Samuel Beckett as World Literature
portes grátis
Samuel Beckett as World Literature
Weller, Shane; Chakraborty, Prof Thirthankar; Toribio Vazquez, Juan Luis
Bloomsbury Publishing Plc
02/2022
240
Mole
Inglês
9781501371943
15 a 20 dias
327
Descrição não disponível.
List of Figures
Notes on Contributors
Foreword
Shane Weller (University of Kent, UK)
Acknowledgements
Introduction: Samuel Beckett as world literature
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India) and Juan Luis Toribio Vazquez (University of Kent, UK)
Part I Translation
1. Bilingual Beckett
John Fletcher (University of Kent, UK)
2. Shifting cultural affinities in Molloy: A genetic bilingual approach
Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Antwerp, Belgium)
3. Samuel Beckett and the politics of post-war translation
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India)
4. Unformed and untranslatable: The global applicability of Beckett's theatre of affect
Charlotta Palmstierna Einarsson (Mid-Sweden University, Sweden)
5. 100% guaranteed Beckett: An intercultural reading of Beckett's Waiting for Godot as world literature
Mary O'Byrne (Trinity College Dublin, Ireland) and Wei Zheyu (Guangxi Arts University, China)
Part II Adaptation
6. Modernism, medium and memory
Mischa Twitchin (Goldsmiths University of London, UK)
7. Knock, knock, who's there? The circulation of Macbeth, Ulysses and the myth of Echo and Narcissus in Ohio Impromptu
Laurens de Vos (University of Amsterdam, Netherlands)
8. Echoes, rags and bones: A few Brazilian Becketts on the way
Fabio de Souza Andrade (University of Sao Paulo, Brazil)
9. Samuel Beckett's Fin de partie in Hungary: A brief reception history
Anita Rakoczy (Karoli Gaspar University of the Reformed Church, Hungary)
10. Tracing Beckett in the avant-garde theatre of mainland China
Liu Aiying (Sichuan International Studies University, China)
Part III Circulation
11. What goes around comes around: Godot's circularity and world literature
Juan Luis Toribio Vazquez (University of Kent, UK)
12. Unworlding world literature: Or how Godot travels from a country road to the world
Arka Chattopadhyay (Indian Institute of Technology Gandhinagar, India)
13. Godot's arrivals: Beckettian and anti-Beckettian discourses in Bulatovic's Godot Has Arrived and Komanin's Godot Has Arrived to Collect His Dues
Snezana Kalinic (University of Belgrade, Serbia)
14. Waiting for the arrivant: Godot in two poems by Nizar Qabbani
Hania A. M. Nashef (American University of Sharjah, UAE)
15. Forgetfulness of the past as revealed in Minoru Betsuyaku's Godot Has Come: A play inspired by Waiting for Godot
Mariko Hori Tanaka (Aoyama Gakuin University, Japan)
Index
Notes on Contributors
Foreword
Shane Weller (University of Kent, UK)
Acknowledgements
Introduction: Samuel Beckett as world literature
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India) and Juan Luis Toribio Vazquez (University of Kent, UK)
Part I Translation
1. Bilingual Beckett
John Fletcher (University of Kent, UK)
2. Shifting cultural affinities in Molloy: A genetic bilingual approach
Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Antwerp, Belgium)
3. Samuel Beckett and the politics of post-war translation
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India)
4. Unformed and untranslatable: The global applicability of Beckett's theatre of affect
Charlotta Palmstierna Einarsson (Mid-Sweden University, Sweden)
5. 100% guaranteed Beckett: An intercultural reading of Beckett's Waiting for Godot as world literature
Mary O'Byrne (Trinity College Dublin, Ireland) and Wei Zheyu (Guangxi Arts University, China)
Part II Adaptation
6. Modernism, medium and memory
Mischa Twitchin (Goldsmiths University of London, UK)
7. Knock, knock, who's there? The circulation of Macbeth, Ulysses and the myth of Echo and Narcissus in Ohio Impromptu
Laurens de Vos (University of Amsterdam, Netherlands)
8. Echoes, rags and bones: A few Brazilian Becketts on the way
Fabio de Souza Andrade (University of Sao Paulo, Brazil)
9. Samuel Beckett's Fin de partie in Hungary: A brief reception history
Anita Rakoczy (Karoli Gaspar University of the Reformed Church, Hungary)
10. Tracing Beckett in the avant-garde theatre of mainland China
Liu Aiying (Sichuan International Studies University, China)
Part III Circulation
11. What goes around comes around: Godot's circularity and world literature
Juan Luis Toribio Vazquez (University of Kent, UK)
12. Unworlding world literature: Or how Godot travels from a country road to the world
Arka Chattopadhyay (Indian Institute of Technology Gandhinagar, India)
13. Godot's arrivals: Beckettian and anti-Beckettian discourses in Bulatovic's Godot Has Arrived and Komanin's Godot Has Arrived to Collect His Dues
Snezana Kalinic (University of Belgrade, Serbia)
14. Waiting for the arrivant: Godot in two poems by Nizar Qabbani
Hania A. M. Nashef (American University of Sharjah, UAE)
15. Forgetfulness of the past as revealed in Minoru Betsuyaku's Godot Has Come: A play inspired by Waiting for Godot
