Shakespeare Studies

Forum: Shakespearean Second Acts

Introduction

Mary Thomas Crane

Shakespearean? Second Act?

Ayanna Thompson

Reimagining Education

Emily C. Bartels

Wrighting Theater History

Carla Della Gatta

No Book But the World

Mary Jo Kietzman

Career Moves in an Academic Game

Gina Bloom

What's Shakespeare to the Prison, and What's the Prison to

Shakespeare?: Wrestling with the Value of Shakespeare Behind Bars

Kevin Windhauser

"To double business bound" - On being a Shakespearean and a Writer of Fiction

Brinda Charry

"Perchance to Dream..."

Andrew J. Hartley

Shakespearean Double Lives

Emma Whipday

Introduction: Next Generation Plenary

"We keep doing this don't we?": Disrupting Racial Trauma in Performances of Harlem Duet

Rebecca Hixon

A Discursive 'She': The [Mis]Prints and Possibilities of Emilia in Shakespeare's Othello

Lindsay Adams Kennedy

Personating Animals on the Early Modern Stage

Chris Klippenstein

Discharging Rafe: Protean Performance in The Knight of the Burning Pestle

Emily McLeod



Articles

From Melodrama to Tragedy and Back - Closing the Melodramatic Gap between Bollywood and Hollywood Shakespeare Adaptations

Kinga Foeldvary

Locating Herself, Finding Her Voice: Mapping the Queen's Story in Shakespeare's Richard II

Laura Higgins

The Theater of Conscience: Reforming Punishment in Measure for Measure

Wesley Kisting

The Political Philosophies of Brutus and Cassius in Julius Caesar and the Theory of Preventive Tyrannicide

Wolfgang G. Mueller

"Please, just no Shakespeare": Station Eleven's Utopian Economy of Cultural Distinction

Greg M. Colon Semenza

Reviews

Shakespeare and University Drama in Early Modern England

By Daniel Blank

Reviewer: Emily D. Bryan

Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance

Edited by Claire M. L. Bourne

Reviewer: Paul Werstine

The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime

By Jenny C. Mann

Reviewers: Marjorie Rubright and Stephen Spiess

Entertaining Uncertainty in the Early Modern Theater

By Lauren Robertson

Reviewer: William N. West

The Cambridge Companion to Shakespeare and Race

Edited by Ayanna Thompson

Reviewer: Jean E. Howard

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Drama Studies;English Literature;Literary Studies;Renaissance Drama;Renaissance Studies;Shakespeare;Shakespeare Studies