Typophoto
Typophoto
New Typography and the Reinvention of Photography
Brier, Jessica D.
University of Minnesota Press
04/2025
288
Dura
9781517918224
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Contents
Introduction: The Photo-Typographer
1. Photographic Language: A Genealogy of Typophoto, 1923-1928
2. The Motivation of Form: Defining Legibility in Perceptual Psychology
3. Typophoto and the New Photomontage, 1928-1933
4. Too Much and Too Little: Photographic Halftones, Bare and Retouched
5. Typophoto and the Professionalization of Graphic Design: Munich Meisterschule fuer Deutschlands Buchdrucker, 1927-1932
Epilogue: Halftone Effects
Acknowledgments
Notes
Index
Introduction: The Photo-Typographer
1. Photographic Language: A Genealogy of Typophoto, 1923-1928
2. The Motivation of Form: Defining Legibility in Perceptual Psychology
3. Typophoto and the New Photomontage, 1928-1933
4. Too Much and Too Little: Photographic Halftones, Bare and Retouched
5. Typophoto and the Professionalization of Graphic Design: Munich Meisterschule fuer Deutschlands Buchdrucker, 1927-1932
Epilogue: Halftone Effects
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
History of photography; graphic design; optics; Weimar Germany; New Typography; modernism; avantgarde design; photomontage; history of psychology; advertising history and theory; color theory; history of printing; halftone; media theory; Bauhaus; Laszlo Moholy-Nagy; interwar culture; Jan Tschichold; moire pattern
Contents
Introduction: The Photo-Typographer
1. Photographic Language: A Genealogy of Typophoto, 1923-1928
2. The Motivation of Form: Defining Legibility in Perceptual Psychology
3. Typophoto and the New Photomontage, 1928-1933
4. Too Much and Too Little: Photographic Halftones, Bare and Retouched
5. Typophoto and the Professionalization of Graphic Design: Munich Meisterschule fuer Deutschlands Buchdrucker, 1927-1932
Epilogue: Halftone Effects
Acknowledgments
Notes
Index
Introduction: The Photo-Typographer
1. Photographic Language: A Genealogy of Typophoto, 1923-1928
2. The Motivation of Form: Defining Legibility in Perceptual Psychology
3. Typophoto and the New Photomontage, 1928-1933
4. Too Much and Too Little: Photographic Halftones, Bare and Retouched
5. Typophoto and the Professionalization of Graphic Design: Munich Meisterschule fuer Deutschlands Buchdrucker, 1927-1932
Epilogue: Halftone Effects
Acknowledgments
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
History of photography; graphic design; optics; Weimar Germany; New Typography; modernism; avantgarde design; photomontage; history of psychology; advertising history and theory; color theory; history of printing; halftone; media theory; Bauhaus; Laszlo Moholy-Nagy; interwar culture; Jan Tschichold; moire pattern