Rethinking Asuka Sculpture
portes grátis
Rethinking Asuka Sculpture
A Revised Conception of Buddhist Spread in East Asia, 538-710
Wu, Hong
Brill
08/2024
268
Dura
9789004701915
15 a 20 dias
Descrição não disponível.
Chronology
List of Characters
List of Maps, Tables, and Figures
1 Introduction
?1?Reconsidering the Traditional Chronology
?2?Shifting from the China-Centered to the Asuka Perspective
?3?Structure of the Book
Part 1: The Catalogue
2 Tracing an Organic Stylistic Sequence
?1?Group I
?2?Group II
?3?Group III
?4?Group IV
?5?Conclusion
Part 2: A Revised Chronology
3 Weighing the Archaeological and Historical Evidence
?1?Advent of Buddhist Practice in Japan
?2?The East Asian Context
?3?Direct Buddhist Contacts with China
?4?Opportunity for Rethinking the Chronology
4 Reevaluating Buddhist Art in Korean Three Kingdoms
?1?Textual and Archaeological Survey
?2?Reconsidering the Fifty-Year Lag between the Korean Three Kingdoms and Chinese Dynasties
?3?A History of Korean Three Kingdoms Buddhist Art Historiography
5 A Revised Chronology
?1?How the Traditional Chronology Became Established
?2?Reconsidering the Anchor Statues
?3?The Horyuji Kondo Shaka Triad: a Close Study
?4?A Revised Chronology
Part 3: A New Account of Asuka Buddhism
6 A Tentative Beginning: 550-600
?1?Features Neither Continental nor Local
?2?Understanding the Earliest Buddhist Sculptors
?3?A Hesitant Beginning
7 Vibrant Transformation: 600-650
?1?The Shiba Story Continued
?2?A Multiplicity of Other Sculptural Modes
?3?The Buddhist Boom
8 New Technological Development: 650-710
?1?Piece-Mold versus Lost-Wax Methods
?2?From the Direct to the Indirect Method
?3?Interpreting the Technological Change
9 Conclusion
?1?Rethinking Asuka Buddhist Art
?2?Looking Forward: the Yakushi Triad and Beyond
Reference Matter
?List of Extant Asuka Buddhist Statues
?Abbreviations for Catalogue Titles
Bibliography
Index
List of Characters
List of Maps, Tables, and Figures
1 Introduction
?1?Reconsidering the Traditional Chronology
?2?Shifting from the China-Centered to the Asuka Perspective
?3?Structure of the Book
Part 1: The Catalogue
2 Tracing an Organic Stylistic Sequence
?1?Group I
?2?Group II
?3?Group III
?4?Group IV
?5?Conclusion
Part 2: A Revised Chronology
3 Weighing the Archaeological and Historical Evidence
?1?Advent of Buddhist Practice in Japan
?2?The East Asian Context
?3?Direct Buddhist Contacts with China
?4?Opportunity for Rethinking the Chronology
4 Reevaluating Buddhist Art in Korean Three Kingdoms
?1?Textual and Archaeological Survey
?2?Reconsidering the Fifty-Year Lag between the Korean Three Kingdoms and Chinese Dynasties
?3?A History of Korean Three Kingdoms Buddhist Art Historiography
5 A Revised Chronology
?1?How the Traditional Chronology Became Established
?2?Reconsidering the Anchor Statues
?3?The Horyuji Kondo Shaka Triad: a Close Study
?4?A Revised Chronology
Part 3: A New Account of Asuka Buddhism
6 A Tentative Beginning: 550-600
?1?Features Neither Continental nor Local
?2?Understanding the Earliest Buddhist Sculptors
?3?A Hesitant Beginning
7 Vibrant Transformation: 600-650
?1?The Shiba Story Continued
?2?A Multiplicity of Other Sculptural Modes
?3?The Buddhist Boom
8 New Technological Development: 650-710
?1?Piece-Mold versus Lost-Wax Methods
?2?From the Direct to the Indirect Method
?3?Interpreting the Technological Change
9 Conclusion
?1?Rethinking Asuka Buddhist Art
?2?Looking Forward: the Yakushi Triad and Beyond
Reference Matter
?List of Extant Asuka Buddhist Statues
