Victorian Poetry

Preface Acknowledgements Introduction: Re-Reading Victorian Poetry Part 1: Conservative and Benthamite aesthetics of the avant-garde: Tennyson and Browning in the 1830s 1. Two Systems of Concentric Circles 2. Experiments of 1830: Tennyson and the formation of subversive, conservative poetry 3. 1832: Critique of the Poetry of Sensation 4. Experiments in the 1830s: Browning and the Benthamite formation 5. The Politics of Dramatic Form Part 2: Mid-century: European revolution and Crimean war - democratic, liberal, radical and feminine voices 6. Individualism Under Pressure 7. The Radical in Crisis: Clough 8. The Liberal in Crisis: Arnold 9. A New Radical Aesthetic - the Grotesque as cultural critique: Morris 10. Tennyson in the 1850s: New experiments in conservative poetry and the Type 11. Browning in the 1850s and After: New experiments in radical poetry and the Grotesque 12. A Music of Thine Own': Women's poetry - an expressive tradition? Part 3: Another Culture? Another Poetics? Introduction: the 1860s and After: aesthetics, language, power and high finance 13. Swinburne: Agonistic Republican - the poetry of sensation as democratic critique 14. Hopkins: Agonistic Reactionary - the Grotesque as conservative form 15. Meredith and Others: Hard, gem-like dissidence 16. James Thomson: Atheist, Blasphemer and Anarchist - the Grotesque sublime 17. Alternative Fin de Siecles: Rudyard Kipling, Michael Field, Thomas Hardy and Alice Meynell Postscript Afterword Bibliography

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• Estudos literários: c 1800 a c 1900
• Estudos literários: poesia e poetas