Art and Intimacy in Modern Italy
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Art and Intimacy in Modern Italy
Entangled Lives
Hecker, Dr. Sharon; Kittler, Teresa
Bloomsbury Publishing PLC
02/2025
320
Dura
9781350420335
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Illustrations
Introduction
1. Modern Italian art and intimacy: an introduction, Sharon Hecker (Independent) and Teresa Kittler (University of York, UK)
2. Beyond the myths of the male genius and the muse: Couples, creative collaboration and the power of two in modern Italy, Lucia Re (UCLA, USA)
Part One: Shadowy Presences
3. Out of focus: Anna Piva and Giulio Paolini's artistic partnership, Roberta Minnucci ( the Biblioteca Hertziana-Max Planck Institute of Art History, Rome, Italy)
4. Concept and contraception: Mario and Marisa Merz, Leslie Cozzi (The Baltimore Museum, USA)
5. Antonia and Ugo Mulas through the mirror, Gloria Boeri (University of Oxford, UK) and Ilaria Sgaravatto (Fondazione Arnaldo Pomodoro, Italy)
6. White feminism's ghosts: Friendship, race and Rivolta femminile, Charlotte Matter (UZH, Switzerland)
7. Plurals and singulars: Couples and collectives at Albisola and elsewhere, Catherine Ingrams (UCL, UK)
Part Two: Ins and Outs
8. Mutually impressed and distanced: Undulating collaborations between Luciano Fabro and Carla Lonzi, Sharon Hecker (Independent)
9. Pas de deux: Sauzeau e Boetti, Teresa Kittler (University of York, UK)
10. Unrecorded and Unwritten: Pietro Consagra and Carla Lonzi, 1969, Giulia Morale (Courtauld Institute of Art, UK)
11. Giorgio De Chirico and Alberto Savinio: A menage a trois, Franco Baldasso (Bard College, USA)
12. Mogli e buoi dei paesi tuoi: Virginia Dortch, Piero Dorazio and cultural translation between Italy and the United States, Raffaele Bedarida (Sapienza University, Rome, Italy)
Part Three: Alliances
13. Interracial intimacies and the transnational modern couple: William and Lucia Drudi Demby's collaborative work in postwar Italian cinema in Congo vivo (1962), Melanie Masterton Sherazi (California Institute of Technology, USA)
14. Lea Vergine and Enzo Mari: Navigating the early 1970s between utopia and feminism, Giulia Schirripa (University of York, UK)
15. "Noi due cineasti"- the filmmakers Yervant Gianikian and Angela Ricci Lucchi, Robert Lumley (UCL, UK)
16. Artist couples at the turn of the millennium: Perino & Vele and goldiechiari, Silvia Bottinelli (Tufts University, USA)
Part Four: In Conversation
17. In Conversation with Nicola Pellegrini and Ottonella Mocellin, Chiara Mannarino (MoMA, USA)
18. In Conversation with Carla Subrizi (Sapienza University, Rome), Sharon Hecker (Independent)
Index
Introduction
1. Modern Italian art and intimacy: an introduction, Sharon Hecker (Independent) and Teresa Kittler (University of York, UK)
2. Beyond the myths of the male genius and the muse: Couples, creative collaboration and the power of two in modern Italy, Lucia Re (UCLA, USA)
Part One: Shadowy Presences
3. Out of focus: Anna Piva and Giulio Paolini's artistic partnership, Roberta Minnucci ( the Biblioteca Hertziana-Max Planck Institute of Art History, Rome, Italy)
4. Concept and contraception: Mario and Marisa Merz, Leslie Cozzi (The Baltimore Museum, USA)
5. Antonia and Ugo Mulas through the mirror, Gloria Boeri (University of Oxford, UK) and Ilaria Sgaravatto (Fondazione Arnaldo Pomodoro, Italy)
6. White feminism's ghosts: Friendship, race and Rivolta femminile, Charlotte Matter (UZH, Switzerland)
7. Plurals and singulars: Couples and collectives at Albisola and elsewhere, Catherine Ingrams (UCL, UK)
Part Two: Ins and Outs