?Abbreviations for Catalogue Titles
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Chronology
List of Characters
List of Maps, Tables, and Figures
1 Introduction
?1?Reconsidering the Traditional Chronology
?2?Shifting from the China-Centered to the Asuka Perspective
?3?Structure of the Book
Part 1: The Catalogue
2 Tracing an Organic Stylistic Sequence
?1?Group I
?2?Group II
?3?Group III
?4?Group IV
?5?Conclusion
Part 2: A Revised Chronology
3 Weighing the Archaeological and Historical Evidence
?1?Advent of Buddhist Practice in Japan
?2?The East Asian Context
?3?Direct Buddhist Contacts with China
?4?Opportunity for Rethinking the Chronology
4 Reevaluating Buddhist Art in Korean Three Kingdoms
?1?Textual and Archaeological Survey
?2?Reconsidering the Fifty-Year Lag between the Korean Three Kingdoms and Chinese Dynasties
?3?A History of Korean Three Kingdoms Buddhist Art Historiography
5 A Revised Chronology
?1?How the Traditional Chronology Became Established
?2?Reconsidering the Anchor Statues
?3?The Horyuji Kondo Shaka Triad: a Close Study
?4?A Revised Chronology
Part 3: A New Account of Asuka Buddhism
6 A Tentative Beginning: 550-600
?1?Features Neither Continental nor Local
?2?Understanding the Earliest Buddhist Sculptors
?3?A Hesitant Beginning
7 Vibrant Transformation: 600-650
?1?The Shiba Story Continued
?2?A Multiplicity of Other Sculptural Modes
?3?The Buddhist Boom
8 New Technological Development: 650-710
?1?Piece-Mold versus Lost-Wax Methods
?2?From the Direct to the Indirect Method
?3?Interpreting the Technological Change
9 Conclusion
?1?Rethinking Asuka Buddhist Art
?2?Looking Forward: the Yakushi Triad and Beyond
Reference Matter
?List of Extant Asuka Buddhist Statues
?Abbreviations for Catalogue Titles
Bibliography
Index
List of Characters
List of Maps, Tables, and Figures
1 Introduction
?1?Reconsidering the Traditional Chronology
?2?Shifting from the China-Centered to the Asuka Perspective
?3?Structure of the Book
Part 1: The Catalogue
2 Tracing an Organic Stylistic Sequence
?1?Group I
?2?Group II
?3?Group III
?4?Group IV
?5?Conclusion
Part 2: A Revised Chronology
3 Weighing the Archaeological and Historical Evidence
?1?Advent of Buddhist Practice in Japan
?2?The East Asian Context
?3?Direct Buddhist Contacts with China
?4?Opportunity for Rethinking the Chronology
4 Reevaluating Buddhist Art in Korean Three Kingdoms
?1?Textual and Archaeological Survey
?2?Reconsidering the Fifty-Year Lag between the Korean Three Kingdoms and Chinese Dynasties
?3?A History of Korean Three Kingdoms Buddhist Art Historiography
5 A Revised Chronology
?1?How the Traditional Chronology Became Established
?2?Reconsidering the Anchor Statues
?3?The Horyuji Kondo Shaka Triad: a Close Study
?4?A Revised Chronology
Part 3: A New Account of Asuka Buddhism
6 A Tentative Beginning: 550-600
?1?Features Neither Continental nor Local
?2?Understanding the Earliest Buddhist Sculptors
?3?A Hesitant Beginning
7 Vibrant Transformation: 600-650
?1?The Shiba Story Continued
?2?A Multiplicity of Other Sculptural Modes
?3?The Buddhist Boom
8 New Technological Development: 650-710
?1?Piece-Mold versus Lost-Wax Methods
?2?From the Direct to the Indirect Method
?3?Interpreting the Technological Change
9 Conclusion
?1?Rethinking Asuka Buddhist Art
?2?Looking Forward: the Yakushi Triad and Beyond
Reference Matter
?List of Extant Asuka Buddhist Statues
?Abbreviations for Catalogue Titles
Bibliography
Index
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