Screening the Scars
portes grátis
Screening the Scars
The Cinematic (In)visibility of Social Trauma
Hamburger, Andreas
Karnac Books
11/2024
298
Mole
9781800132900
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Contents
About the editor and contributors
Introduction: Cinematic art and the void
Andreas Hamburger
Part I: Cinematic experience of social trauma
The elephant and the screen. Cinema in the aftermath of social trauma
Andreas Hamburger
Screening memory in trauma cinema
Dijana Jelaca
Screening post-Yugoslav trauma and therapy
Tatjana Petzer
Part II: Films and talks
Filming history, filming trauma. Relational psychoanalysis of cinematic art in the post-traumatic void
Andreas Hamburger
Border of hope and death. Stephan Komandarev's Sadilishteto [The Judgement] and repetition compulsion
Vivian Pramataroff-Hamburger
Injustice in past and present. Sadilishteto [The Judgement]
Stephan Komandarev in conversation with Camellia Hancheva
Jasmila Zbanic's Grbavica: The land of my pain
Nadia Kozhouharova
"Let's relax - this is going to go on": On time and trauma
Jasmila Zbanic in conversation with Damir Arsenijevic
Trauma, society, and art
Ajna Jusic in conversation with Dzenana Husremovic
Trauma and reconciliation in contemporary Balkan cinema: Alen Drljevic's Men Don't Cry (2017)
Svetlozar Vassilev
Cinema of reconciliation
Alen Drljevic in conversation with Maida Koso-Drljevic
Container-contained and broken bonds in Goran Radovanovic's Enklava
Camellia Hancheva
Social trauma in Serbia: the importance of history and the power of repentance
Goran Radovanovic in conversation with Biljana Stankovic
The People v. Fritz Bauer. Lars Kraume's film against forgetting
Andreas Hamburger
The People v. Fritz Bauer
Lars Kraume in conversation with Friederike Bassenge
OEzkan Alper's Sonbahar [Autumn]
Cem Kaptanoglu
Exploring social trauma and cultural resilience
OEzcan Alper in conversation with Gamze OEzcueruemez on Sonbahar [Autumn]
Epilogue: Cultures and mournings. A comparison of social trauma cinemas, with an epilogue on elephants
Andreas Hamburger
Index
About the editor and contributors
Introduction: Cinematic art and the void
Andreas Hamburger
Part I: Cinematic experience of social trauma
The elephant and the screen. Cinema in the aftermath of social trauma
Andreas Hamburger
Screening memory in trauma cinema
Dijana Jelaca
Screening post-Yugoslav trauma and therapy
Tatjana Petzer
Part II: Films and talks
Filming history, filming trauma. Relational psychoanalysis of cinematic art in the post-traumatic void
Andreas Hamburger
Border of hope and death. Stephan Komandarev's Sadilishteto [The Judgement] and repetition compulsion
Vivian Pramataroff-Hamburger
Injustice in past and present. Sadilishteto [The Judgement]
Stephan Komandarev in conversation with Camellia Hancheva
Jasmila Zbanic's Grbavica: The land of my pain
Nadia Kozhouharova
"Let's relax - this is going to go on": On time and trauma
Jasmila Zbanic in conversation with Damir Arsenijevic
Trauma, society, and art
Ajna Jusic in conversation with Dzenana Husremovic
Trauma and reconciliation in contemporary Balkan cinema: Alen Drljevic's Men Don't Cry (2017)
Svetlozar Vassilev
Cinema of reconciliation
Alen Drljevic in conversation with Maida Koso-Drljevic
Container-contained and broken bonds in Goran Radovanovic's Enklava
Camellia Hancheva
Social trauma in Serbia: the importance of history and the power of repentance
Goran Radovanovic in conversation with Biljana Stankovic
The People v. Fritz Bauer. Lars Kraume's film against forgetting
Andreas Hamburger
The People v. Fritz Bauer
Lars Kraume in conversation with Friederike Bassenge
OEzkan Alper's Sonbahar [Autumn]
Cem Kaptanoglu
Exploring social trauma and cultural resilience
OEzcan Alper in conversation with Gamze OEzcueruemez on Sonbahar [Autumn]
Epilogue: Cultures and mournings. A comparison of social trauma cinemas, with an epilogue on elephants
Andreas Hamburger
