Eurovision Song Contest as a Cultural Phenomenon

Eurovision Song Contest as a Cultural Phenomenon

From Concert Halls to the Halls of Academia

Vuletic, Dean; Obregon, Antonio; Dubin, Adam

Taylor & Francis Ltd

08/2024

276

Mole

9781032037752

15 a 20 dias

Descrição não disponível.
Part I From Lugano to the Classroom: The ESC and Academia; 1. The Grand Tour: The Origins of the ESC as a Cultural Phenomenon; 2. The Eurovision Song Contest: An Academic Phenomenon; 3. A Human Rights-Based Analysis of the Eurovision Song Contest and the European Broadcasting Union; Part II From Past to Present: History, Politics and Society; 4. The Mythology of Song Contests; 5. Teaching European History and Memory through Eurovision During the Covid-19 Pandemic; 6. A March for Power: The Variety of Political Programs on the Eurovision Stage; 7. The Molitva Factor: Eurovision and 'Performing' National Identity in World Politics; 8. A Critical Pedagogical Eurovision Euphoria: The Potential of the Eurovision Song Contest to Promote Values Propagated by the European Union within Formal Learning Contexts; 9. Sharing Values in the Eurovision Song Contest and OTI Festival: The Moral Fourth Person in the Lyrics of the Winning Songs; 10. Eurovision in the Boardroom: What Does Voting Order Tell Us About Decision Making?; Part III From Stage to Screen: Film, Media, and Music; 11. High, Low, and Participatory: The Eurovision Song Contest and Cultural Studies; 12. Queer Camp Against Franco: Ivan Zulueta's Eurovision Song Contest Parody Un Dos Tres; 13. The Eurovision Song Contest and European Television History: Continuity, Adaptation, Experimentation; 14. From Trouble to Bubble? The Ambiguous Relationship between Professional Journalists and Fan Media in the Eurovision Song Contest; 15. Domesticity, Mass Media, and Moving-Image Aesthetics: The Visual Identity of the Eurovision Song Contest as a Hospitable Platform; 16. Armchair Researchers: Modes of Ethnographic Research for Understanding and Experiencing Eurovision; 17. Between Concepts and Behaviors: The Eurovision Song Contest and Ethnomusicology
Eurovision Song Contest;Eurovision 2022;Eurovision Song Contest 2022;Eurovision;Modern European History;International Relations;Human Rights;Non-State Actor Liability;Big Data;Mythology;Theatre Scenery;Susan Sontag;Walter Benjamin;Eurovision European Identity;European Values;European Pop Culture;Multidisciplinary Studies;European Pop Culture Eurovision;Eurovision European Values;Eurovision Contest;European Broadcasting Union Eurovision;EBU Eurovision;EU Eurovision;European Union Eurovision;ESC;ESC 2022;European History Memory Eurovision;European History Eurovision;European Memory Eurovision;Political Programs Eurovision;Politics Eurovision;European Politics Eurovision;National Identity Eurovision;Eurovision Cultural Studies;Eurovision European Culture;European Television History Eurovision;European Television Eurovision;Fan Media Eurovision;Fan Media ESC;Fan Culture Eurovision;Eurovision Ethnomusicology;West Germany;IBA;Pop Folk Music;ESC Entry;LGBTQ Visibility;EBU;Professional Juries;Eurovision Network;Political Platform;Jury Vote;Violate;LGBTQ Right;Winning Songs;Wolfgang Amadeus Mozart;EBU Member;Bobi Wine;Turbo Folk;Musical Person;Azerbaijani Government;Italian Popular Music;Marina De;Leftist Radical Party;Sertab Erener