ASHE
portes grátis
ASHE
Ritual Poetics in African Diasporic Expression
Harris, Michael; Carter Harrison, Paul; McDaniels III, Pellom
Taylor & Francis Ltd
03/2022
196
Dura
Inglês
9780367464790
15 a 20 dias
576
Descrição não disponível.
EDITORIAL NOTES
Paul Carter Harrison
INTRODUCTION
Theophus "Thee" Smith...THE GLOBALIZATION OF AFRICANA AESTHETICS
PART I: ASHE' CONCEPTUAL FRAME
FRONTSIEPIECE: Wangechi Mutu, Riding Death in my Sleep
Ch 1. Pellom McDaniels....LIKE ECHOS ACROSS THE CONTINUUM: WANGECHI MUTU'S
NEW HORIZONS IN AFRO-COSMOLOGY
Ch 2. Clyde Taylor...SALT PEANUTS: SOUND AND SENSE IN AFRICAN/AMERCAN ORAL/MUSICAL CREATIVY
Ch 3. Rowland Abiodun.........ASHE': THE EMPOWERED WORD MUST COME TO PASS
Ch 4. Maria E. Hamilton Abegunde...SEEING AS A RITUAL FOR A GOOD DEATH: THE SPIRITUAL CONSTRUCTION OF ALAIN GOMIS' FILM, TEY
PART II: ASHE' CULTURAL FRAME
FRONTSIEPIECE: Eric Waters, Medicine Man
Ch 5. Michael D. Harris...........ERIC WATERS: CAPTURING THE CULTURE IN PHOTOS
Ch 6. Michael McMillan...............DUB IN THE FRONT ROOM: MIGRANT AESTHETICS OF
THE SACRED AND SECULAR
Ch 7. Oliver Lee Jackson......SENSIBILITY AND THE AFRICAN CONTINUUM
Ch 8. Marta Moreno Vega..........I WILL NOT BE ERASED
PART III: ASHE' AND ARTS DISCIPLINES
FRONTIESPIECE: Oliver Lee Jackson, UNTITLED (5.21.95)
Ch 9. Paul Carter Harrison.....AESTHETICS OF BEAUTY: IN AN AFRICANA MODE
Ch 10. Michael D. Harris..........UNDONE: BOTTLES, TREES, CHARMS, & FLASHING SPIRITS
Ch 11. Gregory Tate...........BEBOP, HIP HOP AND CONDUCTIVITY
GLOSSARY
Arturo Lindsay........ASHE AT THE CROSSROADS: Aesthetic Criteria, Glossary of Terms, and Bibliography
BIOGRAPHIES
Paul Carter Harrison
INTRODUCTION
Theophus "Thee" Smith...THE GLOBALIZATION OF AFRICANA AESTHETICS
PART I: ASHE' CONCEPTUAL FRAME
FRONTSIEPIECE: Wangechi Mutu, Riding Death in my Sleep
Ch 1. Pellom McDaniels....LIKE ECHOS ACROSS THE CONTINUUM: WANGECHI MUTU'S
NEW HORIZONS IN AFRO-COSMOLOGY
Ch 2. Clyde Taylor...SALT PEANUTS: SOUND AND SENSE IN AFRICAN/AMERCAN ORAL/MUSICAL CREATIVY
Ch 3. Rowland Abiodun.........ASHE': THE EMPOWERED WORD MUST COME TO PASS
Ch 4. Maria E. Hamilton Abegunde...SEEING AS A RITUAL FOR A GOOD DEATH: THE SPIRITUAL CONSTRUCTION OF ALAIN GOMIS' FILM, TEY
PART II: ASHE' CULTURAL FRAME
FRONTSIEPIECE: Eric Waters, Medicine Man
Ch 5. Michael D. Harris...........ERIC WATERS: CAPTURING THE CULTURE IN PHOTOS
Ch 6. Michael McMillan...............DUB IN THE FRONT ROOM: MIGRANT AESTHETICS OF
THE SACRED AND SECULAR
Ch 7. Oliver Lee Jackson......SENSIBILITY AND THE AFRICAN CONTINUUM
Ch 8. Marta Moreno Vega..........I WILL NOT BE ERASED
PART III: ASHE' AND ARTS DISCIPLINES
FRONTIESPIECE: Oliver Lee Jackson, UNTITLED (5.21.95)
Ch 9. Paul Carter Harrison.....AESTHETICS OF BEAUTY: IN AN AFRICANA MODE
Ch 10. Michael D. Harris..........UNDONE: BOTTLES, TREES, CHARMS, & FLASHING SPIRITS
Ch 11. Gregory Tate...........BEBOP, HIP HOP AND CONDUCTIVITY
GLOSSARY
Arturo Lindsay........ASHE AT THE CROSSROADS: Aesthetic Criteria, Glossary of Terms, and Bibliography
BIOGRAPHIES
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;African Art;Wangechi Mutu;Follow;Hold;National Black Theatre;African Traditional Art;African Sensibility;Black Music;Postwar;Peanuts;Priestess;Cowry;Fifteenth Century CE;Bottle Tree;Salt Peanuts;Boom Boom Boom;African Diasporic;Wall Hangings;Hiphop DJ;Responsive Work;St Anns;Louis Art Museum;Caribbean Migrants;African American Oral Tradition