8. Mutually impressed and distanced: Undulating collaborations between Luciano Fabro and Carla Lonzi, Sharon Hecker (Independent)
9. Pas de deux: Sauzeau e Boetti, Teresa Kittler (University of York, UK)
10. Unrecorded and Unwritten: Pietro Consagra and Carla Lonzi, 1969, Giulia Morale (Courtauld Institute of Art, UK)
11. Giorgio De Chirico and Alberto Savinio: A menage a trois, Franco Baldasso (Bard College, USA)
12. Mogli e buoi dei paesi tuoi: Virginia Dortch, Piero Dorazio and cultural translation between Italy and the United States, Raffaele Bedarida (Sapienza University, Rome, Italy)
Part Three: Alliances
13. Interracial intimacies and the transnational modern couple: William and Lucia Drudi Demby's collaborative work in postwar Italian cinema in Congo vivo (1962), Melanie Masterton Sherazi (California Institute of Technology, USA)
14. Lea Vergine and Enzo Mari: Navigating the early 1970s between utopia and feminism, Giulia Schirripa (University of York, UK)
15. "Noi due cineasti"- the filmmakers Yervant Gianikian and Angela Ricci Lucchi, Robert Lumley (UCL, UK)
16. Artist couples at the turn of the millennium: Perino & Vele and goldiechiari, Silvia Bottinelli (Tufts University, USA)
Part Four: In Conversation
17. In Conversation with Nicola Pellegrini and Ottonella Mocellin, Chiara Mannarino (MoMA, USA)
18. In Conversation with Carla Subrizi (Sapienza University, Rome), Sharon Hecker (Independent)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italian artist couples; Postwar Italian art; 1945; artistic collaborations; Italian feminism; modern Italy; intimacy; friendship; Anna Piva; Giulio Paolini; Antonia and Ugo Mulas; Elvira Banotti and Rivolta femminile; Ceramics at Albisola; Luciano Fabro; Carla Lonzi; Alighiero e Anne Marie Sauzeau Boetti; Pietro Consagra; Scuola Metafisica; Fascism; Rome; de Chirico; Venice; Virginia Dortch; Piero Dorazio; Lucia Drudi; William Demby; Palma Bucarelli; Giulio Carlo Argan; Lea Vergine; Enzo Mari
List of Illustrations
Introduction
1. Modern Italian art and intimacy: an introduction, Sharon Hecker (Independent) and Teresa Kittler (University of York, UK)
2. Beyond the myths of the male genius and the muse: Couples, creative collaboration and the power of two in modern Italy, Lucia Re (UCLA, USA)
Part One: Shadowy Presences
3. Out of focus: Anna Piva and Giulio Paolini's artistic partnership, Roberta Minnucci ( the Biblioteca Hertziana-Max Planck Institute of Art History, Rome, Italy)
4. Concept and contraception: Mario and Marisa Merz, Leslie Cozzi (The Baltimore Museum, USA)
5. Antonia and Ugo Mulas through the mirror, Gloria Boeri (University of Oxford, UK) and Ilaria Sgaravatto (Fondazione Arnaldo Pomodoro, Italy)
6. White feminism's ghosts: Friendship, race and Rivolta femminile, Charlotte Matter (UZH, Switzerland)
7. Plurals and singulars: Couples and collectives at Albisola and elsewhere, Catherine Ingrams (UCL, UK)
Part Two: Ins and Outs
8. Mutually impressed and distanced: Undulating collaborations between Luciano Fabro and Carla Lonzi, Sharon Hecker (Independent)
9. Pas de deux: Sauzeau e Boetti, Teresa Kittler (University of York, UK)
10. Unrecorded and Unwritten: Pietro Consagra and Carla Lonzi, 1969, Giulia Morale (Courtauld Institute of Art, UK)
11. Giorgio De Chirico and Alberto Savinio: A menage a trois, Franco Baldasso (Bard College, USA)
12. Mogli e buoi dei paesi tuoi: Virginia Dortch, Piero Dorazio and cultural translation between Italy and the United States, Raffaele Bedarida (Sapienza University, Rome, Italy)
Part Three: Alliances
