Soundin' Canaan
portes grátis
Soundin' Canaan
Black Canadian Poetry, Music, and Citizenship
Watkins, Paul
Wilfrid Laurier University Press
11/2024
400
Mole
Inglês
9781771126212
15 a 20 dias
Descrição não disponível.
Prelude
Introduction
Coda: Dialogue and Dissonance
Chapter 1: Resounding the Past: Music, Listening, and Multicultural Citizenship
Chapter 2: Blues Vernacular and "Harmonious Dissonance" in George Elliott Clarke's Colouring Pentateuch: Blue, Black, Red, Gold, and White
Chapter 3: Listening to a Listening: The Disruptive Jazz Poetics of Dionne Brand's Ossuaries and The Blue Clerk (A Call Toward Freedom)
Chapter 4: Dub Poetics and Improvised Chant in M. NourbeSe Philip's Zong!Chapter 5: Wavin' The Multicultural Flag: Canadian Hip Hop and Global Citizenship in K'naan's music
Chapter 6: Recovery And Remix: Wayde Compton's Turntable Poetics
Outro: The New Black Can(Aan)Lit And The Community To Come
Introduction
Coda: Dialogue and Dissonance
Chapter 1: Resounding the Past: Music, Listening, and Multicultural Citizenship
Chapter 2: Blues Vernacular and "Harmonious Dissonance" in George Elliott Clarke's Colouring Pentateuch: Blue, Black, Red, Gold, and White
Chapter 3: Listening to a Listening: The Disruptive Jazz Poetics of Dionne Brand's Ossuaries and The Blue Clerk (A Call Toward Freedom)
Chapter 4: Dub Poetics and Improvised Chant in M. NourbeSe Philip's Zong!Chapter 5: Wavin' The Multicultural Flag: Canadian Hip Hop and Global Citizenship in K'naan's music
Chapter 6: Recovery And Remix: Wayde Compton's Turntable Poetics
Outro: The New Black Can(Aan)Lit And The Community To Come
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Black poetry; Canadian black poetry; Vancouver; DJ Techne; Canaan; poetry; music; jazz; hip-hop; George Elliott Clarke; Dionne Brand; M. NourbeSe Philip; K'naan; Wayde Compton; Black Canadian; multiculturalism; citizenship; resistance; theory; sound; listening; improvisation
Prelude
Introduction
Coda: Dialogue and Dissonance
Chapter 1: Resounding the Past: Music, Listening, and Multicultural Citizenship
Chapter 2: Blues Vernacular and "Harmonious Dissonance" in George Elliott Clarke's Colouring Pentateuch: Blue, Black, Red, Gold, and White
Chapter 3: Listening to a Listening: The Disruptive Jazz Poetics of Dionne Brand's Ossuaries and The Blue Clerk (A Call Toward Freedom)
Chapter 4: Dub Poetics and Improvised Chant in M. NourbeSe Philip's Zong!Chapter 5: Wavin' The Multicultural Flag: Canadian Hip Hop and Global Citizenship in K'naan's music
Chapter 6: Recovery And Remix: Wayde Compton's Turntable Poetics
Outro: The New Black Can(Aan)Lit And The Community To Come
Introduction
Coda: Dialogue and Dissonance
Chapter 1: Resounding the Past: Music, Listening, and Multicultural Citizenship
Chapter 2: Blues Vernacular and "Harmonious Dissonance" in George Elliott Clarke's Colouring Pentateuch: Blue, Black, Red, Gold, and White
Chapter 3: Listening to a Listening: The Disruptive Jazz Poetics of Dionne Brand's Ossuaries and The Blue Clerk (A Call Toward Freedom)
Chapter 4: Dub Poetics and Improvised Chant in M. NourbeSe Philip's Zong!Chapter 5: Wavin' The Multicultural Flag: Canadian Hip Hop and Global Citizenship in K'naan's music
Chapter 6: Recovery And Remix: Wayde Compton's Turntable Poetics
Outro: The New Black Can(Aan)Lit And The Community To Come
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