EDITORIAL NOTES
Paul Carter Harrison
INTRODUCTION
Theophus "Thee" Smith...THE GLOBALIZATION OF AFRICANA AESTHETICS
PART I: ASHE' CONCEPTUAL FRAME
FRONTSIEPIECE: Wangechi Mutu, Riding Death in my Sleep
Ch 1. Pellom McDaniels....LIKE ECHOS ACROSS THE CONTINUUM: WANGECHI MUTU'S
NEW HORIZONS IN AFRO-COSMOLOGY
Ch 2. Clyde Taylor...SALT PEANUTS: SOUND AND SENSE IN AFRICAN/AMERCAN ORAL/MUSICAL CREATIVY
Ch 3. Rowland Abiodun.........ASHE': THE EMPOWERED WORD MUST COME TO PASS
Ch 4. Maria E. Hamilton Abegunde...SEEING AS A RITUAL FOR A GOOD DEATH: THE SPIRITUAL CONSTRUCTION OF ALAIN GOMIS' FILM, TEY
PART II: ASHE' CULTURAL FRAME
FRONTSIEPIECE: Eric Waters, Medicine Man
Ch 5. Michael D. Harris...........ERIC WATERS: CAPTURING THE CULTURE IN PHOTOS
Ch 6. Michael McMillan...............DUB IN THE FRONT ROOM: MIGRANT AESTHETICS OF
THE SACRED AND SECULAR
Ch 7. Oliver Lee Jackson......SENSIBILITY AND THE AFRICAN CONTINUUM
Ch 8. Marta Moreno Vega..........I WILL NOT BE ERASED
PART III: ASHE' AND ARTS DISCIPLINES
FRONTIESPIECE: Oliver Lee Jackson, UNTITLED (5.21.95)
Ch 9. Paul Carter Harrison.....AESTHETICS OF BEAUTY: IN AN AFRICANA MODE
Ch 10. Michael D. Harris..........UNDONE: BOTTLES, TREES, CHARMS, & FLASHING SPIRITS
Ch 11. Gregory Tate...........BEBOP, HIP HOP AND CONDUCTIVITY
GLOSSARY
Arturo Lindsay........ASHE AT THE CROSSROADS: Aesthetic Criteria, Glossary of Terms, and Bibliography
BIOGRAPHIES
Paul Carter Harrison
INTRODUCTION
Theophus "Thee" Smith...THE GLOBALIZATION OF AFRICANA AESTHETICS
PART I: ASHE' CONCEPTUAL FRAME
FRONTSIEPIECE: Wangechi Mutu, Riding Death in my Sleep
Ch 1. Pellom McDaniels....LIKE ECHOS ACROSS THE CONTINUUM: WANGECHI MUTU'S
NEW HORIZONS IN AFRO-COSMOLOGY
Ch 2. Clyde Taylor...SALT PEANUTS: SOUND AND SENSE IN AFRICAN/AMERCAN ORAL/MUSICAL CREATIVY
Ch 3. Rowland Abiodun.........ASHE': THE EMPOWERED WORD MUST COME TO PASS
Ch 4. Maria E. Hamilton Abegunde...SEEING AS A RITUAL FOR A GOOD DEATH: THE SPIRITUAL CONSTRUCTION OF ALAIN GOMIS' FILM, TEY
PART II: ASHE' CULTURAL FRAME
FRONTSIEPIECE: Eric Waters, Medicine Man
Ch 5. Michael D. Harris...........ERIC WATERS: CAPTURING THE CULTURE IN PHOTOS
Ch 6. Michael McMillan...............DUB IN THE FRONT ROOM: MIGRANT AESTHETICS OF
THE SACRED AND SECULAR
Ch 7. Oliver Lee Jackson......SENSIBILITY AND THE AFRICAN CONTINUUM
Ch 8. Marta Moreno Vega..........I WILL NOT BE ERASED
PART III: ASHE' AND ARTS DISCIPLINES
FRONTIESPIECE: Oliver Lee Jackson, UNTITLED (5.21.95)
Ch 9. Paul Carter Harrison.....AESTHETICS OF BEAUTY: IN AN AFRICANA MODE
Ch 10. Michael D. Harris..........UNDONE: BOTTLES, TREES, CHARMS, & FLASHING SPIRITS
Ch 11. Gregory Tate...........BEBOP, HIP HOP AND CONDUCTIVITY
GLOSSARY
Arturo Lindsay........ASHE AT THE CROSSROADS: Aesthetic Criteria, Glossary of Terms, and Bibliography
BIOGRAPHIES
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;African Art;Wangechi Mutu;Follow;Hold;National Black Theatre;African Traditional Art;African Sensibility;Black Music;Postwar;Peanuts;Priestess;Cowry;Fifteenth Century CE;Bottle Tree;Salt Peanuts;Boom Boom Boom;African Diasporic;Wall Hangings;Hiphop DJ;Responsive Work;St Anns;Louis Art Museum;Caribbean Migrants;African American Oral Tradition