Accenting the Classics: Editing European Music in France, 1915-1925

Introduction

PART I. DURAND AND HIS EDITION CLASSIQUE
1 The Historical Evolution of the Edition Classique
Graham Sadler
2 Charting the Edition: Production Data, Musical Contents and Relationships
Deborah Mawer and Graham Sadler

PART II. COMPOSER-EDITOR CASE STUDIES
3 'De-Germanising' Music Publishing: Dukas's Beethoven in Wartime France
Rachel Moore
4 Mozart as 'Classic' in Early Twentieth-Century France: The Case of Saint-Saens's Mozart Editions
Barbara L. Kelly
5 Making Mendelssohn (More) French: Ravel and Six pieces enfantines
Deborah Mawer
6 Accenting Bach: An Editorial Trajectory from Faure to Roger-Ducasse
Deborah Mawer
7 Repackaging the Old Masters: The Place of Early Keyboard Music in the Edition Classique
Graham Sadler
8 Debussy's Homage to Chopin: as Editor, Performer and Composer
Appendix: Debussy-Chopin entries in the Livres de cotage (1919-90s)
Barbara L. Kelly

PART III. BEYOND EDITING: PEDAGOGY, PERFORMANCE, COMPOSITION
9 The Edition Classique in Action: Pedagogy and Performance
Rachel Moore and Barbara L. Kelly
10 The Edition Classique and French Neoclassicism: L'Ecole moderne as Exemplar
Appendix: Alphabetical tabulation of composers and pieces
Deborah Mawer

Afterword

Select Bibliography
Index

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• Teoria da música e musicologia
• Música opiniões e críticas
• Século 20 e música clássica contemporânea
• Música romântica (desde ~1830 até ~1900)
• Música clássica (desde ~1750 até ~1830)

French Music Publishing; Jacques Durand; Edition Classique; Faure; Saint-Saens; Debussy; Ravel; Dukas; Rameau; Bach; Mozart; Beethoven; Mendelssohn; Schumann; Chopin