Media Swirl
portes grátis
Media Swirl
Politics, Audiovisuality, and Aesthetics
Vernallis, Carol
Duke University Press
03/2023
464
Dura
Inglês
9781478016427
15 a 20 dias
572
Descrição não disponível.
Acknowledgments xi
A Note on the Cover xiii
Introduction 1
I. Post-Classical Cinema at the Limit
1. Partying in The Great Gatsby: Baz Luhrmann's Audovisual Sublime 27
2. Shattered Pleasures: Michael Bay's Transformers: Age of Extinction 48
II. Music Video and the Art-Video Border
3. Beyonce's Overwhelming Opus; or, the Past and Future of Music Video 71
4. Avant-Gardists and the Lure of Pop Music 97
5. Beyonce's Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122
6. Tracing the Carters through the Galleries: "APES**T/APESHIT" and the Louvre 138
7. Storytelling on the Ledge: Lady Gaga and Jonas Akerlund's "Paparazzi" 154
III. Music Video's Late Late Style
8. How to Analyze Music Videos: Beyonce and Melina Matsoukas's "Pretty Hurts" 175
9. Dave Meyer's Moments of Audiovisual Bliss 196
10. Janelle Monae's "You Make Me Feel" and Anderson.Paak with Kendrick Lamar's "Tints": Getting Up in My [Rearview] Mirror 211
IV. Audiovisual Aesthetics Online
11. Who Needs Music Documentaries When There's TikTok and Carpool Karaoke? 231
12. TikTok and Costume-Drama Mashups on YouTube 247
V. New Modes of Analysis: Industry
13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265
14. Music Video Directors, Production Houses, and the Media Swirl 290
VI. New Modes of Analysis: Neuroscience
15. Music Video's Multisensory 307
16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319
VII. New Modes of Analysis: Politics and Vernacular Culture
17. New Technologies, Social Justice, and the Future in Beyonce's Audiovisual Albums 335
18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356
Afterword 369
Notes 373
Bibliography 403
Index 429
A Note on the Cover xiii
Introduction 1
I. Post-Classical Cinema at the Limit
1. Partying in The Great Gatsby: Baz Luhrmann's Audovisual Sublime 27
2. Shattered Pleasures: Michael Bay's Transformers: Age of Extinction 48
II. Music Video and the Art-Video Border
3. Beyonce's Overwhelming Opus; or, the Past and Future of Music Video 71
4. Avant-Gardists and the Lure of Pop Music 97
5. Beyonce's Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122
6. Tracing the Carters through the Galleries: "APES**T/APESHIT" and the Louvre 138
7. Storytelling on the Ledge: Lady Gaga and Jonas Akerlund's "Paparazzi" 154
III. Music Video's Late Late Style
8. How to Analyze Music Videos: Beyonce and Melina Matsoukas's "Pretty Hurts" 175
9. Dave Meyer's Moments of Audiovisual Bliss 196
10. Janelle Monae's "You Make Me Feel" and Anderson.Paak with Kendrick Lamar's "Tints": Getting Up in My [Rearview] Mirror 211
IV. Audiovisual Aesthetics Online
11. Who Needs Music Documentaries When There's TikTok and Carpool Karaoke? 231
12. TikTok and Costume-Drama Mashups on YouTube 247
V. New Modes of Analysis: Industry
13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265
14. Music Video Directors, Production Houses, and the Media Swirl 290
VI. New Modes of Analysis: Neuroscience
15. Music Video's Multisensory 307
16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319
VII. New Modes of Analysis: Politics and Vernacular Culture
17. New Technologies, Social Justice, and the Future in Beyonce's Audiovisual Albums 335
18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356
Afterword 369
Notes 373
Bibliography 403
Index 429
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Acknowledgments xi
A Note on the Cover xiii
Introduction 1
I. Post-Classical Cinema at the Limit
1. Partying in The Great Gatsby: Baz Luhrmann's Audovisual Sublime 27
2. Shattered Pleasures: Michael Bay's Transformers: Age of Extinction 48
II. Music Video and the Art-Video Border
3. Beyonce's Overwhelming Opus; or, the Past and Future of Music Video 71
4. Avant-Gardists and the Lure of Pop Music 97
5. Beyonce's Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122
6. Tracing the Carters through the Galleries: "APES**T/APESHIT" and the Louvre 138
7. Storytelling on the Ledge: Lady Gaga and Jonas Akerlund's "Paparazzi" 154
III. Music Video's Late Late Style
8. How to Analyze Music Videos: Beyonce and Melina Matsoukas's "Pretty Hurts" 175
9. Dave Meyer's Moments of Audiovisual Bliss 196
10. Janelle Monae's "You Make Me Feel" and Anderson.Paak with Kendrick Lamar's "Tints": Getting Up in My [Rearview] Mirror 211
IV. Audiovisual Aesthetics Online
11. Who Needs Music Documentaries When There's TikTok and Carpool Karaoke? 231
12. TikTok and Costume-Drama Mashups on YouTube 247
V. New Modes of Analysis: Industry
13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265
14. Music Video Directors, Production Houses, and the Media Swirl 290
VI. New Modes of Analysis: Neuroscience
15. Music Video's Multisensory 307
16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319
VII. New Modes of Analysis: Politics and Vernacular Culture
17. New Technologies, Social Justice, and the Future in Beyonce's Audiovisual Albums 335
18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356
Afterword 369
Notes 373
Bibliography 403
Index 429
A Note on the Cover xiii
Introduction 1
I. Post-Classical Cinema at the Limit
1. Partying in The Great Gatsby: Baz Luhrmann's Audovisual Sublime 27
2. Shattered Pleasures: Michael Bay's Transformers: Age of Extinction 48
II. Music Video and the Art-Video Border
3. Beyonce's Overwhelming Opus; or, the Past and Future of Music Video 71
4. Avant-Gardists and the Lure of Pop Music 97
5. Beyonce's Lemonade: She Dreams in Both Worlds (Carol Vernallis, Lisa Perrot, and Holly Rogers) 122
6. Tracing the Carters through the Galleries: "APES**T/APESHIT" and the Louvre 138
7. Storytelling on the Ledge: Lady Gaga and Jonas Akerlund's "Paparazzi" 154
III. Music Video's Late Late Style
8. How to Analyze Music Videos: Beyonce and Melina Matsoukas's "Pretty Hurts" 175
9. Dave Meyer's Moments of Audiovisual Bliss 196
10. Janelle Monae's "You Make Me Feel" and Anderson.Paak with Kendrick Lamar's "Tints": Getting Up in My [Rearview] Mirror 211
IV. Audiovisual Aesthetics Online
11. Who Needs Music Documentaries When There's TikTok and Carpool Karaoke? 231
12. TikTok and Costume-Drama Mashups on YouTube 247
V. New Modes of Analysis: Industry
13. The Art of Color Grading (Carol Vernallis, Jonathan Leal, Eric Weldt, and Aubrey Woodiwiss) 265
14. Music Video Directors, Production Houses, and the Media Swirl 290
VI. New Modes of Analysis: Neuroscience
15. Music Video's Multisensory 307
16. Tracing the Asset: Humanistic and Quantitative Approaches to Cybercrime Film Trailers (Snowden and Bourne) 319
VII. New Modes of Analysis: Politics and Vernacular Culture
17. New Technologies, Social Justice, and the Future in Beyonce's Audiovisual Albums 335
18. Fox News, COVID-19, Brief Media Aesthetics, and Historical Resonances 356
Afterword 369
Notes 373
Bibliography 403
Index 429
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
