Chemistry and Mechanism of Art Materials
portes grátis
Chemistry and Mechanism of Art Materials
Unsuspected Properties and Outcomes
Malin, Michael J.
Taylor & Francis Ltd
12/2021
172
Mole
Inglês
9780367513450
15 a 20 dias
370
Descrição não disponível.
Chapter 1 Essential Concepts
Chemical Bonding, Solubility, Properties of Solids,
Hard and Soft Acids and Bases
Oxidation-Reduction
Chemical Reaction Mechanisms
Experimental Methods Used to Characterize Works of Art
Chapter 2 Preparation of Inorganic Pigments
Introduction
Black Pigments
Antimony Black
Carbon Blacks
Cobalt Black
Iron Oxide, Magnetite
Manganese Black
Blue Pigments
Azurite
Cerulean Blue
Egyptian Blue
Prussian Blue
Smalt
Ultramarine
Verdigris
Brown Pigments
Iron (III) Oxide Pigments
Lead Dioxide
Green Pigments
Chromium Oxide
Hydrated Chromium Oxide, Viridian
Malachite, see Azurite
Paris Green
Verdigris
Red Pigments
?-Cinnabar and Vermilion
Red Lead
Iron (III) Oxide, Hematite
?-Realgar, see Orpiment
Violet Pigments
Pigment Violet 14
White Pigments
Antimony White
Barium White
Lithopone
Titanium White
White Lead
Zinc White
Zinc Sulfide
Yellow Pigments
Bismuth Vanadate
Cadmium Pigments
Cobalt Yellow
Iron (III) Oxide
Lead Chromate
Lead Tin Yellow type I
Lead Tin Yellow type II
Lead Monoxide, Litharge and Massicot
Lead Tin Antimonate, Naples Yellow
Orpiment
Titanium Yellow
Chapter 3 Silica, Silicates and Aluminosilicates
Introduction
Silica
Silicates
Pigment-Silicate Interactions
Pottery Glazes
Aluminosilicates
Chapter 4 Discoloration Stories
Introduction
Smalt
Red Lead
Realgar
Cinnabar
Hematite
Chrome Yellow
Silverpoint
Cadmium Yellow
Blackening of Pigments by H2S
Ultramarine
Azurite and Malachite
Medieval Pigments
Chapter 5 Toxicology of Art Materials
Introduction
Organics
Methylene Chloride
Carbon Tetrachloride
Trichloroethylene
n-Hexane
N-Methylpyrrolidone
Diisocyanates
Alcohols, Glycols and Glycol Ethers
Mineral Spirits
Inorganics
Lead
Zinc, Cadmium and Mercury Familial Properties
Cadmium
Mercury
Silver
Arsenic
Chromium
Chapter 6 Ageing of Oil Paint
Oxidative Degradation of Oil Binder
Metal Soap formation
Chapter 7 Ageing of Wall Paintings
Secco and Fresco methods
Reversal of Sulfation
Deposition of Water Soluble Salts
Degradation of Oil Binder
Chemical Bonding, Solubility, Properties of Solids,
Hard and Soft Acids and Bases
Oxidation-Reduction
Chemical Reaction Mechanisms
Experimental Methods Used to Characterize Works of Art
Chapter 2 Preparation of Inorganic Pigments
Introduction
Black Pigments
Antimony Black
Carbon Blacks
Cobalt Black
Iron Oxide, Magnetite
Manganese Black
Blue Pigments
Azurite
Cerulean Blue
Egyptian Blue
Prussian Blue
Smalt
Ultramarine
Verdigris
Brown Pigments
Iron (III) Oxide Pigments
Lead Dioxide
Green Pigments
Chromium Oxide
Hydrated Chromium Oxide, Viridian
Malachite, see Azurite
Paris Green
Verdigris
Red Pigments
?-Cinnabar and Vermilion
Red Lead
Iron (III) Oxide, Hematite
?-Realgar, see Orpiment
Violet Pigments
Pigment Violet 14
White Pigments
Antimony White
Barium White
Lithopone
Titanium White
White Lead
