Space and Subjectivity in Contemporary Brazilian Cinema
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Space and Subjectivity in Contemporary Brazilian Cinema
Da Silva, Antonio Marcio; Cunha, Mariana A. C.
Springer-Verlag Berlin
08/2017
244
Dura
Inglês
9783319482668
15 a 20 dias
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium.
- Chapter 1: Introduction Part I: Territorialization and Marginal Subjectivities Chapter 2: Tikmu'un's Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema Chapter 4: Mapping from the Margins: The Films of Beto Brant Part II: Intensive Space, Landscape and Spatial Experience Chapter 5: Bodies in Landscape: The Scientist's Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema Part III: Utopia, Memory and Urban Architecture Chapter 7: Insolacao: Subjective Perception of an Urban Utopia through the Lens of Love and Loss Branco sai, preto fica Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in Sao Paulo's Cityscape Part IV: Queering Spaces Chapter 10: The Space of Queer Masculinities in Karim Ainouz's Praia do Futuro Chapter 11: Water and Queer Intimacy Part V: Domestic Spaces and Social Differences Chapter 12: Casa grande & senzala': Domestic Space and Class Conflict in Casa grande and Que horas ela volta? Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium.
- Chapter 1: Introduction Part I: Territorialization and Marginal Subjectivities Chapter 2: Tikmu'un's Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema Chapter 4: Mapping from the Margins: The Films of Beto Brant Part II: Intensive Space, Landscape and Spatial Experience Chapter 5: Bodies in Landscape: The Scientist's Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema Part III: Utopia, Memory and Urban Architecture Chapter 7: Insolacao: Subjective Perception of an Urban Utopia through the Lens of Love and Loss Branco sai, preto fica Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in Sao Paulo's Cityscape Part IV: Queering Spaces Chapter 10: The Space of Queer Masculinities in Karim Ainouz's Praia do Futuro Chapter 11: Water and Queer Intimacy Part V: Domestic Spaces and Social Differences Chapter 12: Casa grande & senzala': Domestic Space and Class Conflict in Casa grande and Que horas ela volta? Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
