Astad Deboo
portes grátis
Astad Deboo
An Icon of Contemporary Indian Dance
Katrak, Ketu H.
Seagull Books London Ltd
12/2024
320
Mole
9781803094304
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
PART I: Enter Astad Deboo
Preface: A Journey in Dance
1: Childhood/Youth in Jamshedpur
2: Gift of Friendship: Greeting Cards, Dhanshak and a Foodie
3: An Ardent Traveller
PART II: Milestones in a Dancer's Life
4: Early Solo Choreography: New Themes and Forms 1970s and 1980s
5: 1990s: Drupad at the Khajurao Dance Festival; Puppetry and Dance
6. Astad's Signature Style in Contemporary Indian Dance
PART III: Group Choreography with Marginal Communities
7. Deaf Actors and Dancers in Kolkata, Washington DC, Chennai.
8. Manipuri dancers from India's Northeast.
9. Street Youth of Salaam Baalak Trust, New Delhi.
PART IV: Collaborations with Theatre, Music and Dance Artists in India and Transnationally
10. Korean Theater Director, Hyoung-Taek Limb in Hamlet Avataar; With Korean and
Indian Musicians in Same Same but Different.
11. Japanese Flautist Yukio Tsuji in Eternal Embrace
12. Ketu Katrak Co-editor, Marg Magazine, 'Contemporary Dance in India.'
13. Indian Rudra Veena player Bahau'd-din Dagar in Inter Connect
14. Bharatanatyam dancer, Hema Rajagopalan, Inai (The Connection), Chicago
15. Costume Designers and Photographers
16: Space and Transgressing Spatial Boundaries
Conclusion: Astad's Final Bow. Tributes from the Dance and Media Fraternity
Glossary
List of Interviews
Acknowledgments
PART I: Enter Astad Deboo
Preface: A Journey in Dance
1: Childhood/Youth in Jamshedpur
2: Gift of Friendship: Greeting Cards, Dhanshak and a Foodie
3: An Ardent Traveller
PART II: Milestones in a Dancer's Life
4: Early Solo Choreography: New Themes and Forms 1970s and 1980s
5: 1990s: Drupad at the Khajurao Dance Festival; Puppetry and Dance
6. Astad's Signature Style in Contemporary Indian Dance
PART III: Group Choreography with Marginal Communities
7. Deaf Actors and Dancers in Kolkata, Washington DC, Chennai.
8. Manipuri dancers from India's Northeast.
9. Street Youth of Salaam Baalak Trust, New Delhi.
PART IV: Collaborations with Theatre, Music and Dance Artists in India and Transnationally
10. Korean Theater Director, Hyoung-Taek Limb in Hamlet Avataar; With Korean and
Indian Musicians in Same Same but Different.
11. Japanese Flautist Yukio Tsuji in Eternal Embrace
12. Ketu Katrak Co-editor, Marg Magazine, 'Contemporary Dance in India.'
13. Indian Rudra Veena player Bahau'd-din Dagar in Inter Connect
14. Bharatanatyam dancer, Hema Rajagopalan, Inai (The Connection), Chicago
15. Costume Designers and Photographers
16: Space and Transgressing Spatial Boundaries
Conclusion: Astad's Final Bow. Tributes from the Dance and Media Fraternity
Glossary
List of Interviews
Acknowledgments
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
IndianDanceIcon;ContemporaryDance;DanceInnovations;IndianChoreography;HumanitarianArt;DanceLegacy;SoloDanceRevolution;SocialChangeThroughDance;IconicChoreographer;DanceFormInnovation;DanceExperimentation;IndianDanceHistory;SouthAsianPerformance;SouthAsianDance;GayIcon;IndianGayIcon
List of Illustrations
PART I: Enter Astad Deboo
Preface: A Journey in Dance
1: Childhood/Youth in Jamshedpur
2: Gift of Friendship: Greeting Cards, Dhanshak and a Foodie
3: An Ardent Traveller
PART II: Milestones in a Dancer's Life
4: Early Solo Choreography: New Themes and Forms 1970s and 1980s
5: 1990s: Drupad at the Khajurao Dance Festival; Puppetry and Dance
6. Astad's Signature Style in Contemporary Indian Dance
PART III: Group Choreography with Marginal Communities
7. Deaf Actors and Dancers in Kolkata, Washington DC, Chennai.
8. Manipuri dancers from India's Northeast.
9. Street Youth of Salaam Baalak Trust, New Delhi.
PART IV: Collaborations with Theatre, Music and Dance Artists in India and Transnationally
10. Korean Theater Director, Hyoung-Taek Limb in Hamlet Avataar; With Korean and
Indian Musicians in Same Same but Different.
11. Japanese Flautist Yukio Tsuji in Eternal Embrace
12. Ketu Katrak Co-editor, Marg Magazine, 'Contemporary Dance in India.'
13. Indian Rudra Veena player Bahau'd-din Dagar in Inter Connect
14. Bharatanatyam dancer, Hema Rajagopalan, Inai (The Connection), Chicago
15. Costume Designers and Photographers
16: Space and Transgressing Spatial Boundaries
Conclusion: Astad's Final Bow. Tributes from the Dance and Media Fraternity
Glossary
List of Interviews
Acknowledgments
PART I: Enter Astad Deboo
Preface: A Journey in Dance
1: Childhood/Youth in Jamshedpur
2: Gift of Friendship: Greeting Cards, Dhanshak and a Foodie
3: An Ardent Traveller
PART II: Milestones in a Dancer's Life
4: Early Solo Choreography: New Themes and Forms 1970s and 1980s
5: 1990s: Drupad at the Khajurao Dance Festival; Puppetry and Dance
6. Astad's Signature Style in Contemporary Indian Dance
PART III: Group Choreography with Marginal Communities
7. Deaf Actors and Dancers in Kolkata, Washington DC, Chennai.
8. Manipuri dancers from India's Northeast.
9. Street Youth of Salaam Baalak Trust, New Delhi.
PART IV: Collaborations with Theatre, Music and Dance Artists in India and Transnationally
10. Korean Theater Director, Hyoung-Taek Limb in Hamlet Avataar; With Korean and
Indian Musicians in Same Same but Different.
11. Japanese Flautist Yukio Tsuji in Eternal Embrace
12. Ketu Katrak Co-editor, Marg Magazine, 'Contemporary Dance in India.'
13. Indian Rudra Veena player Bahau'd-din Dagar in Inter Connect
14. Bharatanatyam dancer, Hema Rajagopalan, Inai (The Connection), Chicago
15. Costume Designers and Photographers
16: Space and Transgressing Spatial Boundaries
Conclusion: Astad's Final Bow. Tributes from the Dance and Media Fraternity
Glossary
List of Interviews
Acknowledgments
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