13. Interracial intimacies and the transnational modern couple: William and Lucia Drudi Demby's collaborative work in postwar Italian cinema in Congo vivo (1962), Melanie Masterton Sherazi (California Institute of Technology, USA)
14. Lea Vergine and Enzo Mari: Navigating the early 1970s between utopia and feminism, Giulia Schirripa (University of York, UK)
15. "Noi due cineasti"- the filmmakers Yervant Gianikian and Angela Ricci Lucchi, Robert Lumley (UCL, UK)
16. Artist couples at the turn of the millennium: Perino & Vele and goldiechiari, Silvia Bottinelli (Tufts University, USA)
Part Four: In Conversation
17. In Conversation with Nicola Pellegrini and Ottonella Mocellin, Chiara Mannarino (MoMA, USA)
18. In Conversation with Carla Subrizi (Sapienza University, Rome), Sharon Hecker (Independent)
Index
Introduction
1. Modern Italian art and intimacy: an introduction, Sharon Hecker (Independent) and Teresa Kittler (University of York, UK)
2. Beyond the myths of the male genius and the muse: Couples, creative collaboration and the power of two in modern Italy, Lucia Re (UCLA, USA)
Part One: Shadowy Presences
3. Out of focus: Anna Piva and Giulio Paolini's artistic partnership, Roberta Minnucci ( the Biblioteca Hertziana-Max Planck Institute of Art History, Rome, Italy)
4. Concept and contraception: Mario and Marisa Merz, Leslie Cozzi (The Baltimore Museum, USA)
5. Antonia and Ugo Mulas through the mirror, Gloria Boeri (University of Oxford, UK) and Ilaria Sgaravatto (Fondazione Arnaldo Pomodoro, Italy)
6. White feminism's ghosts: Friendship, race and Rivolta femminile, Charlotte Matter (UZH, Switzerland)
7. Plurals and singulars: Couples and collectives at Albisola and elsewhere, Catherine Ingrams (UCL, UK)
Part Two: Ins and Outs
8. Mutually impressed and distanced: Undulating collaborations between Luciano Fabro and Carla Lonzi, Sharon Hecker (Independent)
9. Pas de deux: Sauzeau e Boetti, Teresa Kittler (University of York, UK)
10. Unrecorded and Unwritten: Pietro Consagra and Carla Lonzi, 1969, Giulia Morale (Courtauld Institute of Art, UK)
11. Giorgio De Chirico and Alberto Savinio: A menage a trois, Franco Baldasso (Bard College, USA)
12. Mogli e buoi dei paesi tuoi: Virginia Dortch, Piero Dorazio and cultural translation between Italy and the United States, Raffaele Bedarida (Sapienza University, Rome, Italy)
Part Three: Alliances
13. Interracial intimacies and the transnational modern couple: William and Lucia Drudi Demby's collaborative work in postwar Italian cinema in Congo vivo (1962), Melanie Masterton Sherazi (California Institute of Technology, USA)
14. Lea Vergine and Enzo Mari: Navigating the early 1970s between utopia and feminism, Giulia Schirripa (University of York, UK)
15. "Noi due cineasti"- the filmmakers Yervant Gianikian and Angela Ricci Lucchi, Robert Lumley (UCL, UK)
16. Artist couples at the turn of the millennium: Perino & Vele and goldiechiari, Silvia Bottinelli (Tufts University, USA)
Part Four: In Conversation
17. In Conversation with Nicola Pellegrini and Ottonella Mocellin, Chiara Mannarino (MoMA, USA)
18. In Conversation with Carla Subrizi (Sapienza University, Rome), Sharon Hecker (Independent)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Italian artist couples; Postwar Italian art; 1945; artistic collaborations; Italian feminism; modern Italy; intimacy; friendship; Anna Piva; Giulio Paolini; Antonia and Ugo Mulas; Elvira Banotti and Rivolta femminile; Ceramics at Albisola; Luciano Fabro; Carla Lonzi; Alighiero e Anne Marie Sauzeau Boetti; Pietro Consagra; Scuola Metafisica; Fascism; Rome; de Chirico; Venice; Virginia Dortch; Piero Dorazio; Lucia Drudi; William Demby; Palma Bucarelli; Giulio Carlo Argan; Lea Vergine; Enzo Mari
