Broadside Ballad in Early Modern England

Note on Audio Tracks Website and Citation Conventions

Introduction

Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics, and Tactics

Part I. Assembling by Disassembling: Archives, Databases, and Ballad Bits

Chapter 2. Accessing the Artifact, Now and Then

Chapter 3. Random Tactical Hits

Part II. Remembering by Dismembering: Black Letter, Calligraphy, and Print History

Chapter 4. The Network of Black-Letter Broadside Ballad Collectors

Chapter 5. The Passing Present of Black Letter and Calligraphy

Part III. From Networks to Publics: Samuel Pepys

Chapter 6. Pepys and the Making of Gendered Publics

Chapter 7. Pepys and the Making of Political Publics

Part IV. Diachronic and Synchronic Ballad Publics: Crossing Society, History, and Space

Chapter 8. The Moving Violations of "The Lady and the Blackamoor"

Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter's Tale

Notes

Bibliography

Sources for Music Notations

Index

Acknowledgments

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• Música opiniões e críticas
• Música
• História: eventos específicos e tópicos
• Estudos literários: c 1500 a c 1800

early modern English music; literature; print culture; woodcut illustration; Samuel Pepys; seventeenth-century ballad collectors; Black Letter; renaissance studies; The Lady and the Blackamoor; Shakespeare; Winter's Tale