of Care: Building Feminist Infrastructures in the Post-Dictatorial Spanish State.- Chapter 3: Feminist Dissidence in Manuela Ballester Vilaseca's Poetry.- Chapter 4: Maruja Mallo and Concha Mendez: Creative Friendship, Female Embodiment, and Ludic Space.- Chapter 5: Fosiles of the Feminine: Clara Janes, Rosa Biadiu, and the Vestiges of Time.- Chapter 6: In Deep with Ouka Leele.- Chapter 7: Symbolic Reparations, Buchonas, and Gore Capitalism in Mayra Martell's Gore (2017) and Chulada (2018).- Chapter 8: Gender and Violence in Lorena Wolffer's Work.- Creative Intervention.- Chapter 9: Reflective Visual Mediations: Women Artists, Researchers, and their Positionings.- Part Two.- Chapter 10: 'A todo el mundo le gustaria que su madre fuera una estrella de rock ...' ['Everyone would like their mother to be a rockstar ...']: Music, Mourning, and the (absent) Maternal Voice in Todos estan muertos.- Chapter 11: A Domestic Revolution: Feminist Awakening in the Home in Rosario Castellanos's 'Leccion de cocina' (1971) and Antonella Sudasassi's El despertar de las hormigas (2019).- Chapter 12: Retracing Ripples: Water, Idleness, and Guilt in Lucrecia Martel's Salta Trilogy.- Chapter 13: Crafting New Roads to and Spaces for Womanhood in Leticia Dolera's Requisitos para ser una persona normal (2015) and Vida perfecta (2019-21).- Chapter 14: Alternative TV Voices: Jane the Virgin (CW, 2014-19).- Chapter 15: Panels of the Self: Self-referentiality, Memory, and Speaking Out on Traumatic Abuse in Sole Otero's Poncho Fue (2017).- Final Remarks.- Chapter 16: Epilogue.

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• Historia da arte / estilos de arte e design
• Estudos de gênero: as mulheres
• Estudos cultirais

visual culture;Latin American visual culture;women artists;female artists;Spanish artists;Latin American artists