Zinc White
Zinc Sulfide
Yellow Pigments
Bismuth Vanadate
Cadmium Pigments
Cobalt Yellow
Iron (III) Oxide
Lead Chromate
Lead Tin Yellow type I
Lead Tin Yellow type II
Lead Monoxide, Litharge and Massicot
Lead Tin Antimonate, Naples Yellow
Orpiment
Titanium Yellow
Chapter 3 Silica, Silicates and Aluminosilicates
Introduction
Silica
Silicates
Pigment-Silicate Interactions
Pottery Glazes
Aluminosilicates
Chapter 4 Discoloration Stories
Introduction
Smalt
Red Lead
Realgar
Cinnabar
Hematite
Chrome Yellow
Silverpoint
Cadmium Yellow
Blackening of Pigments by H2S
Ultramarine
Azurite and Malachite
Medieval Pigments
Chapter 5 Toxicology of Art Materials
Introduction
Organics
Methylene Chloride
Carbon Tetrachloride
Trichloroethylene
n-Hexane
N-Methylpyrrolidone
Diisocyanates
Alcohols, Glycols and Glycol Ethers
Mineral Spirits
Inorganics
Lead
Zinc, Cadmium and Mercury Familial Properties
Cadmium
Mercury
Silver
Arsenic
Chromium
Chapter 6 Ageing of Oil Paint
Oxidative Degradation of Oil Binder
Metal Soap formation
Chapter 7 Ageing of Wall Paintings
Secco and Fresco methods
Reversal of Sulfation
Deposition of Water Soluble Salts
Degradation of Oil Binder
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
American Chemical Society;Chrome Yellow;Inorganic artists' pigments;Oil Binder;synthesis;Gogh;discoloration;Vincent Van Gogh;toxicology;Metal Soaps;aging of oil paint;Red Lead;mechanism;Cadmium Yellow;XANES;Linseed Oil;FTIR Spectrum;XANES Region;Calcium Oxalate;Calcium Oxalate Dihydrate;Wall Paintings;Ir Spectra;FTIR Image;IARC Group;Elsevier Masson SAS;Glyceride Esters;Van Den Berg;Fe III;Oxide Anion;Metal Oxalates;IR Spectrum
Chapter 1 Essential Concepts
Chemical Bonding, Solubility, Properties of Solids,
Hard and Soft Acids and Bases
Oxidation-Reduction
Chemical Reaction Mechanisms
Experimental Methods Used to Characterize Works of Art
Chapter 2 Preparation of Inorganic Pigments
Introduction
Black Pigments
Antimony Black
Carbon Blacks
Cobalt Black
Iron Oxide, Magnetite
Manganese Black
Blue Pigments
Azurite
Cerulean Blue
Egyptian Blue
Prussian Blue
Smalt
Ultramarine
Verdigris
Brown Pigments
Iron (III) Oxide Pigments
Lead Dioxide
Green Pigments
Chromium Oxide
Hydrated Chromium Oxide, Viridian
Malachite, see Azurite
Paris Green
Verdigris
Red Pigments
?-Cinnabar and Vermilion
Red Lead
Iron (III) Oxide, Hematite
?-Realgar, see Orpiment
Violet Pigments
Pigment Violet 14
White Pigments
Antimony White
Barium White
Lithopone
Titanium White
White Lead
Zinc White
Zinc Sulfide
Yellow Pigments
Bismuth Vanadate
Cadmium Pigments
Cobalt Yellow
Iron (III) Oxide
Lead Chromate
Lead Tin Yellow type I
Lead Tin Yellow type II
Lead Monoxide, Litharge and Massicot
Lead Tin Antimonate, Naples Yellow
Orpiment
Titanium Yellow
Chapter 3 Silica, Silicates and Aluminosilicates
Introduction
Silica
Silicates
Pigment-Silicate Interactions
Pottery Glazes
Aluminosilicates
Chapter 4 Discoloration Stories
Introduction
Smalt
Red Lead
Realgar
Cinnabar
Hematite
Chrome Yellow
Silverpoint
Cadmium Yellow
Blackening of Pigments by H2S