Mariko Hori Tanaka (Aoyama Gakuin University, Japan)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Figures
Notes on Contributors
Foreword
Shane Weller (University of Kent, UK)
Acknowledgements
Introduction: Samuel Beckett as world literature
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India) and Juan Luis Toribio Vazquez (University of Kent, UK)
Part I Translation
1. Bilingual Beckett
John Fletcher (University of Kent, UK)
2. Shifting cultural affinities in Molloy: A genetic bilingual approach
Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Antwerp, Belgium)
3. Samuel Beckett and the politics of post-war translation
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India)
4. Unformed and untranslatable: The global applicability of Beckett's theatre of affect
Charlotta Palmstierna Einarsson (Mid-Sweden University, Sweden)
5. 100% guaranteed Beckett: An intercultural reading of Beckett's Waiting for Godot as world literature
Mary O'Byrne (Trinity College Dublin, Ireland) and Wei Zheyu (Guangxi Arts University, China)
Part II Adaptation
6. Modernism, medium and memory
Mischa Twitchin (Goldsmiths University of London, UK)
7. Knock, knock, who's there? The circulation of Macbeth, Ulysses and the myth of Echo and Narcissus in Ohio Impromptu
Laurens de Vos (University of Amsterdam, Netherlands)
8. Echoes, rags and bones: A few Brazilian Becketts on the way
Fabio de Souza Andrade (University of Sao Paulo, Brazil)
9. Samuel Beckett's Fin de partie in Hungary: A brief reception history
Anita Rakoczy (Karoli Gaspar University of the Reformed Church, Hungary)
10. Tracing Beckett in the avant-garde theatre of mainland China
Liu Aiying (Sichuan International Studies University, China)
Part III Circulation
11. What goes around comes around: Godot's circularity and world literature
Juan Luis Toribio Vazquez (University of Kent, UK)
12. Unworlding world literature: Or how Godot travels from a country road to the world
Arka Chattopadhyay (Indian Institute of Technology Gandhinagar, India)
13. Godot's arrivals: Beckettian and anti-Beckettian discourses in Bulatovic's Godot Has Arrived and Komanin's Godot Has Arrived to Collect His Dues
Snezana Kalinic (University of Belgrade, Serbia)
14. Waiting for the arrivant: Godot in two poems by Nizar Qabbani
Hania A. M. Nashef (American University of Sharjah, UAE)
15. Forgetfulness of the past as revealed in Minoru Betsuyaku's Godot Has Come: A play inspired by Waiting for Godot
Mariko Hori Tanaka (Aoyama Gakuin University, Japan)
Index
Notes on Contributors
Foreword
Shane Weller (University of Kent, UK)
Acknowledgements
Introduction: Samuel Beckett as world literature
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India) and Juan Luis Toribio Vazquez (University of Kent, UK)
Part I Translation
1. Bilingual Beckett
John Fletcher (University of Kent, UK)
2. Shifting cultural affinities in Molloy: A genetic bilingual approach
Dirk Van Hulle (University of Oxford, UK) and Pim Verhulst (University of Antwerp, Belgium)
3. Samuel Beckett and the politics of post-war translation
Thirthankar Chakraborty (Indian Institute of Technology Bhilai, India)
4. Unformed and untranslatable: The global applicability of Beckett's theatre of affect
Charlotta Palmstierna Einarsson (Mid-Sweden University, Sweden)
5. 100% guaranteed Beckett: An intercultural reading of Beckett's Waiting for Godot as world literature
Mary O'Byrne (Trinity College Dublin, Ireland) and Wei Zheyu (Guangxi Arts University, China)
Part II Adaptation
6. Modernism, medium and memory
Mischa Twitchin (Goldsmiths University of London, UK)
7. Knock, knock, who's there? The circulation of Macbeth, Ulysses and the myth of Echo and Narcissus in Ohio Impromptu
Laurens de Vos (University of Amsterdam, Netherlands)
8. Echoes, rags and bones: A few Brazilian Becketts on the way
Fabio de Souza Andrade (University of Sao Paulo, Brazil)
9. Samuel Beckett's Fin de partie in Hungary: A brief reception history
Anita Rakoczy (Karoli Gaspar University of the Reformed Church, Hungary)
10. Tracing Beckett in the avant-garde theatre of mainland China
Liu Aiying (Sichuan International Studies University, China)
Part III Circulation
11. What goes around comes around: Godot's circularity and world literature
Juan Luis Toribio Vazquez (University of Kent, UK)
12. Unworlding world literature: Or how Godot travels from a country road to the world
Arka Chattopadhyay (Indian Institute of Technology Gandhinagar, India)
13. Godot's arrivals: Beckettian and anti-Beckettian discourses in Bulatovic's Godot Has Arrived and Komanin's Godot Has Arrived to Collect His Dues
Snezana Kalinic (University of Belgrade, Serbia)
14. Waiting for the arrivant: Godot in two poems by Nizar Qabbani
Hania A. M. Nashef (American University of Sharjah, UAE)
15. Forgetfulness of the past as revealed in Minoru Betsuyaku's Godot Has Come: A play inspired by Waiting for Godot
Mariko Hori Tanaka (Aoyama Gakuin University, Japan)
Index
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