Transnational Musicians
portes grátis
Transnational Musicians
Precariousness, Ethnicity and Gender in the Creative Industry
Kowalczyk, Beata M.
Taylor & Francis Ltd
08/2022
192
Mole
Inglês
9780367692001
15 a 20 dias
294
Descrição não disponível.
Introduction
1. Theoretical and Methodological Approach
2. Positioning Japanese Classical Music within the Global Hierarchy of Value
3. The Plight of Musician in Japan
4. Studying Classical Music in its 'Birthplace': The Japanese go to Europe
5. Music Knows No Borders? Crisscrossing French, Polish and Japanese Music Milieus
6. Japanese Classical Musicians: Between Professional Satisfaction and Frustration
Concluding Remarks: Transnationality as a 'Liminal status quo'
1. Theoretical and Methodological Approach
2. Positioning Japanese Classical Music within the Global Hierarchy of Value
3. The Plight of Musician in Japan
4. Studying Classical Music in its 'Birthplace': The Japanese go to Europe
5. Music Knows No Borders? Crisscrossing French, Polish and Japanese Music Milieus
6. Japanese Classical Musicians: Between Professional Satisfaction and Frustration
Concluding Remarks: Transnationality as a 'Liminal status quo'
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Japanese Music;Transnational Musicians;Chopin;Classical musicianship;Classical Music;Ethnocultural affiliation;Music Education;Japanese artists;Classical Music Profession;Postcolonialism;Female Pianist;Middling Migrants;Fryderyk Chopin;Transnational Career;Young Man;Chopin's Music;Music Milieu;Female Musicians;Classical Music Sector;Japanese Classical Musicians;CCI;Classical Music Industry;Transnational Music;Male Musicians;High Individualisation;Stay Permit;Precarious Labour Conditions;Institutionalised Cultural Capitals;Held;Unstable
Introduction
1. Theoretical and Methodological Approach
2. Positioning Japanese Classical Music within the Global Hierarchy of Value
3. The Plight of Musician in Japan
4. Studying Classical Music in its 'Birthplace': The Japanese go to Europe
5. Music Knows No Borders? Crisscrossing French, Polish and Japanese Music Milieus
6. Japanese Classical Musicians: Between Professional Satisfaction and Frustration
Concluding Remarks: Transnationality as a 'Liminal status quo'
1. Theoretical and Methodological Approach
2. Positioning Japanese Classical Music within the Global Hierarchy of Value
3. The Plight of Musician in Japan
4. Studying Classical Music in its 'Birthplace': The Japanese go to Europe
5. Music Knows No Borders? Crisscrossing French, Polish and Japanese Music Milieus
6. Japanese Classical Musicians: Between Professional Satisfaction and Frustration
Concluding Remarks: Transnationality as a 'Liminal status quo'
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Japanese Music;Transnational Musicians;Chopin;Classical musicianship;Classical Music;Ethnocultural affiliation;Music Education;Japanese artists;Classical Music Profession;Postcolonialism;Female Pianist;Middling Migrants;Fryderyk Chopin;Transnational Career;Young Man;Chopin's Music;Music Milieu;Female Musicians;Classical Music Sector;Japanese Classical Musicians;CCI;Classical Music Industry;Transnational Music;Male Musicians;High Individualisation;Stay Permit;Precarious Labour Conditions;Institutionalised Cultural Capitals;Held;Unstable
