Art Songs of Louise Talma
portes grátis
Art Songs of Louise Talma
CMS Sourcebook in American Music
Leonard, Kendra Preston
Taylor & Francis Ltd
12/2021
302
Mole
Inglês
9781032242224
15 a 20 dias
535
Descrição não disponível.
CHAPTER 1: Reading Talma's Songs
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mere, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux a la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mere, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux a la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Louise Talma;Young Men;Aba Form;American music;MacDowell Colony;American composers;Talma's Works;women composers;Talma's Setting;art song;Pitch Class Set;music history;Donne's Holy Sonnets;American music history;Grande Ligne;College Music Society;Meno Mosso;CMS;Vocal Line;vocal music;Jean Garrigue;20th century music;Du Bellay;twentieth century music;Rain Song;modern art songs;Joachim Du Bellay;American art songs;Queer Musicology;art song repertoire;Added Bar Lines;musicology;La Belle;Pierre De Ronsard;Pitch Center;Hopkins's Texts;Dappled Things;Hopkins's Words;Storm Breaks;Nervous Behavior
CHAPTER 1: Reading Talma's Songs
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mere, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux a la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
A Brief Overview of Talma's Life
Talma's Compositional Language
Appropriate Research Methodologies
Concerning This Volume
CHAPTER 2: Songs of Mourning and Love
"Invocation to the Rain" (1925)
"On the Surface of Things" (1926-1927)
"When the Storm Breaks" (1927-1928)
"Song in the Songless" (1928)
Five Sonnets from the Portuguese
"XXI. Say Over Again" (1934)
"VII. The Face of All the World Is Changed" (1934)
"XXII. When Our Two Souls Stand Up" (1934)
"I. I Thought Once How Theocritus Had Sung" (1934)
"XXXIII. Yes, Call Me by My Pet Name" (1934)
Vocal Ranges in the Early Songs
CHAPTER 3: Farewell to Youth
Terre de France (1945)
"Mere, voici vos fils" (1943)
"Sonnet" (1945)
"Ballade" (1945)
"Ode" (1945)
"Adieux a la Meuse" (1945)
"Letter to St. Peter" (1945)
Vocal Range
CHAPTER 4: A Haunted Psyche
Seven Songs
"One Need Not Be a Chamber to Be Haunted" (1941)
"Rain Song" (1973)
"Glory Be to God for Dappled Things" (1949)
"Spring and Fall: To a Young Child" (1946)
"Sonnet: Carrion Comfort" (1950)
"Sonnet: I Wake and Feel the Fell of the Dark" (1946)
"Leap before You Look" (1945)
CHAPTER 5: Metaphors of Music
Infanta Marina
"Infanta Marina" (1988)
"The Brave Man" (1988)
"Domination of Black" (1988)
"Ploughing on Sunday" (1988)
"Lunar Paraphrase" (1988)
"Hibiscus on the Sleeping Shores" (1988)
"A Load of Sugar-cane" (1988)
"Re-statement of Romance" (1990)
"The Pleasures of Merely Circulating" (1990)
"Finis" (1993)
BIBLOGRAPHY: Cited Sources and Suggested Readings
APPENDIX 1: Sources on the Vocal Works of Louise Talma
APPENDIX 2: The Complete Works for Voice by Louise Talma
APPENDIX 3: Recordings of Talma's Vocal Works
INDEX 1: Individuals, Places, and Ideas
INDEX 2: Titles of Musical Compositions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Louise Talma;Young Men;Aba Form;American music;MacDowell Colony;American composers;Talma's Works;women composers;Talma's Setting;art song;Pitch Class Set;music history;Donne's Holy Sonnets;American music history;Grande Ligne;College Music Society;Meno Mosso;CMS;Vocal Line;vocal music;Jean Garrigue;20th century music;Du Bellay;twentieth century music;Rain Song;modern art songs;Joachim Du Bellay;American art songs;Queer Musicology;art song repertoire;Added Bar Lines;musicology;La Belle;Pierre De Ronsard;Pitch Center;Hopkins's Texts;Dappled Things;Hopkins's Words;Storm Breaks;Nervous Behavior
