Stanislavski and The Method for the 21st Century Actor
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Stanislavski and The Method for the 21st Century Actor
A Practical Guide
Barrouk, David; Popkin, Anna
Bloomsbury Publishing PLC
11/2024
328
Dura
9781350404045
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
0. ADVICE TO READERS
I. INTRODUCTION
1. The Introduction to the introduction
2. The why and the how
3. Warnings... Wait, what? ...Yeah, that's right, warnings!
4. Rumors
5. Wait, one question
II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD
1. The origins of the Method
2. The future of the Method
III. PLAY THE GAME
1. I have a question to ask you
2. The four barriers to break
IV. THE W.W.W. QUESTIONS
1. The questions Where, When and Why
2. Answering the questions
3. The detailed answers to the W.W.W. questions
4. Creating a fictional W.W.W. situation
5. The W.W.W. protocol
6. Your turn!
7. The embodiment of the W.W.W. questions
V. EXPLORATION
1. To freak out or not to freak out?
2. Energization
3. Concentration
4. Listening
5. The moment to moment to moment
6. Sources
7. Imagination
8. Experience
9. Reflex sources
10. The first contact
11. The shower
VI. Aaaaaaaaaand ACTION(S)
1. Physical actions
2. Psychophysical actions
VII. HOW TO REHEARSE CREATE A SCENE
1. First reading, first impressions
2. Giving life to what's in white on the page
3. Breaking down a scene
4. Active analysis & psychophysical structure
5 In continuation. Choices & execution
6. Loosen up the structure
7. Dialogue
8. Monologues
9. Breathing life into the statue
10. A word on tragedy
11. A word on contemporary roles
VIII. PLAYING WITH YOUR INSTINCT
1. 50% machine, 50% animal
IX. THE "GOOD" & THE "BAD" EGO
X. TWO ESSENTIAL FLAWS
XI. TO CONCLUDE
Index
I. INTRODUCTION
1. The Introduction to the introduction
2. The why and the how
3. Warnings... Wait, what? ...Yeah, that's right, warnings!
4. Rumors
5. Wait, one question
II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD
1. The origins of the Method
2. The future of the Method
III. PLAY THE GAME
1. I have a question to ask you
2. The four barriers to break
IV. THE W.W.W. QUESTIONS
1. The questions Where, When and Why
2. Answering the questions
3. The detailed answers to the W.W.W. questions
4. Creating a fictional W.W.W. situation
5. The W.W.W. protocol
6. Your turn!
7. The embodiment of the W.W.W. questions
V. EXPLORATION
1. To freak out or not to freak out?
2. Energization
3. Concentration
4. Listening
5. The moment to moment to moment
6. Sources
7. Imagination
8. Experience
9. Reflex sources
10. The first contact
11. The shower
VI. Aaaaaaaaaand ACTION(S)
1. Physical actions
2. Psychophysical actions
VII. HOW TO REHEARSE CREATE A SCENE
1. First reading, first impressions
2. Giving life to what's in white on the page
3. Breaking down a scene
4. Active analysis & psychophysical structure
5 In continuation. Choices & execution
6. Loosen up the structure
7. Dialogue
8. Monologues
9. Breathing life into the statue
10. A word on tragedy
11. A word on contemporary roles
VIII. PLAYING WITH YOUR INSTINCT
1. 50% machine, 50% animal
IX. THE "GOOD" & THE "BAD" EGO
X. TWO ESSENTIAL FLAWS
XI. TO CONCLUDE
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Stanislavski; 21st century acting; method acting; character analysis; active analysis; embodiment; monologues; practical guide
0. ADVICE TO READERS
I. INTRODUCTION
1. The Introduction to the introduction
2. The why and the how
3. Warnings... Wait, what? ...Yeah, that's right, warnings!
4. Rumors
5. Wait, one question
II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD
1. The origins of the Method
2. The future of the Method
III. PLAY THE GAME
1. I have a question to ask you
2. The four barriers to break
IV. THE W.W.W. QUESTIONS
1. The questions Where, When and Why
2. Answering the questions
3. The detailed answers to the W.W.W. questions
4. Creating a fictional W.W.W. situation
5. The W.W.W. protocol
6. Your turn!
7. The embodiment of the W.W.W. questions
V. EXPLORATION
1. To freak out or not to freak out?
2. Energization
3. Concentration
4. Listening
5. The moment to moment to moment
6. Sources
7. Imagination
8. Experience
9. Reflex sources
10. The first contact
11. The shower
VI. Aaaaaaaaaand ACTION(S)
1. Physical actions
2. Psychophysical actions
VII. HOW TO REHEARSE CREATE A SCENE
1. First reading, first impressions
2. Giving life to what's in white on the page
3. Breaking down a scene
4. Active analysis & psychophysical structure
5 In continuation. Choices & execution
6. Loosen up the structure
7. Dialogue
8. Monologues
9. Breathing life into the statue
10. A word on tragedy
11. A word on contemporary roles
VIII. PLAYING WITH YOUR INSTINCT
1. 50% machine, 50% animal
IX. THE "GOOD" & THE "BAD" EGO
X. TWO ESSENTIAL FLAWS
XI. TO CONCLUDE
Index
I. INTRODUCTION
1. The Introduction to the introduction
2. The why and the how
3. Warnings... Wait, what? ...Yeah, that's right, warnings!
4. Rumors
5. Wait, one question
II. BRIEF ACCOUNTING OF THE HISTORY OF THE METHOD
1. The origins of the Method
2. The future of the Method
III. PLAY THE GAME
1. I have a question to ask you
2. The four barriers to break
IV. THE W.W.W. QUESTIONS
1. The questions Where, When and Why
2. Answering the questions
3. The detailed answers to the W.W.W. questions
4. Creating a fictional W.W.W. situation
5. The W.W.W. protocol
6. Your turn!
7. The embodiment of the W.W.W. questions
V. EXPLORATION
1. To freak out or not to freak out?
2. Energization
3. Concentration
4. Listening
5. The moment to moment to moment
6. Sources
7. Imagination
8. Experience
9. Reflex sources
10. The first contact
11. The shower
VI. Aaaaaaaaaand ACTION(S)
1. Physical actions
2. Psychophysical actions
VII. HOW TO REHEARSE CREATE A SCENE
1. First reading, first impressions
2. Giving life to what's in white on the page
3. Breaking down a scene
4. Active analysis & psychophysical structure
5 In continuation. Choices & execution
6. Loosen up the structure
7. Dialogue
8. Monologues
9. Breathing life into the statue
10. A word on tragedy
11. A word on contemporary roles
VIII. PLAYING WITH YOUR INSTINCT
1. 50% machine, 50% animal
IX. THE "GOOD" & THE "BAD" EGO
X. TWO ESSENTIAL FLAWS
XI. TO CONCLUDE
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.