Singing Ideas
portes grátis
Singing Ideas
Performance, Politics and Oral Poetry
Shiochain, Triona Ni
Berghahn Books
07/2021
214
Mole
Inglês
9781800731820
15 a 20 dias
Descrição não disponível.
Chapter 1. Singing Ideas: An Alternative History of Thought
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Performance Studies, History: 18th/19th Century, Anthropology (General), Literary Studies
Chapter 1. Singing Ideas: An Alternative History of Thought
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index
(Un)doing History: The Authority of Literacy and the Performativity of Thought
Oral Trouble and Women's Voices: Searching for Intellectual
Traditions Beyond the Written Word
Singing Politics and Power in Society: Some Comparative Examples
Seizing Agency: Women of Song
Beyond the Limits of Textuality: Performing the Past and Performing Thought
Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space
The Theory of Liminality
Performing Liminality: Poetry as a Symbolic Marker for Liminality in the Irish Tradition
A Journey to the Sacred and Back: The Liminality of the Aisling (Vision)
Song and Oral Poetic Performance as Ritual
Separating from the Profane: Ekstasis and Song
Moments of Potentiality: The Antistructure of Melody and Verse in the Irish Tradition
The Ritual Powers of (Song) Poetry: Satire, Insult and Fearlessness
The Potentiality of the Play-Sphere: The Challenging Discourse of Song
The Singer of Ideas as 'Seer of Communitas': The Liminality of Song and the Generation of Ideas
Chapter 3. Singing Parrhesia: Maire Bhui Ni Laeire, Song Performance and Politics in Nineteenth-Century Ireland
Maire Bhui Ni Laeire: Nineteenth-Century Song Poet
Irish-Language Song-Making: Poetry as Performance and the Aesthetics of Orality
Multiformity and Oral Formulaic Techniques
Local Agrarian Agitation and the Creation of the Poetic Radical
Crisis and Charisma: The Song Poet as Prophet and Truth-Teller
Identity and the Aesthetics of Orality: New Ideas and the Narrative of Belonging
Framing the Revolution: Performing Antistructure and the Vision of the Revolution through Song
From Generation to Generation to Regeneration: The Legacy of Ideas through Song
Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through'
Appendix of Songs and Lore
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
