Routledge Companion to Gender and Sexuality in Comic Book Studies

Part I: Interrogating Restrictive Frames; Chapter 1: Translating Masculinity: The Significance of the Frontier in American Superheroes; Chapter 2: Black Boys and Black Girls in Comics: An Affective and Historical Mapping of Intertwined Stereotypes; Chapter 3: Pocket-Sized Pornography: Representations of Sexual Violence and Masculinity in Tijuana Bibles; Chapter 4: The Comic Strip in Advertising: Persuasion, Gender, Sexuality; Chapter 5: Real Men Choose Vasectomy: Questioning and Redefining Mexican National Masculinity in Los Supermachos, from Rius to Anonymous Authors; Chapter 6: Marriage, Domesticity and Superheroes (For Better or Worse); Chapter 7: "Is that a monster between your legs or are ya just happy to see me?": Sex, Subjectivity, and the Superbody in the Marvel Swimsuit Special; Part II: Ethnoracial Queer and Feminist Space Clearing Gestures; Chapter 8: Life Out Loud in the Closet: The Grotesque as Latinx Imagination in Cristy C. Road's Spit and Passion; Chapter 9: Graphic (Narrative) Presentations of Violence Against Indigenous Women: Responses to the MMIW Crisis in North America; Chapter 10: From "Accidental" Autobiography to Comics Activism: Tracing the Development of an Andalusian-Chinese Feminism in the Work of Comics Artist Quan Zhou; Chapter 11: Plea Deal Compounds: Black Women's Anger in "the System" of Bitch Planet; Part III: Back to the Future; Chapter 12: Panels of Innocence and Experience: Reading Sexual Subjectivity Through Horror Comics ; Chapter 13: Teenage Biology 101: Serializing a Queer Girlhood in Ariel Schrag's Potential; Chapter 14: Genre, Gender, Sexual, Textual and Visual, and Real Representations in Bande Dessinee; Chapter 15: A Comics Ecriture Feminine: Anke Feuchtenberger's Feminist Graphic Expression; Chapter 16: "I'm Trapped In Here!" Gender Performativity and Affect in Emma Rios's I.D.; Chapter 17: Empirical Looking: Situating the Multiple Elements of Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout as Vehicles for Articulating a Place for Women in Science; Part IV: Counterpublics; Chapter 18: From Anodyne Animals to Filthy Beasts: Defying and Defiling Safety, Sanctity, and Sexual Suppression in Underground Animal Comics; Chapter 19: Wonder Woman's Complicated Relationship with Feminism; Chapter 20: "Part of Something Bigger": Ms./Captain Marvel; Chapter 21: Higher, Further, Faster Baby! The Feminist Evolution of Carol Danvers from Comics to Film; Chapter 22: Female Fans, Female Creators, and Female Superheroes: The Semiotics of Changing Gender Dynamics; Chapter 23: Public-Facing Feminisms: Subverting the Lettercol in Bitch Planet; Chapter 24: "I'd Like Everything That's Bad For Me!": Tank Girl's Cracks in Patriarchal Pop Culture; Chapter 25: Falling In Stepping Out: Little Red Formation as Agentic Gender Construction in Lumberjanes; Part V: Worldly Interventions; Chapter 26: "A Revelation Not of the Flesh, but of the Mind": Performing Queer Textuality in Alison Bechdel's Fun Home; Chapter 27: BLOOD, or: Gender and Nation in the Contemporary Polish Comic; Chapter 28: My Grandmother Collects Memories: Gender and Remembrance in Hispanic Graphic Narratives; Chapter 29: Feminist Riots and Gay Giants: The Mayo Feminista and Cultural Context of Contemporary Queer Chilean Comics; Chapter 30: Questioning Obscenity: The Place of "Pussy" in Manga and the World; Chapter 31: See Him, See Her, See Xir: LGBTQ Visibility in Shonen Manga at the Turn of the Century; Chapter 32: An Age of Sparkle and Drama: Exploring Gender Identities and Cultural Narratives in 1970s Shojo Manga; Part VI: Queer and Feminist Intermedial Textures; Chapter 33: Representing the Extreme End-point of Sexual Violence: Ethical Strategies in Phoebe Gloeckner's La Tristeza; Chapter 34: The People Upstairs: Space, Memory, and the Queered Family in My Favorite Thing Is Monsters by Emil Ferris; Chapter 35: Fat Bats, Postpunks, and Ice Witches: Afrogoth and the Undead Music of Militia Vox and the Comix of Calyn Pickens Rich; Chapter 36: Catherine Meurisse and the Gender of Art; Chapter 37: My Life With Toys: An Academic Esai into the Queer Multipurposing of Toys as Interrupted by the Author's Life; Chapter 38: "Bobby...You're Gay": Marvel's Iceman, Performativity, Continuity, and Queer Visibility

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• O feminismo e teoria feminista
• Estudos de gênero: homens
• Artes: temas gerais
• Humanidades
• Estudos literários: geral
• Estudos de gênero: as mulheres
• Cultura popular
• Sociologia

Graphic Narratives;Young Man;Graphic Novels;Superhero Comics;feminist comics;Captain Marvel;queer comics;Female Superheroes;Manga;Superhero Genre;Fandoms;Alison Bechdel's Fun Home;Comix;Angry Black Woman Stereotype;underground memoir;Graphic Memoir;comic book creators;Amazing Spider Man;comics studies;Main Character;sexuality;Tijuana Bible;hegemonic masculinity;Male Superheroes;gender;Captain America;LGBTQ Character;Alison Bechdel;Tank Girl;Kiki De Montparnasse;Dragon Ball;Superhero Films;Sequential Art;Dark Knight Rises;Social Justice Warriors;Astro Boy