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sonbahar; OEzkan Alper; Lars Kraume; The People v. Fritz Bauer; repentance; Social trauma in Serbia; Enklava; Goran Radovanovic; Men Don't Cry; Alen Drljevic; Balkan cinema; Grbavica; Jasmila Zbanic; repetition compulsion; Sadilishteto; Stephan Komandarev; post-Yugoslav film; trauma cinema
Contents
About the editor and contributors
Introduction: Cinematic art and the void
Andreas Hamburger
Part I: Cinematic experience of social trauma
The elephant and the screen. Cinema in the aftermath of social trauma
Andreas Hamburger
Screening memory in trauma cinema
Dijana Jelaca
Screening post-Yugoslav trauma and therapy
Tatjana Petzer
Part II: Films and talks
Filming history, filming trauma. Relational psychoanalysis of cinematic art in the post-traumatic void
Andreas Hamburger
Border of hope and death. Stephan Komandarev's Sadilishteto [The Judgement] and repetition compulsion
Vivian Pramataroff-Hamburger
Injustice in past and present. Sadilishteto [The Judgement]
Stephan Komandarev in conversation with Camellia Hancheva
Jasmila Zbanic's Grbavica: The land of my pain
Nadia Kozhouharova
"Let's relax - this is going to go on": On time and trauma
Jasmila Zbanic in conversation with Damir Arsenijevic
Trauma, society, and art
Ajna Jusic in conversation with Dzenana Husremovic
Trauma and reconciliation in contemporary Balkan cinema: Alen Drljevic's Men Don't Cry (2017)
Svetlozar Vassilev
Cinema of reconciliation
Alen Drljevic in conversation with Maida Koso-Drljevic
Container-contained and broken bonds in Goran Radovanovic's Enklava
Camellia Hancheva
Social trauma in Serbia: the importance of history and the power of repentance
Goran Radovanovic in conversation with Biljana Stankovic
The People v. Fritz Bauer. Lars Kraume's film against forgetting
Andreas Hamburger
The People v. Fritz Bauer
Lars Kraume in conversation with Friederike Bassenge
OEzkan Alper's Sonbahar [Autumn]
Cem Kaptanoglu
Exploring social trauma and cultural resilience
OEzcan Alper in conversation with Gamze OEzcueruemez on Sonbahar [Autumn]
Epilogue: Cultures and mournings. A comparison of social trauma cinemas, with an epilogue on elephants
Andreas Hamburger
Index
About the editor and contributors
Introduction: Cinematic art and the void
Andreas Hamburger
Part I: Cinematic experience of social trauma
The elephant and the screen. Cinema in the aftermath of social trauma
Andreas Hamburger
Screening memory in trauma cinema
Dijana Jelaca
Screening post-Yugoslav trauma and therapy
Tatjana Petzer
Part II: Films and talks
Filming history, filming trauma. Relational psychoanalysis of cinematic art in the post-traumatic void
Andreas Hamburger
Border of hope and death. Stephan Komandarev's Sadilishteto [The Judgement] and repetition compulsion
Vivian Pramataroff-Hamburger
Injustice in past and present. Sadilishteto [The Judgement]
Stephan Komandarev in conversation with Camellia Hancheva
Jasmila Zbanic's Grbavica: The land of my pain
Nadia Kozhouharova
"Let's relax - this is going to go on": On time and trauma
Jasmila Zbanic in conversation with Damir Arsenijevic
Trauma, society, and art
Ajna Jusic in conversation with Dzenana Husremovic
Trauma and reconciliation in contemporary Balkan cinema: Alen Drljevic's Men Don't Cry (2017)
Svetlozar Vassilev
Cinema of reconciliation
Alen Drljevic in conversation with Maida Koso-Drljevic
Container-contained and broken bonds in Goran Radovanovic's Enklava
Camellia Hancheva
Social trauma in Serbia: the importance of history and the power of repentance
Goran Radovanovic in conversation with Biljana Stankovic
The People v. Fritz Bauer. Lars Kraume's film against forgetting
Andreas Hamburger
The People v. Fritz Bauer
Lars Kraume in conversation with Friederike Bassenge
OEzkan Alper's Sonbahar [Autumn]
Cem Kaptanoglu
Exploring social trauma and cultural resilience
OEzcan Alper in conversation with Gamze OEzcueruemez on Sonbahar [Autumn]
Epilogue: Cultures and mournings. A comparison of social trauma cinemas, with an epilogue on elephants
Andreas Hamburger
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
