Reconstructing Performance Art
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Reconstructing Performance Art
Practices of Historicisation, Documentation and Representation
Gusman, Tancredi
Taylor & Francis Ltd
12/2024
238
Mole
9781032231358
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Acknowledgments
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art
Tancredi Gusman
PART I: Reframing the Past: Histories and Historiographies of Performance Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe
Amy Bryzgel
2. The '68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Buescher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10. On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections
Wolfgang Brueckle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?
Georgina Guy and Johanna Linsley
Index
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art
Tancredi Gusman
PART I: Reframing the Past: Histories and Historiographies of Performance Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe
Amy Bryzgel
2. The '68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Buescher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10. On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections
Wolfgang Brueckle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?
Georgina Guy and Johanna Linsley
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
contemporary;cultural landscape;art history;performance;Theatre;Vice Versa;Schneemann;Andrew Quick;Performance Art;Dense;Federico Tiezzi;Camden Arts Centre;Boris Charmatz;Stedelijk Museum;Performance Documentation;Gabriella Giannachi;Oral History;Tate Modern;Organic Honey;De La Danse;De Keersmaeker;Mona Hatoum;Abenteuer Der Trobadora Beatriz Nach;Trobadora Beatriz Nach Zeugnissen Ihrer;Di Tella Institute;Leben Und Abenteuer Der Trobadora;VALIE EXPORT;Kunsthaus Bregenz;MoMA's Archive;Di Tella
Acknowledgments
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art
Tancredi Gusman
PART I: Reframing the Past: Histories and Historiographies of Performance Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe
Amy Bryzgel
2. The '68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Buescher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10. On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections
Wolfgang Brueckle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?
Georgina Guy and Johanna Linsley
Index
Contributor Bios
Disclaimer
Introduction: On the Present of Past Performance: Investigating the Practices of Reconstructing and Representing Performance Art
Tancredi Gusman
PART I: Reframing the Past: Histories and Historiographies of Performance Art
1. Mapping the Emerging Historiographies of Performance Art in East-Central Europe
Amy Bryzgel
2. The '68 Aesthetic and Political Radicalization in the Argentinian Avant-Garde
Ana Longoni and Mariano Mestman
3. Collective Memory and Live Art: The Methodology of Performance Chronicle Basel
Sabine Gebhardt Fink
4. The Historical Roots of "Performative Theater": The Italian Post-Avant-Garde
Lorenzo Mango
PART II: Unfolding the Action: Media and Documents of Performance Art
5. How Records and Documents Become Art: The Role of Documentation in the Preservation, Exhibition and Experience of Performance Art
Gabriella Giannachi
6. Performance Documentation: Ephemerality, Temporality, Authenticity
Philip Auslander
7. Book as Archive of Performance Art and Source Material of Its History
Barbara Buescher
8. Listening to the Histories of Performance Art
Heike Roms
PART III: Representing Performance: Information, Collection, Reactivation
9. Capturing Narrative and Data in Performance Art: The Joan Jonas Knowledge Base
Barbara Clausen, Deena Engel and Glenn Wharton
10. On the Long Road to Becoming a Matter of Course: Collecting Live Performances in Museums and Other Art Collections
Wolfgang Brueckle and Rachel Mader
11. Making Movement Memorable: Tino Sehgal and Boris Charmatz at Tate Modern
Susanne Franco
12. Retrospective Remarks on Rose English, Mona Hatoum and Ana Mendieta: Where Is Performance?
Georgina Guy and Johanna Linsley
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
contemporary;cultural landscape;art history;performance;Theatre;Vice Versa;Schneemann;Andrew Quick;Performance Art;Dense;Federico Tiezzi;Camden Arts Centre;Boris Charmatz;Stedelijk Museum;Performance Documentation;Gabriella Giannachi;Oral History;Tate Modern;Organic Honey;De La Danse;De Keersmaeker;Mona Hatoum;Abenteuer Der Trobadora Beatriz Nach;Trobadora Beatriz Nach Zeugnissen Ihrer;Di Tella Institute;Leben Und Abenteuer Der Trobadora;VALIE EXPORT;Kunsthaus Bregenz;MoMA's Archive;Di Tella