Aesthetic Legacy of Eduard Hanslick

Preface Lee Rothfarb, Alexander Wilfing, and Christoph Landerer Part 1: History of and in On the Musically Beautiful 1. Dynamizing On the Musically Beautiful: The Development of Hanslick's Aesthetic Ideas across Chapters and Editions Christoph Landerer and Alexander Wilfing 2. Hanslick's Concept(s) of Beauty in Relation to History Alexander Wilfing Part 2: Form 3. Hanslick on the Purposiveness of Musical Form Hanne Appelqvist 4. Taking Hanslick at His Music-Theoretical Word Lee Rothfarb Part 3: Emotion 5. Music, Feeling, and Musical Listening: Themes from Chapters 4 and 5 of On the Musically Beautiful Nick Zangwill and Alexander Wilfing 6. Hanslick's Emotional Legacy Lawrence M. Zbikowski Part 4: Imagination and Performance 7. Hanslick's Theory of Musical Imagination Theodore Gracyk 8. A Problematic Legacy: Hanslick's On the Musically Beautiful and the Status of Performance as Supplementary to Beauty Anthony Pryer Part 5: Contemporary Reception 9. Robert Zimmermann's 1854 Review of On the Musically Beautiful: A Translation and Commentary Mark Evan Bonds 10. Challenges to the "Musically Beautiful": Music Drama and the "Psychological Turn" in Later Nineteenth-Century Aesthetics Thomas S. Grey List of Abbreviations Collective Bibliography

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• Música romântica (desde ~1830 até ~1900)
• Filosofia: estética

Lee Rothfarb;Christoph Landerer;Alexander Wilfing;Eduard Hanslick;Mark Evan Bonds;Hanne Appelqvist;Nick Zangwill;Melanie Wald-Fuhrmann;Thomas Grey;Theodore Gracyk;Anthony Pryer;musical aesthetics;music and philosophy;aesthetics of music;history of aesthetics;musical experience;On the Musically Beautiful;emotion;auditory imagination;form;performance;musical imagination;musical performance;music and emotion