Original Portrayal of Mozart's Don Giovanni
portes grátis
Original Portrayal of Mozart's Don Giovanni
Schneider, Magnus Tessing
Taylor & Francis Ltd
11/2021
246
Dura
Inglês
9780367243203
15 a 20 dias
489
Descrição não disponível.
Introduction
Rewriting the myth of Don Juan
The demonising of Don Giovanni: A historical overview
Chapter 1: Luigi Bassi as Don Giovanni
The singer and his role
Intention and experience: Prescriptive and descriptive sources
The performer as a phenomenon
Grace and gallantry: Bassi's portrayal
Performance traditions: Italians and Germans
Chapter 2: The opening scene
Chapter 3: Don Giovanni and the three women
Donna Elvira's entrance aria
The duettino
The quartet and Donna Anna's narration
Chapter 4: The party episode
The champagne aria
The garden scene
The ballroom scene
Chapter 5: The disguise episode
The first duet with Leporello
The trio
The canzonetta
The disguise aria
Chapter 6: The graveyard scene
Chapter 7: The second finale
The supper
The last encounter with Donna Elvira
Don Giovanni and the stone guest
The final scene
Postscript: In defence of the operatic work
Bibliography
Rewriting the myth of Don Juan
The demonising of Don Giovanni: A historical overview
Chapter 1: Luigi Bassi as Don Giovanni
The singer and his role
Intention and experience: Prescriptive and descriptive sources
The performer as a phenomenon
Grace and gallantry: Bassi's portrayal
Performance traditions: Italians and Germans
Chapter 2: The opening scene
Chapter 3: Don Giovanni and the three women
Donna Elvira's entrance aria
The duettino
The quartet and Donna Anna's narration
Chapter 4: The party episode
The champagne aria
The garden scene
The ballroom scene
Chapter 5: The disguise episode
The first duet with Leporello
The trio
The canzonetta
The disguise aria
Chapter 6: The graveyard scene
Chapter 7: The second finale
The supper
The last encounter with Donna Elvira
Don Giovanni and the stone guest
The final scene
Postscript: In defence of the operatic work
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Wolfgang Amadeus Mozart;Mozart's Don Giovanni;Mozart;Da Ponte's Libretto;Da Ponte;Stone Guest;Luigi Bassi;Don Ottavio;German reception;Tirso's Play;performance history;Max Slevogt;adaptation;Graveyard Scene;translation;Viennese;criticism;German Language Production;stage production;Young Man;dramatury;Una Cosa Rara;enlightenment;Catalogue Aria;morality;Allgemeine Musikalische Zeitung;Opera Studies;Moliere;Theatre and Performance Studies;Allegro;Music History;Mozart's Opera;Magnus Tessing Schneider;Goldoni's Play;Ashgate Interdisciplinary Studies in Opera;Losey Film;Richard III;Mozart's Setting;Wo;Ballroom Scene;Supper Scene;Karl Moor
Introduction
Rewriting the myth of Don Juan
The demonising of Don Giovanni: A historical overview
Chapter 1: Luigi Bassi as Don Giovanni
The singer and his role
Intention and experience: Prescriptive and descriptive sources
The performer as a phenomenon
Grace and gallantry: Bassi's portrayal
Performance traditions: Italians and Germans
Chapter 2: The opening scene
Chapter 3: Don Giovanni and the three women
Donna Elvira's entrance aria
The duettino
The quartet and Donna Anna's narration
Chapter 4: The party episode
The champagne aria
The garden scene
The ballroom scene
Chapter 5: The disguise episode
The first duet with Leporello
The trio
The canzonetta
The disguise aria
Chapter 6: The graveyard scene
Chapter 7: The second finale
The supper
The last encounter with Donna Elvira
Don Giovanni and the stone guest
The final scene
Postscript: In defence of the operatic work
Bibliography
Rewriting the myth of Don Juan
The demonising of Don Giovanni: A historical overview
Chapter 1: Luigi Bassi as Don Giovanni
The singer and his role
Intention and experience: Prescriptive and descriptive sources
The performer as a phenomenon
Grace and gallantry: Bassi's portrayal
Performance traditions: Italians and Germans
Chapter 2: The opening scene
Chapter 3: Don Giovanni and the three women
Donna Elvira's entrance aria
The duettino
The quartet and Donna Anna's narration
Chapter 4: The party episode
The champagne aria
The garden scene
The ballroom scene
Chapter 5: The disguise episode
The first duet with Leporello
The trio
The canzonetta
The disguise aria
Chapter 6: The graveyard scene
Chapter 7: The second finale
The supper
The last encounter with Donna Elvira
Don Giovanni and the stone guest
The final scene
Postscript: In defence of the operatic work
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Wolfgang Amadeus Mozart;Mozart's Don Giovanni;Mozart;Da Ponte's Libretto;Da Ponte;Stone Guest;Luigi Bassi;Don Ottavio;German reception;Tirso's Play;performance history;Max Slevogt;adaptation;Graveyard Scene;translation;Viennese;criticism;German Language Production;stage production;Young Man;dramatury;Una Cosa Rara;enlightenment;Catalogue Aria;morality;Allgemeine Musikalische Zeitung;Opera Studies;Moliere;Theatre and Performance Studies;Allegro;Music History;Mozart's Opera;Magnus Tessing Schneider;Goldoni's Play;Ashgate Interdisciplinary Studies in Opera;Losey Film;Richard III;Mozart's Setting;Wo;Ballroom Scene;Supper Scene;Karl Moor
