Street Art and Activism in the Greater Caribbean

Introduction: Living Streets: Calles Vivas: Lari Vivan Intermezzo: Havana, 1. Murales as Testimonios: In the Streets of Havana Intermezzo: Port-au-Prince, 2. Murales as Media: In the Streets of Port-au-Prince Intermezzo: San Juan, 3. Murales as Mythos: In the Streets of San Juan, 4. Digital Walls/Virtual Publics: Coronavirus Cities on Instagram, Conclusion: Beyond "Impossible States"

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• Estudos regionais
• Sociologia
• Historia da arte / estilos de arte e design
• Artes: temas gerais
• Comunidades urbanas
• Industrialização e história industrial
• História das Américas
• Campanhas políticas e publicidade

Antilles;Cuba;Haiti;Puerto Rico;murals;graffiti;artists;art history;colonialism;colonized;occupied;dictatorship;politics;urban;cities;city;island;social justice;inclusion;freedom;liberty;Habana;Port-au-Prince;San Juan;Yulier Rodriguez Perez;Moise "Jerry" Rosembert;Moise Rosembert;Chachi Gonzalez Colon;Raysa Rodriguez Garcia;Salome Cortes;Colectivo Morivivi;murales;protest;Street Art;Virtual Publics;Blue Skies;Street Murals;Street Artist;Pink Tide;Caribbean Archipelago;Caribbean Urbanization;Impossible States;La Vieja Habana;Havana;La Habana;Street Art Scene;Jean Jacques Dessalines;Michel Martelly;Greater Caribbean;President Martelly;Museo De Arte;De La Habana;Haitian Flag;Monarch Butterflies;Desolation Angels;Fanmi Lavalas;Haitian Woman;Sel