Adaptation and Beyond
portes grátis
Adaptation and Beyond
Hybrid Transtextualities
Karpinski, Eva C.; Keblowska-Lawniczak, Ewa
Taylor & Francis Ltd
12/2024
200
Mole
9781032565040
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction: Hybrid Zones of Transtextual World-Building: Towards the Mezzaterra of Adaptation
Part I: Aesthetics and/as Politics in Hybrid Transtextual Adaptation
Chapter 1 - Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing
Chapter 2 - Joycean Biographics as Hybrid Transmedia Adaptations: World-Building through Biographical Comics
Chapter 3 - Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration
Part II: Repurposing "Classics"
Chapter 4 - Appropriating Biography: The Hybrid 'Face' of Shakespeare in Branagh's All is True
Chapter 5 - Advertising as Adaptation: The Case of Romeo and Juliet
Chapter 6 - Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri
Part III: East-West Adaptation Flows
Chapter 7 - 'Cobra Kai never dies': Rebooting the Karate Kid Franchise for a 21st century YouTube and Netflix Audience
Chapter 8 - Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden
Chapter 9 - Medial Transposition and Imitation in The Handmaiden
Chapter 10 - Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet
Index
Part I: Aesthetics and/as Politics in Hybrid Transtextual Adaptation
Chapter 1 - Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing
Chapter 2 - Joycean Biographics as Hybrid Transmedia Adaptations: World-Building through Biographical Comics
Chapter 3 - Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration
Part II: Repurposing "Classics"
Chapter 4 - Appropriating Biography: The Hybrid 'Face' of Shakespeare in Branagh's All is True
Chapter 5 - Advertising as Adaptation: The Case of Romeo and Juliet
Chapter 6 - Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri
Part III: East-West Adaptation Flows
Chapter 7 - 'Cobra Kai never dies': Rebooting the Karate Kid Franchise for a 21st century YouTube and Netflix Audience
Chapter 8 - Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden
Chapter 9 - Medial Transposition and Imitation in The Handmaiden
Chapter 10 - Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
transtextuality;Hybrid Transtextualities;Transtextual World-Building;Adaptation;Young Man;Adaptation Studies;Tv Series;Intermedial Reference;Karate Kid;Tang Xianzu;Shakespeare's Life;Soul's Departure;Kunqu Performance;Shakespeare's Biography;Ormus Cama;Discrepant Awareness;Wherefore Art Thou Romeo;Biographical Subject;Shakespeare Films;Main Characters;Shakespeare's Wife;Shakespeare's Face;Sixteenth Century Costumes;Simon Palfrey;Ellmann's Biography;Metatextual Functions;Balcony Scene;Early Medieval Literature;Bryan Talbot
Introduction: Hybrid Zones of Transtextual World-Building: Towards the Mezzaterra of Adaptation
Part I: Aesthetics and/as Politics in Hybrid Transtextual Adaptation
Chapter 1 - Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing
Chapter 2 - Joycean Biographics as Hybrid Transmedia Adaptations: World-Building through Biographical Comics
Chapter 3 - Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration
Part II: Repurposing "Classics"
Chapter 4 - Appropriating Biography: The Hybrid 'Face' of Shakespeare in Branagh's All is True
Chapter 5 - Advertising as Adaptation: The Case of Romeo and Juliet
Chapter 6 - Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri
Part III: East-West Adaptation Flows
Chapter 7 - 'Cobra Kai never dies': Rebooting the Karate Kid Franchise for a 21st century YouTube and Netflix Audience
Chapter 8 - Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden
Chapter 9 - Medial Transposition and Imitation in The Handmaiden
Chapter 10 - Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet
Index
Part I: Aesthetics and/as Politics in Hybrid Transtextual Adaptation
Chapter 1 - Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing
Chapter 2 - Joycean Biographics as Hybrid Transmedia Adaptations: World-Building through Biographical Comics
Chapter 3 - Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration
Part II: Repurposing "Classics"
Chapter 4 - Appropriating Biography: The Hybrid 'Face' of Shakespeare in Branagh's All is True
Chapter 5 - Advertising as Adaptation: The Case of Romeo and Juliet
Chapter 6 - Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri
Part III: East-West Adaptation Flows
Chapter 7 - 'Cobra Kai never dies': Rebooting the Karate Kid Franchise for a 21st century YouTube and Netflix Audience
Chapter 8 - Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden
Chapter 9 - Medial Transposition and Imitation in The Handmaiden
Chapter 10 - Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
transtextuality;Hybrid Transtextualities;Transtextual World-Building;Adaptation;Young Man;Adaptation Studies;Tv Series;Intermedial Reference;Karate Kid;Tang Xianzu;Shakespeare's Life;Soul's Departure;Kunqu Performance;Shakespeare's Biography;Ormus Cama;Discrepant Awareness;Wherefore Art Thou Romeo;Biographical Subject;Shakespeare Films;Main Characters;Shakespeare's Wife;Shakespeare's Face;Sixteenth Century Costumes;Simon Palfrey;Ellmann's Biography;Metatextual Functions;Balcony Scene;Early Medieval Literature;Bryan Talbot
