Lively Arts of the London Stage, 1675?1725
portes grátis
Lively Arts of the London Stage, 1675?1725
Lowerre, Kathryn
Taylor & Francis Ltd
10/2024
324
Mole
9781032922003
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Contents: Introduction. Part I First, Music: Settings of Congreve's Judgment of Paris: The singers of The Judgment of Paris, Olive Baldwin and Thelma Wilson; Harmonia Anglicana or why finger failed in 'the price musick', Robert Rawson; The 'prize musick' of 1701: a reinvestigation of the staging issue, Matt Robertson. Part II Mainpiece: The Lively Arts of the London Stage: Composing after the Italian manner: the English cantata 1700-1710, Jennifer Cable; Johann Pepusch, aesthetics, and the sister arts, Sean M. Parr; From Scaramouche to Harlequin: dances 'in grotesque characters' on the London stage, Jennifer Thorp; Music, magic, and morality: stage reform and the pastoral mode, Timothy Neufeldt; Madness 'free from vice': musical eroticism in the pastoral world of The Fickle Shepherdess, Amanda Eubanks Winkler; 'Let all be husht': songs in praise of Anne Bracegirdle and Arabella Hunt, Anthony Rooley; Burning and stoic men: mad rants and the performance of passionate pain in the plays of Nathaniel Lee, 1674 to1678, Jennifer Renee Danby; Appreciating Bononcini's Astianatte (1727): an Italian opera for the London stage, Suzana OgrajenA!ek. Part III Afterpiece: Comedy, Farce, and Competition: The right to write; or, Colley Cibber and The Drury-Lane Monster, Melissa Bloom Bissonette; 'Quotation is the sincerest form of ...'?: signature songs as inter-theatrical references, Kathryn Lowerre. Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Anne Bracegirdle;lincolns;Lincoln's Inn Fields;inn;Drury Lane;fields;Lincoln's Inn Field Theatre;anne;Virgin Prophetess;bracegirdle;Richard Leveridge;gottfried;Act III;finger;Young Man;drury;Colley Cibber;lane;Dorset Garden Theatre;daniel;Dramatic Opera;Breeches Role;Roger North;Rival Queens;Gottfried Finger;Faustina Bordoni;William Congreve;Congreve;Finger's Setting;Early Eighteenth Century Londoners;English Cantata;Francesca Cuzzoni;Racine's Andromaque;Talk Of The Town;Hester Santlow
Contents: Introduction. Part I First, Music: Settings of Congreve's Judgment of Paris: The singers of The Judgment of Paris, Olive Baldwin and Thelma Wilson; Harmonia Anglicana or why finger failed in 'the price musick', Robert Rawson; The 'prize musick' of 1701: a reinvestigation of the staging issue, Matt Robertson. Part II Mainpiece: The Lively Arts of the London Stage: Composing after the Italian manner: the English cantata 1700-1710, Jennifer Cable; Johann Pepusch, aesthetics, and the sister arts, Sean M. Parr; From Scaramouche to Harlequin: dances 'in grotesque characters' on the London stage, Jennifer Thorp; Music, magic, and morality: stage reform and the pastoral mode, Timothy Neufeldt; Madness 'free from vice': musical eroticism in the pastoral world of The Fickle Shepherdess, Amanda Eubanks Winkler; 'Let all be husht': songs in praise of Anne Bracegirdle and Arabella Hunt, Anthony Rooley; Burning and stoic men: mad rants and the performance of passionate pain in the plays of Nathaniel Lee, 1674 to1678, Jennifer Renee Danby; Appreciating Bononcini's Astianatte (1727): an Italian opera for the London stage, Suzana OgrajenA!ek. Part III Afterpiece: Comedy, Farce, and Competition: The right to write; or, Colley Cibber and The Drury-Lane Monster, Melissa Bloom Bissonette; 'Quotation is the sincerest form of ...'?: signature songs as inter-theatrical references, Kathryn Lowerre. Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Anne Bracegirdle;lincolns;Lincoln's Inn Fields;inn;Drury Lane;fields;Lincoln's Inn Field Theatre;anne;Virgin Prophetess;bracegirdle;Richard Leveridge;gottfried;Act III;finger;Young Man;drury;Colley Cibber;lane;Dorset Garden Theatre;daniel;Dramatic Opera;Breeches Role;Roger North;Rival Queens;Gottfried Finger;Faustina Bordoni;William Congreve;Congreve;Finger's Setting;Early Eighteenth Century Londoners;English Cantata;Francesca Cuzzoni;Racine's Andromaque;Talk Of The Town;Hester Santlow