Ultramarine
Azurite and Malachite
Medieval Pigments
Chapter 5 Toxicology of Art Materials
Introduction
Organics
Methylene Chloride
Carbon Tetrachloride
Trichloroethylene
n-Hexane
N-Methylpyrrolidone
Diisocyanates
Alcohols, Glycols and Glycol Ethers
Mineral Spirits
Inorganics
Lead
Zinc, Cadmium and Mercury Familial Properties
Cadmium
Mercury
Silver
Arsenic
Chromium
Chapter 6 Ageing of Oil Paint
Oxidative Degradation of Oil Binder
Metal Soap formation
Chapter 7 Ageing of Wall Paintings
Secco and Fresco methods
Reversal of Sulfation
Deposition of Water Soluble Salts
Degradation of Oil Binder
Chemical Bonding, Solubility, Properties of Solids,
Hard and Soft Acids and Bases
Oxidation-Reduction
Chemical Reaction Mechanisms
Experimental Methods Used to Characterize Works of Art
Chapter 2 Preparation of Inorganic Pigments
Introduction
Black Pigments
Antimony Black
Carbon Blacks
Cobalt Black
Iron Oxide, Magnetite
Manganese Black
Blue Pigments
Azurite
Cerulean Blue
Egyptian Blue
Prussian Blue
Smalt
Ultramarine
Verdigris
Brown Pigments
Iron (III) Oxide Pigments
Lead Dioxide
Green Pigments
Chromium Oxide
Hydrated Chromium Oxide, Viridian
Malachite, see Azurite
Paris Green
Verdigris
Red Pigments
?-Cinnabar and Vermilion
Red Lead
Iron (III) Oxide, Hematite
?-Realgar, see Orpiment
Violet Pigments
Pigment Violet 14
White Pigments
Antimony White
Barium White
Lithopone
Titanium White
White Lead
Zinc White
Zinc Sulfide
Yellow Pigments
Bismuth Vanadate
Cadmium Pigments
Cobalt Yellow
Iron (III) Oxide
Lead Chromate
Lead Tin Yellow type I
Lead Tin Yellow type II
Lead Monoxide, Litharge and Massicot
Lead Tin Antimonate, Naples Yellow
Orpiment
Titanium Yellow
Chapter 3 Silica, Silicates and Aluminosilicates
Introduction
Silica
Silicates
Pigment-Silicate Interactions
Pottery Glazes
Aluminosilicates
Chapter 4 Discoloration Stories
Introduction
Smalt
Red Lead
Realgar
Cinnabar
Hematite
Chrome Yellow
Silverpoint
Cadmium Yellow
Blackening of Pigments by H2S
Ultramarine
Azurite and Malachite
Medieval Pigments
Chapter 5 Toxicology of Art Materials
Introduction
Organics
Methylene Chloride
Carbon Tetrachloride
Trichloroethylene
n-Hexane
N-Methylpyrrolidone
Diisocyanates
Alcohols, Glycols and Glycol Ethers
Mineral Spirits
Inorganics
Lead
Zinc, Cadmium and Mercury Familial Properties
Cadmium
Mercury
Silver
Arsenic
Chromium
Chapter 6 Ageing of Oil Paint
Oxidative Degradation of Oil Binder
Metal Soap formation
Chapter 7 Ageing of Wall Paintings
Secco and Fresco methods
Reversal of Sulfation
Deposition of Water Soluble Salts
Degradation of Oil Binder
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
American Chemical Society;Chrome Yellow;Inorganic artists' pigments;Oil Binder;synthesis;Gogh;discoloration;Vincent Van Gogh;toxicology;Metal Soaps;aging of oil paint;Red Lead;mechanism;Cadmium Yellow;XANES;Linseed Oil;FTIR Spectrum;XANES Region;Calcium Oxalate;Calcium Oxalate Dihydrate;Wall Paintings;Ir Spectra;FTIR Image;IARC Group;Elsevier Masson SAS;Glyceride Esters;Van Den Berg;Fe III;Oxide Anion;Metal Oxalates;IR Spectrum